Hollywood Incoherent: Narration in Seventies Cinema
In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema. In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films-Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes-but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (288 pages) |
| ISBN: | 9780292784710 |
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| 520 | |a In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema. In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films-Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes-but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema | ||
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| spelling | Berliner, Todd Verfasser aut Hollywood Incoherent Narration in Seventies Cinema Todd Berliner Austin University of Texas Press [2021] © 2010 1 Online-Ressource (288 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema. In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films-Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes-but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema In English PERFORMING ARTS / General bisacsh Dialogue in motion pictures Incongruity in motion pictures Motion picture plays History and criticism Motion pictures United States History 20th century Narration (Rhetoric) https://www.degruyter.com/isbn/9780292784710 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berliner, Todd Hollywood Incoherent Narration in Seventies Cinema PERFORMING ARTS / General bisacsh Dialogue in motion pictures Incongruity in motion pictures Motion picture plays History and criticism Motion pictures United States History 20th century Narration (Rhetoric) |
| title | Hollywood Incoherent Narration in Seventies Cinema |
| title_auth | Hollywood Incoherent Narration in Seventies Cinema |
| title_exact_search | Hollywood Incoherent Narration in Seventies Cinema |
| title_exact_search_txtP | Hollywood Incoherent Narration in Seventies Cinema |
| title_full | Hollywood Incoherent Narration in Seventies Cinema Todd Berliner |
| title_fullStr | Hollywood Incoherent Narration in Seventies Cinema Todd Berliner |
| title_full_unstemmed | Hollywood Incoherent Narration in Seventies Cinema Todd Berliner |
| title_short | Hollywood Incoherent |
| title_sort | hollywood incoherent narration in seventies cinema |
| title_sub | Narration in Seventies Cinema |
| topic | PERFORMING ARTS / General bisacsh Dialogue in motion pictures Incongruity in motion pictures Motion picture plays History and criticism Motion pictures United States History 20th century Narration (Rhetoric) |
| topic_facet | PERFORMING ARTS / General Dialogue in motion pictures Incongruity in motion pictures Motion picture plays History and criticism Motion pictures United States History 20th century Narration (Rhetoric) |
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