Wild Tongues: Transnational Mexican Popular Culture
Tracing the configuration of the slapstick, destitute Peladita/Peladito and the Pachuca/Pachuco (depicted in flashy zoot suits) from 1928 to 2004, Wild Tongues is an ambitious, extensive examination of social order in Mexican and Chicana/o cultural productions in literature, theater, film, music, an...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Tracing the configuration of the slapstick, destitute Peladita/Peladito and the Pachuca/Pachuco (depicted in flashy zoot suits) from 1928 to 2004, Wild Tongues is an ambitious, extensive examination of social order in Mexican and Chicana/o cultural productions in literature, theater, film, music, and performance art. From the use of the Peladita and the Peladito as stock characters who criticized various aspects of the Mexican government in the 1920s and 1930s to contemporary performance art by María Elena Gaitán and Dan Guerrero, which yields a feminist and queer-studies interpretation, Rita Urquijo-Ruiz emphasizes the transnational capitalism at play in these comic voices. Her study encompasses both sides of the border, including the use of the Pachuca and the Pachuco as anti-establishment, marginal figures in the United States. The result is a historically grounded, interdisciplinary approach that reimagines the limitations of nation-centered thinking and reading. Beginning with Daniel Venegas's 1928 novel, Las aventuras de don Chipote o Cuando los pericos mamen, Rita Urquijo-Ruiz's Wild Tongues demonstrates early uses of the Peladito to call attention to the brutal physical demands placed on the undocumented Mexican laborer. It explores Teatro de Carpa (tent theater) in-depth as well, bringing to light the experience of Mexican Peladita Amelia Wilhelmy, whose "La Willy" was famous for portraying a cross-dressing male soldier who criticizes the failed Revolution. In numerous other explorations such as these, the political, economic, and social power of creativity continually takes center stage |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780292739413 |
| DOI: | 10.7560/723849 |
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| index_date | 2024-07-03T18:47:51Z |
| indexdate | 2024-07-10T09:17:58Z |
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| spelling | Urquijo-Ruiz, Rita E. Verfasser aut Wild Tongues Transnational Mexican Popular Culture Rita E. Urquijo-Ruiz Austin University of Texas Press [2021] © 2012 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Tracing the configuration of the slapstick, destitute Peladita/Peladito and the Pachuca/Pachuco (depicted in flashy zoot suits) from 1928 to 2004, Wild Tongues is an ambitious, extensive examination of social order in Mexican and Chicana/o cultural productions in literature, theater, film, music, and performance art. From the use of the Peladita and the Peladito as stock characters who criticized various aspects of the Mexican government in the 1920s and 1930s to contemporary performance art by María Elena Gaitán and Dan Guerrero, which yields a feminist and queer-studies interpretation, Rita Urquijo-Ruiz emphasizes the transnational capitalism at play in these comic voices. Her study encompasses both sides of the border, including the use of the Pachuca and the Pachuco as anti-establishment, marginal figures in the United States. The result is a historically grounded, interdisciplinary approach that reimagines the limitations of nation-centered thinking and reading. Beginning with Daniel Venegas's 1928 novel, Las aventuras de don Chipote o Cuando los pericos mamen, Rita Urquijo-Ruiz's Wild Tongues demonstrates early uses of the Peladito to call attention to the brutal physical demands placed on the undocumented Mexican laborer. It explores Teatro de Carpa (tent theater) in-depth as well, bringing to light the experience of Mexican Peladita Amelia Wilhelmy, whose "La Willy" was famous for portraying a cross-dressing male soldier who criticizes the failed Revolution. In numerous other explorations such as these, the political, economic, and social power of creativity continually takes center stage In English SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Mexican American arts History 20th century Mexican American literature (Spanish) 20th century History and criticism Mexican Americans in literature Mexican Americans Social life and customs 20th century Mexicans United States Ethnic identity https://doi.org/10.7560/723849 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Urquijo-Ruiz, Rita E. Wild Tongues Transnational Mexican Popular Culture SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Mexican American arts History 20th century Mexican American literature (Spanish) 20th century History and criticism Mexican Americans in literature Mexican Americans Social life and customs 20th century Mexicans United States Ethnic identity |
| title | Wild Tongues Transnational Mexican Popular Culture |
| title_auth | Wild Tongues Transnational Mexican Popular Culture |
| title_exact_search | Wild Tongues Transnational Mexican Popular Culture |
| title_exact_search_txtP | Wild Tongues Transnational Mexican Popular Culture |
| title_full | Wild Tongues Transnational Mexican Popular Culture Rita E. Urquijo-Ruiz |
| title_fullStr | Wild Tongues Transnational Mexican Popular Culture Rita E. Urquijo-Ruiz |
| title_full_unstemmed | Wild Tongues Transnational Mexican Popular Culture Rita E. Urquijo-Ruiz |
| title_short | Wild Tongues |
| title_sort | wild tongues transnational mexican popular culture |
| title_sub | Transnational Mexican Popular Culture |
| topic | SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Mexican American arts History 20th century Mexican American literature (Spanish) 20th century History and criticism Mexican Americans in literature Mexican Americans Social life and customs 20th century Mexicans United States Ethnic identity |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies Mexican American arts History 20th century Mexican American literature (Spanish) 20th century History and criticism Mexican Americans in literature Mexican Americans Social life and customs 20th century Mexicans United States Ethnic identity |
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