Woman with a Movie Camera: My Life as a Russian Filmmaker
Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, Euro...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780292795631 |
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| 520 | |a Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience | ||
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| language | English |
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| spelling | Goldovskaya, Marina Verfasser aut Woman with a Movie Camera My Life as a Russian Filmmaker Marina Goldovskaya Austin University of Texas Press [2021] © 2006 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience In English BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh Motion picture producers and directors Russia (Federation) Biography Motion picture producers and directors Soviet Union Biography Women motion picture producers and directors Russia (Federation) Biography Women motion picture producers and directors Soviet Union Biography Bouis, Antonina W. Sonstige oth Rosen, Robert Sonstige oth https://www.degruyter.com/isbn/9780292795631 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Goldovskaya, Marina Woman with a Movie Camera My Life as a Russian Filmmaker BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh Motion picture producers and directors Russia (Federation) Biography Motion picture producers and directors Soviet Union Biography Women motion picture producers and directors Russia (Federation) Biography Women motion picture producers and directors Soviet Union Biography |
| title | Woman with a Movie Camera My Life as a Russian Filmmaker |
| title_auth | Woman with a Movie Camera My Life as a Russian Filmmaker |
| title_exact_search | Woman with a Movie Camera My Life as a Russian Filmmaker |
| title_exact_search_txtP | Woman with a Movie Camera My Life as a Russian Filmmaker |
| title_full | Woman with a Movie Camera My Life as a Russian Filmmaker Marina Goldovskaya |
| title_fullStr | Woman with a Movie Camera My Life as a Russian Filmmaker Marina Goldovskaya |
| title_full_unstemmed | Woman with a Movie Camera My Life as a Russian Filmmaker Marina Goldovskaya |
| title_short | Woman with a Movie Camera |
| title_sort | woman with a movie camera my life as a russian filmmaker |
| title_sub | My Life as a Russian Filmmaker |
| topic | BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts bisacsh Motion picture producers and directors Russia (Federation) Biography Motion picture producers and directors Soviet Union Biography Women motion picture producers and directors Russia (Federation) Biography Women motion picture producers and directors Soviet Union Biography |
| topic_facet | BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts Motion picture producers and directors Russia (Federation) Biography Motion picture producers and directors Soviet Union Biography Women motion picture producers and directors Russia (Federation) Biography Women motion picture producers and directors Soviet Union Biography |
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