Manhood in Hollywood from Bush to Bush:
A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines-psychoanalysis, queer theory, American studies, men's studies, and film theory-as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (309 pages) |
| ISBN: | 9780292793507 |
| DOI: | 10.7560/719873 |
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| 520 | |a A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines-psychoanalysis, queer theory, American studies, men's studies, and film theory-as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain | ||
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| spelling | Greven, David Verfasser aut Manhood in Hollywood from Bush to Bush David Greven Austin University of Texas Press [2021] © 2009 1 Online-Ressource (309 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) A struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines-psychoanalysis, queer theory, American studies, men's studies, and film theory-as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain In English PERFORMING ARTS / General bisacsh Masculinity in motion pictures Men in motion pictures Motion pictures United States History 20th century Motion pictures United States History 21st century https://doi.org/10.7560/719873 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Greven, David Manhood in Hollywood from Bush to Bush PERFORMING ARTS / General bisacsh Masculinity in motion pictures Men in motion pictures Motion pictures United States History 20th century Motion pictures United States History 21st century |
| title | Manhood in Hollywood from Bush to Bush |
| title_auth | Manhood in Hollywood from Bush to Bush |
| title_exact_search | Manhood in Hollywood from Bush to Bush |
| title_exact_search_txtP | Manhood in Hollywood from Bush to Bush |
| title_full | Manhood in Hollywood from Bush to Bush David Greven |
| title_fullStr | Manhood in Hollywood from Bush to Bush David Greven |
| title_full_unstemmed | Manhood in Hollywood from Bush to Bush David Greven |
| title_short | Manhood in Hollywood from Bush to Bush |
| title_sort | manhood in hollywood from bush to bush |
| topic | PERFORMING ARTS / General bisacsh Masculinity in motion pictures Men in motion pictures Motion pictures United States History 20th century Motion pictures United States History 21st century |
| topic_facet | PERFORMING ARTS / General Masculinity in motion pictures Men in motion pictures Motion pictures United States History 20th century Motion pictures United States History 21st century |
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