Reconsidering Olmec Visual Culture: The Unborn, Women, and Creation
Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Austin
University of Texas Press
[2021]
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| Zusammenfassung: | Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780292735491 |
| DOI: | 10.7560/728523 |
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| 520 | |a Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems | ||
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| spelling | Tate, Carolyn E. Verfasser aut Reconsidering Olmec Visual Culture The Unborn, Women, and Creation Carolyn E. Tate Austin University of Texas Press [2021] © 2012 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems In English SOCIAL SCIENCE / Archaeology bisacsh Indian women in art Olmec art Olmec mythology Olmec sculpture https://doi.org/10.7560/728523 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tate, Carolyn E. Reconsidering Olmec Visual Culture The Unborn, Women, and Creation SOCIAL SCIENCE / Archaeology bisacsh Indian women in art Olmec art Olmec mythology Olmec sculpture |
| title | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation |
| title_auth | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation |
| title_exact_search | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation |
| title_exact_search_txtP | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation |
| title_full | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation Carolyn E. Tate |
| title_fullStr | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation Carolyn E. Tate |
| title_full_unstemmed | Reconsidering Olmec Visual Culture The Unborn, Women, and Creation Carolyn E. Tate |
| title_short | Reconsidering Olmec Visual Culture |
| title_sort | reconsidering olmec visual culture the unborn women and creation |
| title_sub | The Unborn, Women, and Creation |
| topic | SOCIAL SCIENCE / Archaeology bisacsh Indian women in art Olmec art Olmec mythology Olmec sculpture |
| topic_facet | SOCIAL SCIENCE / Archaeology Indian women in art Olmec art Olmec mythology Olmec sculpture |
| url | https://doi.org/10.7560/728523 |
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