Desert Passions: Orientalism and Romance Novels
The Sheik-E. M. Hull's best-selling novel that became a wildly popular film starring Rudolph Valentino-kindled "sheik fever" across the Western world in the 1920s. A craze for all things romantically "Oriental" swept through fashion, film, and literature, spawning imitations...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The Sheik-E. M. Hull's best-selling novel that became a wildly popular film starring Rudolph Valentino-kindled "sheik fever" across the Western world in the 1920s. A craze for all things romantically "Oriental" swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today's mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on "high" literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women's Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource (352 pages) |
| ISBN: | 9780292739390 |
| DOI: | 10.7560/739383 |
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| spelling | Teo, Hsu-Ming Verfasser aut Desert Passions Orientalism and Romance Novels Hsu-Ming Teo Austin University of Texas Press [2021] © 2012 1 Online-Ressource (352 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) The Sheik-E. M. Hull's best-selling novel that became a wildly popular film starring Rudolph Valentino-kindled "sheik fever" across the Western world in the 1920s. A craze for all things romantically "Oriental" swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today's mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on "high" literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women's Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism In English LITERARY CRITICISM / General bisacsh East and West in literature Orientalism in literature Romance fiction History and criticism Women in literature https://doi.org/10.7560/739383 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Teo, Hsu-Ming Desert Passions Orientalism and Romance Novels LITERARY CRITICISM / General bisacsh East and West in literature Orientalism in literature Romance fiction History and criticism Women in literature |
| title | Desert Passions Orientalism and Romance Novels |
| title_auth | Desert Passions Orientalism and Romance Novels |
| title_exact_search | Desert Passions Orientalism and Romance Novels |
| title_exact_search_txtP | Desert Passions Orientalism and Romance Novels |
| title_full | Desert Passions Orientalism and Romance Novels Hsu-Ming Teo |
| title_fullStr | Desert Passions Orientalism and Romance Novels Hsu-Ming Teo |
| title_full_unstemmed | Desert Passions Orientalism and Romance Novels Hsu-Ming Teo |
| title_short | Desert Passions |
| title_sort | desert passions orientalism and romance novels |
| title_sub | Orientalism and Romance Novels |
| topic | LITERARY CRITICISM / General bisacsh East and West in literature Orientalism in literature Romance fiction History and criticism Women in literature |
| topic_facet | LITERARY CRITICISM / General East and West in literature Orientalism in literature Romance fiction History and criticism Women in literature |
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