Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest
From Christopher Columbus to "first anthropologist" Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the "Indian" dances they encountered throughout the New World. This was especially true of Sp...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | From Christopher Columbus to "first anthropologist" Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the "Indian" dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the "idolatrous" behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse-the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri's pathfinding analysis of the vast colonial "dance archive" conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history-the European colonization of the Americas |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780292744936 |
| DOI: | 10.7560/744929 |
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| 520 | |a From Christopher Columbus to "first anthropologist" Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the "Indian" dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the "idolatrous" behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse-the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri's pathfinding analysis of the vast colonial "dance archive" conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history-the European colonization of the Americas | ||
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| spelling | Scolieri, Paul A. Verfasser aut Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest Paul A. Scolieri Austin University of Texas Press [2021] © 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) From Christopher Columbus to "first anthropologist" Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the "Indian" dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the "idolatrous" behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse-the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri's pathfinding analysis of the vast colonial "dance archive" conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history-the European colonization of the Americas In English PERFORMING ARTS / Dance / Folk bisacsh Aztec dance Aztecs First contact with Europeans Dance Anthropological aspects Mexico Indian dance Mexico https://doi.org/10.7560/744929 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Scolieri, Paul A. Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest PERFORMING ARTS / Dance / Folk bisacsh Aztec dance Aztecs First contact with Europeans Dance Anthropological aspects Mexico Indian dance Mexico |
| title | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest |
| title_auth | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest |
| title_exact_search | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest |
| title_exact_search_txtP | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest |
| title_full | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest Paul A. Scolieri |
| title_fullStr | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest Paul A. Scolieri |
| title_full_unstemmed | Dancing the New World Aztecs, Spaniards, and the Choreography of Conquest Paul A. Scolieri |
| title_short | Dancing the New World |
| title_sort | dancing the new world aztecs spaniards and the choreography of conquest |
| title_sub | Aztecs, Spaniards, and the Choreography of Conquest |
| topic | PERFORMING ARTS / Dance / Folk bisacsh Aztec dance Aztecs First contact with Europeans Dance Anthropological aspects Mexico Indian dance Mexico |
| topic_facet | PERFORMING ARTS / Dance / Folk Aztec dance Aztecs First contact with Europeans Dance Anthropological aspects Mexico Indian dance Mexico |
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