Curating at the Edge: Artists Respond to the U.S./Mexico Border
Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of "border art" or Chicano art. Instead, Bonansinga captures the creative climate of 2004-2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin's location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists' working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780292752986 |
| DOI: | 10.7560/752979 |
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| 520 | |a Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of "border art" or Chicano art. Instead, Bonansinga captures the creative climate of 2004-2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin's location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists' working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences | ||
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| index_date | 2024-07-03T18:47:51Z |
| indexdate | 2024-07-10T09:17:58Z |
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| spelling | Bonansinga, Kate Verfasser aut Curating at the Edge Artists Respond to the U.S./Mexico Border Kate Bonansinga Austin University of Texas Press [2021] © 2014 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin's founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of "border art" or Chicano art. Instead, Bonansinga captures the creative climate of 2004-2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin's location in the Chihuahuan desert on the U.S./Mexican border is meaningful and intriguing to many artists, and, consequently, Curating at the Edge describes the multiple artistic perspectives conveyed in the place-based exhibitions Bonansinga oversaw. Exciting mid-career artists featured in this collection of case studies include Margarita Cabrera, Liz Cohen, Marcos Ramírez ERRE, and many others. Recalling her experiences in vivid, first-person scenes, Bonansinga reveals the processes a contemporary art curator undertakes and the challenges she faces by describing a few of the more than sixty exhibitions that she organized during her tenure at the Rubin. She also explores the artists' working methods and the relationship between their work and their personal and professional histories (some are Mexican citizens, some are U.S. citizens of Mexican descent, and some have ancestral ties to Europe). Timely and illuminating, Curating at the Edge sheds light on the work of the interlocutors who connect artists and their audiences In English ART / Criticism bisacsh Art and society Mexican-American Border Region History 21st century Art museum curators Mexican-American Border Region Art museums and community Mexican-American Border Region Artists and museums Mexican-American Border Region Lippard, Lucy R. Sonstige oth Lippard, Lucy Sonstige oth https://doi.org/10.7560/752979 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bonansinga, Kate Curating at the Edge Artists Respond to the U.S./Mexico Border ART / Criticism bisacsh Art and society Mexican-American Border Region History 21st century Art museum curators Mexican-American Border Region Art museums and community Mexican-American Border Region Artists and museums Mexican-American Border Region |
| title | Curating at the Edge Artists Respond to the U.S./Mexico Border |
| title_auth | Curating at the Edge Artists Respond to the U.S./Mexico Border |
| title_exact_search | Curating at the Edge Artists Respond to the U.S./Mexico Border |
| title_exact_search_txtP | Curating at the Edge Artists Respond to the U.S./Mexico Border |
| title_full | Curating at the Edge Artists Respond to the U.S./Mexico Border Kate Bonansinga |
| title_fullStr | Curating at the Edge Artists Respond to the U.S./Mexico Border Kate Bonansinga |
| title_full_unstemmed | Curating at the Edge Artists Respond to the U.S./Mexico Border Kate Bonansinga |
| title_short | Curating at the Edge |
| title_sort | curating at the edge artists respond to the u s mexico border |
| title_sub | Artists Respond to the U.S./Mexico Border |
| topic | ART / Criticism bisacsh Art and society Mexican-American Border Region History 21st century Art museum curators Mexican-American Border Region Art museums and community Mexican-American Border Region Artists and museums Mexican-American Border Region |
| topic_facet | ART / Criticism Art and society Mexican-American Border Region History 21st century Art museum curators Mexican-American Border Region Art museums and community Mexican-American Border Region Artists and museums Mexican-American Border Region |
| url | https://doi.org/10.7560/752979 |
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