Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture
In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United State...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United States. Robé studies the development of this theory and criticism over the course of the 1930s, as artists and intellectuals formed alliances in order to establish an engaged political film movement that aspired toward a popular cinema of social change. Combining extensive archival research with careful close analysis of films, Robé explores the origins of this radical social formation of U.S. Left film culture. Grounding his arguments in the surrounding contexts and aesthetics of a few films in particular-Sergei Eisenstein's Que Viva Mexico!, Fritz Lang's Fury, William Dieterle's Juarez, and Jean Renoir's La Marseillaise-Robé focuses on how film theorists and critics sought to foster audiences who might push both film culture and larger social practices in more progressive directions. Turning at one point to anti-lynching films, Robé discusses how these movies united black and white film critics, forging an alliance of writers who championed not only critical spectatorship but also the public support of racial equality. Yet, despite a stated interest in forging more egalitarian social relations, gender bias was endemic in Left criticism of the era, and female-centered films were regularly discounted. Thus Robé provides an in-depth examination of this overlooked shortcoming of U.S. Left film criticism and theory |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (308 pages) |
| ISBN: | 9780292784734 |
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| 520 | |a In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United States. Robé studies the development of this theory and criticism over the course of the 1930s, as artists and intellectuals formed alliances in order to establish an engaged political film movement that aspired toward a popular cinema of social change. Combining extensive archival research with careful close analysis of films, Robé explores the origins of this radical social formation of U.S. Left film culture. Grounding his arguments in the surrounding contexts and aesthetics of a few films in particular-Sergei Eisenstein's Que Viva Mexico!, Fritz Lang's Fury, William Dieterle's Juarez, and Jean Renoir's La Marseillaise-Robé focuses on how film theorists and critics sought to foster audiences who might push both film culture and larger social practices in more progressive directions. Turning at one point to anti-lynching films, Robé discusses how these movies united black and white film critics, forging an alliance of writers who championed not only critical spectatorship but also the public support of racial equality. Yet, despite a stated interest in forging more egalitarian social relations, gender bias was endemic in Left criticism of the era, and female-centered films were regularly discounted. Thus Robé provides an in-depth examination of this overlooked shortcoming of U.S. Left film criticism and theory | ||
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| spelling | Robé, Chris Verfasser aut Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture Chris Robé Austin University of Texas Press [2021] © 2010 1 Online-Ressource (308 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) In the 1930s as the capitalist system faltered, many in the United States turned to the political Left. Hollywood, so deeply embedded in capitalism, was not immune to this shift. Left of Hollywood offers the first book-length study of Depression-era Left film theory and criticism in the United States. Robé studies the development of this theory and criticism over the course of the 1930s, as artists and intellectuals formed alliances in order to establish an engaged political film movement that aspired toward a popular cinema of social change. Combining extensive archival research with careful close analysis of films, Robé explores the origins of this radical social formation of U.S. Left film culture. Grounding his arguments in the surrounding contexts and aesthetics of a few films in particular-Sergei Eisenstein's Que Viva Mexico!, Fritz Lang's Fury, William Dieterle's Juarez, and Jean Renoir's La Marseillaise-Robé focuses on how film theorists and critics sought to foster audiences who might push both film culture and larger social practices in more progressive directions. Turning at one point to anti-lynching films, Robé discusses how these movies united black and white film critics, forging an alliance of writers who championed not only critical spectatorship but also the public support of racial equality. Yet, despite a stated interest in forging more egalitarian social relations, gender bias was endemic in Left criticism of the era, and female-centered films were regularly discounted. Thus Robé provides an in-depth examination of this overlooked shortcoming of U.S. Left film criticism and theory In English PERFORMING ARTS / General bisacsh Film criticism History 20th century United States Film criticism United States History 20th century Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures Political aspects History 20th century United States Motion pictures Political aspects United States History 20th century Motion pictures Social aspects History 20th century United States Motion pictures Social aspects United States History 20th century Politics in motion pictures Radicalism History 20th century United States Radicalism United States History 20th century Socialism and motion pictures United States Working class in motion pictures Electronic books Working class in motion pictures https://www.degruyter.com/isbn/9780292784734 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Robé, Chris Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture PERFORMING ARTS / General bisacsh Film criticism History 20th century United States Film criticism United States History 20th century Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures Political aspects History 20th century United States Motion pictures Political aspects United States History 20th century Motion pictures Social aspects History 20th century United States Motion pictures Social aspects United States History 20th century Politics in motion pictures Radicalism History 20th century United States Radicalism United States History 20th century Socialism and motion pictures United States Working class in motion pictures Electronic books Working class in motion pictures |
| title | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture |
| title_auth | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture |
| title_exact_search | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture |
| title_exact_search_txtP | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture |
| title_full | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture Chris Robé |
| title_fullStr | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture Chris Robé |
| title_full_unstemmed | Left of Hollywood Cinema, Modernism, and the Emergence of U.S. Radical Film Culture Chris Robé |
| title_short | Left of Hollywood |
| title_sort | left of hollywood cinema modernism and the emergence of u s radical film culture |
| title_sub | Cinema, Modernism, and the Emergence of U.S. Radical Film Culture |
| topic | PERFORMING ARTS / General bisacsh Film criticism History 20th century United States Film criticism United States History 20th century Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures Political aspects History 20th century United States Motion pictures Political aspects United States History 20th century Motion pictures Social aspects History 20th century United States Motion pictures Social aspects United States History 20th century Politics in motion pictures Radicalism History 20th century United States Radicalism United States History 20th century Socialism and motion pictures United States Working class in motion pictures Electronic books Working class in motion pictures |
| topic_facet | PERFORMING ARTS / General Film criticism History 20th century United States Film criticism United States History 20th century Motion picture industry History 20th century United States Motion picture industry United States History 20th century Motion pictures Political aspects History 20th century United States Motion pictures Political aspects United States History 20th century Motion pictures Social aspects History 20th century United States Motion pictures Social aspects United States History 20th century Politics in motion pictures Radicalism History 20th century United States Radicalism United States History 20th century Socialism and motion pictures United States Working class in motion pictures Electronic books Working class in motion pictures |
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