Punk Slash! Musicals: Tracking Slip-Sync on Film
Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence betwe...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (200 pages) |
| ISBN: | 9780292792951 |
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| 520 | |a Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture | ||
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| indexdate | 2024-07-10T09:17:59Z |
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| publishDate | 2021 |
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| spelling | Laderman, David Verfasser aut Punk Slash! Musicals Tracking Slip-Sync on Film David Laderman Austin University of Texas Press [2021] © 2010 1 Online-Ressource (200 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture In English PERFORMING ARTS / General bisacsh Rock films Great Britain History and criticism Rock films United States History and criticism https://www.degruyter.com/isbn/9780292792951 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Laderman, David Punk Slash! Musicals Tracking Slip-Sync on Film PERFORMING ARTS / General bisacsh Rock films Great Britain History and criticism Rock films United States History and criticism |
| title | Punk Slash! Musicals Tracking Slip-Sync on Film |
| title_auth | Punk Slash! Musicals Tracking Slip-Sync on Film |
| title_exact_search | Punk Slash! Musicals Tracking Slip-Sync on Film |
| title_exact_search_txtP | Punk Slash! Musicals Tracking Slip-Sync on Film |
| title_full | Punk Slash! Musicals Tracking Slip-Sync on Film David Laderman |
| title_fullStr | Punk Slash! Musicals Tracking Slip-Sync on Film David Laderman |
| title_full_unstemmed | Punk Slash! Musicals Tracking Slip-Sync on Film David Laderman |
| title_short | Punk Slash! Musicals |
| title_sort | punk slash musicals tracking slip sync on film |
| title_sub | Tracking Slip-Sync on Film |
| topic | PERFORMING ARTS / General bisacsh Rock films Great Britain History and criticism Rock films United States History and criticism |
| topic_facet | PERFORMING ARTS / General Rock films Great Britain History and criticism Rock films United States History and criticism |
| url | https://www.degruyter.com/isbn/9780292792951 |
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