Edna Ferber's Hollywood: American Fictions of Gender, Race, and History
Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century-the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniqu...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin
University of Texas Press
[2021]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century-the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era-among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider-a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Physical Description: | 1 Online-Ressource |
| ISBN: | 9780292793392 |
| DOI: | 10.7560/719842 |
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| indexdate | 2025-02-19T17:32:06Z |
| institution | BVB |
| isbn | 9780292793392 |
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| spelling | Smyth, J. E. Verfasser aut Edna Ferber's Hollywood American Fictions of Gender, Race, and History J. E. Smyth Austin University of Texas Press [2021] © 2009 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century-the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era-among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider-a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Historical fiction, American Film adaptations Historical fiction, American Television adaptations Motion pictures United States History 20th century Racism in literature Sex role in literature Women in the motion picture industry United States Schatz, Thomas Sonstige oth https://doi.org/10.7560/719842 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Smyth, J. E. Edna Ferber's Hollywood American Fictions of Gender, Race, and History PERFORMING ARTS / Film & Video / History & Criticism bisacsh Historical fiction, American Film adaptations Historical fiction, American Television adaptations Motion pictures United States History 20th century Racism in literature Sex role in literature Women in the motion picture industry United States |
| title | Edna Ferber's Hollywood American Fictions of Gender, Race, and History |
| title_auth | Edna Ferber's Hollywood American Fictions of Gender, Race, and History |
| title_exact_search | Edna Ferber's Hollywood American Fictions of Gender, Race, and History |
| title_exact_search_txtP | Edna Ferber's Hollywood American Fictions of Gender, Race, and History |
| title_full | Edna Ferber's Hollywood American Fictions of Gender, Race, and History J. E. Smyth |
| title_fullStr | Edna Ferber's Hollywood American Fictions of Gender, Race, and History J. E. Smyth |
| title_full_unstemmed | Edna Ferber's Hollywood American Fictions of Gender, Race, and History J. E. Smyth |
| title_short | Edna Ferber's Hollywood |
| title_sort | edna ferber s hollywood american fictions of gender race and history |
| title_sub | American Fictions of Gender, Race, and History |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Historical fiction, American Film adaptations Historical fiction, American Television adaptations Motion pictures United States History 20th century Racism in literature Sex role in literature Women in the motion picture industry United States |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Historical fiction, American Film adaptations Historical fiction, American Television adaptations Motion pictures United States History 20th century Racism in literature Sex role in literature Women in the motion picture industry United States |
| url | https://doi.org/10.7560/719842 |
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