Roman Tragedy: Theatre to Theatricality
Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all t...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage. Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (223 pages) |
| ISBN: | 9780292797543 |
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| 520 | |a Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage. Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete | ||
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Datensatz im Suchindex
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| author | Erasmo, Mario |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 872 - Latin dramatic poetry and drama |
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| dewey-search | 872/.0109 |
| dewey-sort | 3872 3109 |
| dewey-tens | 870 - Latin & related Italic literatures |
| discipline | Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Philologie / Byzantinistik / Neulatein |
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| indexdate | 2024-07-10T09:18:00Z |
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| language | English |
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| spelling | Erasmo, Mario Verfasser aut Roman Tragedy Theatre to Theatricality Mario Erasmo Austin University of Texas Press [2021] © 2004 1 Online-Ressource (223 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage. Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete In English LITERARY CRITICISM / General bisacsh Latin drama (Tragedy) History and criticism Theater History To 500 Theater Rome https://www.degruyter.com/isbn/9780292797543 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Erasmo, Mario Roman Tragedy Theatre to Theatricality LITERARY CRITICISM / General bisacsh Latin drama (Tragedy) History and criticism Theater History To 500 Theater Rome |
| title | Roman Tragedy Theatre to Theatricality |
| title_auth | Roman Tragedy Theatre to Theatricality |
| title_exact_search | Roman Tragedy Theatre to Theatricality |
| title_exact_search_txtP | Roman Tragedy Theatre to Theatricality |
| title_full | Roman Tragedy Theatre to Theatricality Mario Erasmo |
| title_fullStr | Roman Tragedy Theatre to Theatricality Mario Erasmo |
| title_full_unstemmed | Roman Tragedy Theatre to Theatricality Mario Erasmo |
| title_short | Roman Tragedy |
| title_sort | roman tragedy theatre to theatricality |
| title_sub | Theatre to Theatricality |
| topic | LITERARY CRITICISM / General bisacsh Latin drama (Tragedy) History and criticism Theater History To 500 Theater Rome |
| topic_facet | LITERARY CRITICISM / General Latin drama (Tragedy) History and criticism Theater History To 500 Theater Rome |
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