Queer Bergman: Sexuality, Gender, and the European Art Cinema
One of the twentieth century's most important filmmakers-indeed one of its most important and influential artists-Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dyn...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | One of the twentieth century's most important filmmakers-indeed one of its most important and influential artists-Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker's numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur's body of work; indeed, they have barely been noted. Queer Bergman makes a bold and convincing argument that Ingmar Bergman's work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman's own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director's radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work's trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post-World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (234 pages) |
| ISBN: | 9780292743779 |
| DOI: | 10.7560/743762 |
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| spelling | Humphrey, Daniel Verfasser aut Queer Bergman Sexuality, Gender, and the European Art Cinema Daniel Humphrey Austin University of Texas Press [2021] © 2013 1 Online-Ressource (234 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) One of the twentieth century's most important filmmakers-indeed one of its most important and influential artists-Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker's numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur's body of work; indeed, they have barely been noted. Queer Bergman makes a bold and convincing argument that Ingmar Bergman's work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman's own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director's radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work's trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post-World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others In English PERFORMING ARTS / General bisacsh Homosexuality and motion pictures Homosexuality in motion pictures https://doi.org/10.7560/743762 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Humphrey, Daniel Queer Bergman Sexuality, Gender, and the European Art Cinema PERFORMING ARTS / General bisacsh Homosexuality and motion pictures Homosexuality in motion pictures |
| title | Queer Bergman Sexuality, Gender, and the European Art Cinema |
| title_auth | Queer Bergman Sexuality, Gender, and the European Art Cinema |
| title_exact_search | Queer Bergman Sexuality, Gender, and the European Art Cinema |
| title_exact_search_txtP | Queer Bergman Sexuality, Gender, and the European Art Cinema |
| title_full | Queer Bergman Sexuality, Gender, and the European Art Cinema Daniel Humphrey |
| title_fullStr | Queer Bergman Sexuality, Gender, and the European Art Cinema Daniel Humphrey |
| title_full_unstemmed | Queer Bergman Sexuality, Gender, and the European Art Cinema Daniel Humphrey |
| title_short | Queer Bergman |
| title_sort | queer bergman sexuality gender and the european art cinema |
| title_sub | Sexuality, Gender, and the European Art Cinema |
| topic | PERFORMING ARTS / General bisacsh Homosexuality and motion pictures Homosexuality in motion pictures |
| topic_facet | PERFORMING ARTS / General Homosexuality and motion pictures Homosexuality in motion pictures |
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