Dividing the Isthmus: Central American Transnational Histories, Literatures, and Cultures
In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus-a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780292793729 |
| DOI: | 10.7560/719095 |
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| 520 | |a In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus-a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies | ||
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Datensatz im Suchindex
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| doi_str_mv | 10.7560/719095 |
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| spelling | Rodríguez, Ana Patricia Verfasser aut Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures Ana Patricia Rodríguez Austin University of Texas Press [2021] © 2009 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus-a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensive, comparative, and meticulously researched book covering more than one hundred years, between 1899 and 2007, of modern cultural and literary production and modern empire-building in Central America. She examines the grand narratives of (anti)imperialism, revolution, subalternity, globalization, impunity, transnational migration, and diaspora, as well as other discursive, historical, and material configurations of the region beyond its geophysical and political confines. Focusing in particular on how the material productions and symbolic tropes of cacao, coffee, indigo, bananas, canals, waste, and transmigrant labor have shaped the transisthmian cultural and literary imaginaries, Rodríguez develops new methodological approaches for studying cultural production in Central America and its diasporas. Monumental in scope and relentlessly impassioned, this work offers new critical readings of Central American narratives and contributes to the growing field of Central American studies In English LITERARY CRITICISM / Caribbean & Latin American bisacsh Central American literature 20th century History and criticism https://doi.org/10.7560/719095 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rodríguez, Ana Patricia Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures LITERARY CRITICISM / Caribbean & Latin American bisacsh Central American literature 20th century History and criticism |
| title | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures |
| title_auth | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures |
| title_exact_search | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures |
| title_exact_search_txtP | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures |
| title_full | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures Ana Patricia Rodríguez |
| title_fullStr | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures Ana Patricia Rodríguez |
| title_full_unstemmed | Dividing the Isthmus Central American Transnational Histories, Literatures, and Cultures Ana Patricia Rodríguez |
| title_short | Dividing the Isthmus |
| title_sort | dividing the isthmus central american transnational histories literatures and cultures |
| title_sub | Central American Transnational Histories, Literatures, and Cultures |
| topic | LITERARY CRITICISM / Caribbean & Latin American bisacsh Central American literature 20th century History and criticism |
| topic_facet | LITERARY CRITICISM / Caribbean & Latin American Central American literature 20th century History and criticism |
| url | https://doi.org/10.7560/719095 |
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