Disney's Most Notorious Film: Race, Convergence, and the Hidden Histories of Song of the South
The Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and li...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | The Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the "Tar Baby" to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity-and controversy-with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film-such as the Oscar-winning "Zip-a-Dee-Doo-Dah"-remain throughout Disney's media universe. Disney's Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film's controversies over the last seven decades. Jason Sperb skillfully traces the film's reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (294 pages) |
| ISBN: | 9780292739758 |
| DOI: | 10.7560/739741 |
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| spelling | Sperb, Jason Verfasser aut Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South Jason Sperb Austin University of Texas Press [2021] © 2012 1 Online-Ressource (294 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) The Walt Disney Company offers a vast universe of movies, television shows, theme parks, and merchandise, all carefully crafted to present an image of wholesome family entertainment. Yet Disney also produced one of the most infamous Hollywood films, Song of the South. Using cartoon characters and live actors to retell the stories of Joel Chandler Harris, SotS portrays a kindly black Uncle Remus who tells tales of Brer Rabbit, Brer Fox, and the "Tar Baby" to adoring white children. Audiences and critics alike found its depiction of African Americans condescending and outdated when the film opened in 1946, but it grew in popularity-and controversy-with subsequent releases. Although Disney has withheld the film from American audiences since the late 1980s, SotS has an enthusiastic fan following, and pieces of the film-such as the Oscar-winning "Zip-a-Dee-Doo-Dah"-remain throughout Disney's media universe. Disney's Most Notorious Film examines the racial and convergence histories of Song of the South to offer new insights into how audiences and Disney have negotiated the film's controversies over the last seven decades. Jason Sperb skillfully traces the film's reception history, showing how audience perceptions of SotS have reflected debates over race in the larger society. He also explores why and how Disney, while embargoing the film as a whole, has repurposed and repackaged elements of SotS so extensively that they linger throughout American culture, serving as everything from cultural metaphors to consumer products In English PERFORMING ARTS / General bisacsh African Americans in motion pictures Convergence (Telecommunication) Motion picture audiences United States Race relations in motion pictures Stereotypes (Social psychology) in motion pictures https://doi.org/10.7560/739741 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sperb, Jason Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South PERFORMING ARTS / General bisacsh African Americans in motion pictures Convergence (Telecommunication) Motion picture audiences United States Race relations in motion pictures Stereotypes (Social psychology) in motion pictures |
| title | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South |
| title_auth | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South |
| title_exact_search | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South |
| title_exact_search_txtP | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South |
| title_full | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South Jason Sperb |
| title_fullStr | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South Jason Sperb |
| title_full_unstemmed | Disney's Most Notorious Film Race, Convergence, and the Hidden Histories of Song of the South Jason Sperb |
| title_short | Disney's Most Notorious Film |
| title_sort | disney s most notorious film race convergence and the hidden histories of song of the south |
| title_sub | Race, Convergence, and the Hidden Histories of Song of the South |
| topic | PERFORMING ARTS / General bisacsh African Americans in motion pictures Convergence (Telecommunication) Motion picture audiences United States Race relations in motion pictures Stereotypes (Social psychology) in motion pictures |
| topic_facet | PERFORMING ARTS / General African Americans in motion pictures Convergence (Telecommunication) Motion picture audiences United States Race relations in motion pictures Stereotypes (Social psychology) in motion pictures |
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