Kill for Peace: American Artists Against the Vietnam War
The Vietnam War (1964-1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | The Vietnam War (1964-1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists' individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists' groups including the Art Workers' Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC's Q. And Babies? A. And Babies and APC's The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists' approaches to protest. These approaches range from extra-aesthetic actions-advertisements, strikes, walk-outs, and petitions without a visual aspect-to advance memorials, which were war memorials purposefully created before the war's end that criticized both the war and the form and content of traditional war memorials |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (278 pages) |
| ISBN: | 9780292745438 |
| DOI: | 10.7560/745421 |
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| spelling | Israel, Matthew Verfasser aut Kill for Peace American Artists Against the Vietnam War Matthew Israel Austin University of Texas Press [2021] © 2013 1 Online-Ressource (278 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) The Vietnam War (1964-1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists' individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists' groups including the Art Workers' Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC's Q. And Babies? A. And Babies and APC's The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists' approaches to protest. These approaches range from extra-aesthetic actions-advertisements, strikes, walk-outs, and petitions without a visual aspect-to advance memorials, which were war memorials purposefully created before the war's end that criticized both the war and the form and content of traditional war memorials In English ART / General bisacsh Art and society United States History 20th century Art Political aspects United States History 20th century Art, American 20th century Themes, motives Vietnam War, 1961-1975 Protest movements United States https://doi.org/10.7560/745421 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Israel, Matthew Kill for Peace American Artists Against the Vietnam War ART / General bisacsh Art and society United States History 20th century Art Political aspects United States History 20th century Art, American 20th century Themes, motives Vietnam War, 1961-1975 Protest movements United States |
| title | Kill for Peace American Artists Against the Vietnam War |
| title_auth | Kill for Peace American Artists Against the Vietnam War |
| title_exact_search | Kill for Peace American Artists Against the Vietnam War |
| title_exact_search_txtP | Kill for Peace American Artists Against the Vietnam War |
| title_full | Kill for Peace American Artists Against the Vietnam War Matthew Israel |
| title_fullStr | Kill for Peace American Artists Against the Vietnam War Matthew Israel |
| title_full_unstemmed | Kill for Peace American Artists Against the Vietnam War Matthew Israel |
| title_short | Kill for Peace |
| title_sort | kill for peace american artists against the vietnam war |
| title_sub | American Artists Against the Vietnam War |
| topic | ART / General bisacsh Art and society United States History 20th century Art Political aspects United States History 20th century Art, American 20th century Themes, motives Vietnam War, 1961-1975 Protest movements United States |
| topic_facet | ART / General Art and society United States History 20th century Art Political aspects United States History 20th century Art, American 20th century Themes, motives Vietnam War, 1961-1975 Protest movements United States |
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