Medium as museum: Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation
"In 1826 the French state purchased Marie-Victoire Jaquotot’s porcelain copy of François Gérard’s Corinne at Cape Miseno (1819-20) for twenty thousand francs, exceeding the amount of the original painting. Upending our assumptions about the relative value of originals and copies in the nineteen...
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2021
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Schlagworte: | |
Zusammenfassung: | "In 1826 the French state purchased Marie-Victoire Jaquotot’s porcelain copy of François Gérard’s Corinne at Cape Miseno (1819-20) for twenty thousand francs, exceeding the amount of the original painting. Upending our assumptions about the relative value of originals and copies in the nineteenth century, the extraordinary sum paid to Jaquotot reflected the high esteem in which the restored Bourbon monarchy held reproductive painting on porcelain, which is the subject of this chapter. In the context of France’s fragile post-revolutionary settlement, reproductive painting on porcelain met a royalist need for stability while tapping into a feeling common among members of the elite that the private sphere could catalyze public renewal. Stung by the departure of so many prestigious works from the Louvre at the end of the Napoleonic era, royal administrators believed porcelain copies might compensate for the loss and help renew the mission of the museum during the Bourbon Restoration." |
Beschreibung: | Illustrationen |
ISBN: | 978-1-5013-4839-6 |
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spelling | Harkett, Daniel Verfasser (DE-588)1130247120 aut Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation Daniel Harkett 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier "In 1826 the French state purchased Marie-Victoire Jaquotot’s porcelain copy of François Gérard’s Corinne at Cape Miseno (1819-20) for twenty thousand francs, exceeding the amount of the original painting. Upending our assumptions about the relative value of originals and copies in the nineteenth century, the extraordinary sum paid to Jaquotot reflected the high esteem in which the restored Bourbon monarchy held reproductive painting on porcelain, which is the subject of this chapter. In the context of France’s fragile post-revolutionary settlement, reproductive painting on porcelain met a royalist need for stability while tapping into a feeling common among members of the elite that the private sphere could catalyze public renewal. Stung by the departure of so many prestigious works from the Louvre at the end of the Napoleonic era, royal administrators believed porcelain copies might compensate for the loss and help renew the mission of the museum during the Bourbon Restoration." Jaquotot, Marie Victoire 1772-1855 (DE-588)132323508 gnd rswk-swf Geschichte 1820-1870 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Monarchie (DE-588)4040034-7 gnd rswk-swf Porzellanmalerei (DE-588)4046859-8 gnd rswk-swf Restauration (DE-588)4133527-2 gnd rswk-swf Hof (DE-588)4025453-7 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Jaquotot, Marie Victoire 1772-1855 (DE-588)132323508 p Porzellanmalerei (DE-588)4046859-8 s Frankreich (DE-588)4018145-5 g Monarchie (DE-588)4040034-7 s Hof (DE-588)4025453-7 s Restauration (DE-588)4133527-2 s Kunstmarkt (DE-588)4120630-7 s Geschichte 1820-1870 z DE-604 pages:169-193 Time, media, and visuality in post-revolutionary France / edited by Iris Moon and Richard Taws London ; New York ; Oxford ; New Delhi ; Sydney, 2021 Seite 169-193 (DE-604)BV047484882 978-1-5013-4839-6 |
spellingShingle | Harkett, Daniel Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation Jaquotot, Marie Victoire 1772-1855 (DE-588)132323508 gnd Kunstmarkt (DE-588)4120630-7 gnd Monarchie (DE-588)4040034-7 gnd Porzellanmalerei (DE-588)4046859-8 gnd Restauration (DE-588)4133527-2 gnd Hof (DE-588)4025453-7 gnd |
subject_GND | (DE-588)132323508 (DE-588)4120630-7 (DE-588)4040034-7 (DE-588)4046859-8 (DE-588)4133527-2 (DE-588)4025453-7 (DE-588)4018145-5 |
title | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation |
title_auth | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation |
title_exact_search | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation |
title_exact_search_txtP | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation |
title_full | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation Daniel Harkett |
title_fullStr | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation Daniel Harkett |
title_full_unstemmed | Medium as museum Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation Daniel Harkett |
title_short | Medium as museum |
title_sort | medium as museum marie victoire jaquotot s porcelain painting and post revolutionary fantasies of preservation |
title_sub | Marie-Victoire Jaquotot's porcelain painting and post-revolutionary fantasies of preservation |
topic | Jaquotot, Marie Victoire 1772-1855 (DE-588)132323508 gnd Kunstmarkt (DE-588)4120630-7 gnd Monarchie (DE-588)4040034-7 gnd Porzellanmalerei (DE-588)4046859-8 gnd Restauration (DE-588)4133527-2 gnd Hof (DE-588)4025453-7 gnd |
topic_facet | Jaquotot, Marie Victoire 1772-1855 Kunstmarkt Monarchie Porzellanmalerei Restauration Hof Frankreich |
work_keys_str_mv | AT harkettdaniel mediumasmuseummarievictoirejaquototsporcelainpaintingandpostrevolutionaryfantasiesofpreservation |