Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin
Bridging landmark territory in film studies, Psycho-Sexual is the first book to apply Alfred Hitchcock's legacy to three key directors of 1970s Hollywood-Brian De Palma, Martin Scorsese, and William Friedkin-whose work suggests the pornographic male gaze that emerged in Hitchcock's depicti...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Bridging landmark territory in film studies, Psycho-Sexual is the first book to apply Alfred Hitchcock's legacy to three key directors of 1970s Hollywood-Brian De Palma, Martin Scorsese, and William Friedkin-whose work suggests the pornographic male gaze that emerged in Hitchcock's depiction of the voyeuristic, homoerotically inclined American man. Combining queer theory with a psychoanalytic perspective, David Greven begins with a reconsideration of Psycho and the 1956 remake of The Man Who Knew Too Much to introduce the filmmaker's evolutionary development of American masculinity. Psycho-Sexual probes De Palma's early Vietnam War draft-dodger comedies as well as his film Dressed to Kill, along with Scorsese's Taxi Driver and Friedkin's Cruising as reactions to and inventive elaborations upon Hitchcock's gendered themes and aesthetic approaches. Greven demonstrates how the significant political achievement of these films arises from a deeply disturbing, violent, even sorrowful psychological and social context. Engaging with contemporary theories of pornography while establishing pornography's emergence during the classical Hollywood era, Greven argues that New Hollywood filmmakers seized upon Hitchcock's radical decentering of heterosexual male dominance. The resulting images of heterosexual male ambivalence allowed for an investment in same-sex desire; an aura of homophobia became informed by a fascination with the homoerotic. Psycho-Sexual also explores the broader gender crisis and disorganization that permeated the Cold War and New Hollywood eras, reimagining the defining premises of Hitchcock criticism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (311 pages) |
| ISBN: | 9780292742031 |
| DOI: | 10.7560/742024 |
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| spelling | Greven, David Verfasser aut Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin David Greven Austin University of Texas Press [2021] © 2013 1 Online-Ressource (311 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Bridging landmark territory in film studies, Psycho-Sexual is the first book to apply Alfred Hitchcock's legacy to three key directors of 1970s Hollywood-Brian De Palma, Martin Scorsese, and William Friedkin-whose work suggests the pornographic male gaze that emerged in Hitchcock's depiction of the voyeuristic, homoerotically inclined American man. Combining queer theory with a psychoanalytic perspective, David Greven begins with a reconsideration of Psycho and the 1956 remake of The Man Who Knew Too Much to introduce the filmmaker's evolutionary development of American masculinity. Psycho-Sexual probes De Palma's early Vietnam War draft-dodger comedies as well as his film Dressed to Kill, along with Scorsese's Taxi Driver and Friedkin's Cruising as reactions to and inventive elaborations upon Hitchcock's gendered themes and aesthetic approaches. Greven demonstrates how the significant political achievement of these films arises from a deeply disturbing, violent, even sorrowful psychological and social context. Engaging with contemporary theories of pornography while establishing pornography's emergence during the classical Hollywood era, Greven argues that New Hollywood filmmakers seized upon Hitchcock's radical decentering of heterosexual male dominance. The resulting images of heterosexual male ambivalence allowed for an investment in same-sex desire; an aura of homophobia became informed by a fascination with the homoerotic. Psycho-Sexual also explores the broader gender crisis and disorganization that permeated the Cold War and New Hollywood eras, reimagining the defining premises of Hitchcock criticism In English PERFORMING ARTS / General bisacsh Homosexuality in motion pictures Masculinity in motion pictures https://doi.org/10.7560/742024 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Greven, David Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin PERFORMING ARTS / General bisacsh Homosexuality in motion pictures Masculinity in motion pictures |
| title | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin |
| title_auth | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin |
| title_exact_search | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin |
| title_exact_search_txtP | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin |
| title_full | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin David Greven |
| title_fullStr | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin David Greven |
| title_full_unstemmed | Psycho-Sexual Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin David Greven |
| title_short | Psycho-Sexual |
| title_sort | psycho sexual male desire in hitchcock de palma scorsese and friedkin |
| title_sub | Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin |
| topic | PERFORMING ARTS / General bisacsh Homosexuality in motion pictures Masculinity in motion pictures |
| topic_facet | PERFORMING ARTS / General Homosexuality in motion pictures Masculinity in motion pictures |
| url | https://doi.org/10.7560/742024 |
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