The singer of songs: on cognitive schemas and sequential structuring in longer Latvian folk songs
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| Sprache: | English |
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Riga
Zinātne
2019
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis |
| Beschreibung: | Bibliographie: Seite 282-287 |
| Beschreibung: | 287 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9789934549809 |
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| adam_text | TABLE OF CONTENTS ACKNOWLEDGMENTS........................................................................ 6 INTRODUCTION .................................................................................... 11 The historical context........................................................................... 14 Collecting and preserving vanishing oral traditions........................... 17 Analytical research and theoretical approaches............................... 21 The concepts of orality and oral composition................................... 23 A cognitive approach to oral traditions.............................................28 Mastering the tradition and becoming a singer............................... 32 Source materials and methods of analysis........................................ 35 Stanza sequentiality and song composition...................................... 36 1. THE BOYAR S BEAUTIFUL DAUGHTERS................................. 43 On longer songs with narrative structures........................................ 45 Sources used...................................................................................... 47 The texts and units of analysis.......................................................... 50 Principles of song text segmentation................................................. 52 Method of analysis............................................................................ 53 The module as a higher-order structural unit................................... 57 Module-by-module content analysis................................................. 60
EPISODE 1 ................................................................................... 60 Module 1. Statement of theme............................................... 60 Module 2. Initiation of action................................................. 67 Module 3. The suitor s ploy......................................................68 EPISODE 2..................................................................................... 71 Modules 4 to 7. The narrative core........................................ 71 EPISODE 3......................................................................................76 Modules 8 to 11. Concluding statements............................... 76 Module 12: New Song?.......................................................... 78 Conclusions........................................................................................ 79 APPENDIX A. Identifying data for Boyar s Daughters texts from E. Melngailis, Volume 1.............................................................81 APPENDIX B. Provenance data for K. Barons texts about the Boyar s Beautiful Daughters............................................ 81 6
APPENDIX C. Latvian and English song texts about the Boyar s Beautiful Daughters............................................ 82 APPENDIX D. Melodies for songs A to E about the Boyar s Beautiful Daughters.............................................93 2. NEVER ON SUNDAY...................................................................... 95 The Days of the Week serial-order cluster of songs................. 97 Materials........................................................................................... 100 Analysis ........................................................................................... 101 Overall song composition and episodic deep structure........... 102 Summary matrix of semantic stanza contents............................. 105 Paradigmatic stability in stanza contents.................................... 105 Sequential dependencies and modular stanza structure............Ill Semantic content of the first two quatrains................................ 112 Semantic content of the last line sextet....................................... 114 Summary and conclusions................................................................ 117 On the evolution of the Days of the Week schema.............. 118 APPENDIX E. Geographical locations of origin of the Never on Sunday song cluster........................................... 122 APPENDIX F. Melodies for five Never on Sunday songs........... 123 3. THE GOLDEN AMBERLAND MAIDENS.................................... 125 A mixed model of stanza sequencing..............................................127
Materials........................................................................................... 129 Structural analysis of the song cluster............................................. 130 Module-by-module analysis............................................................. 133 Module 1. The setting and preparation...................................... 133 Module 2. The goal.................................................................... 134 Module 3. The maidens all in a row........................................... 135 Module 4. The ritual rejection.................................................... 138 Module 2a. Riding to the Land of Amber.................................. 139 Module 5. The amber bride......................................................... 140 Modules 6 to 11. The distribution of the amber dowry........... 141 Module 6. The amber shawl.................................................. 142 Module 7. The sister s gift........................................................ 142 Module 8. The amber dowry.................................................. 143 Module 9. The brother s gift.................................................... 143 Module 10. The father s gift.................................................. 144 Module 11. The Amberland maidens with a sedate walk ... 144 7
The compositional schema................................................................145 Conclusions...................................................................................... 148 The transition of Amberland from oral tradition to literary texts............................................................................. 151 APPENDIX G. English translations of Amberland maidens texts............................................................. 155 APPENDIX H. Latvian original texts of Amberland maidens songs........................................................... 159 4. SINK OR SWIM............................................................................. 165 On associative structuring in stanza sequencing........................... 167 Material to be analysed and text segmentation............................. 168 Analysis ...........................................................................................169 Module 1. The stone thrown into the river.................................. 172 Module 2. The swan swimming in water................................... 175 Module 3. The hollow crown...................................................... 178 Module 4. Wading through the river with stones at the bottom...........................................................182 Module 5. The river full of white blossoms............................... 184 Module 6. The goddess Laima drowned or sitting on a hilltop.................................................... 187 Module 7. The resplendent blooming of the wind-broken apple
tree.................................................... 190 A nine-stanza partial variation on the theme of Sink or Swim . . 194 The associative link in longer song composition............................. 196 Recapitulation and conclusions........................................................200 5. THE QUEST FOR A MARRIAGE PARTNER............................ 205 The latent narrativity of a life-stage master schema...................... 207 The quest of the riding suitor.......................................................... 212 The riding off in search............................................................... 212 The binary choices...................................................................... 215 The suitor s fabulous steed........................................................223 The mythically heroic versus the pedestrian................................... 227 The woman s perspective................................................................. 231 The right of refusal..................................................................... 234 The post-marriage sequel...............................................................238 8
6. SEQUENTIALITY, COHERENCE, AND ARTISTIC COMPOSITION...................................................... 243 The courting song of the singer Manulis........................................ 247 The geste of the abducted bride...................................................... 253 The scene-setting starting module............................................. 255 Anxiety about the silent mill house............................................. 256 Discovery of the robbery............................................................. 257 Exhortation to pursuit................................................................. 257 The brothers pursuit.................................................................... 259 Pursuers arrival at goal............................................................. 262 Reception of the pursuers.......................................................... 263 Discovery of the abducted sister as married woman................. 265 Invitation to return home and refusal of the bride.................... 267 The post-wedding sequel................................................................. 269 SUMMARY AND CONCLUSIONS.................................................... 272 BIBLIOGRAPHY................................................................................. 282
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TABLE OF CONTENTS ACKNOWLEDGMENTS. 6 INTRODUCTION . 11 The historical context. 14 Collecting and preserving vanishing oral traditions. 17 Analytical research and theoretical approaches. 21 The concepts of orality and oral composition. 23 A cognitive approach to oral traditions.28 Mastering the tradition and becoming a singer. 32 Source materials and methods of analysis. 35 Stanza sequentiality and song composition. 36 1. THE BOYAR'S BEAUTIFUL DAUGHTERS. 43 On longer songs with narrative structures. 45 Sources used. 47 The texts and units of analysis. 50 Principles of song text segmentation. 52 Method of analysis. 53 The module as a higher-order structural unit. 57 Module-by-module content analysis. 60
EPISODE 1 . 60 Module 1. Statement of theme. 60 Module 2. Initiation of action. 67 Module 3. The suitor's ploy.68 EPISODE 2. 71 Modules 4 to 7. The narrative core. 71 EPISODE 3.76 Modules 8 to 11. Concluding statements. 76 Module 12: New Song?. 78 Conclusions. 79 APPENDIX A. Identifying data for Boyar's Daughters texts from E. Melngailis, Volume 1.81 APPENDIX B. Provenance data for K. Barons' texts about the Boyar's Beautiful Daughters. 81 6
APPENDIX C. Latvian and English song texts about the Boyar's Beautiful Daughters. 82 APPENDIX D. Melodies for songs A to E about the Boyar's Beautiful Daughters.93 2. NEVER ON SUNDAY. 95 The "Days of the Week" serial-order cluster of songs. 97 Materials. 100 Analysis . 101 Overall song composition and episodic deep structure. 102 Summary matrix of semantic stanza contents. 105 Paradigmatic stability in stanza contents. 105 Sequential dependencies and modular stanza structure.Ill Semantic content of the first two quatrains. 112 Semantic content of the last line sextet. 114 Summary and conclusions. 117 On the evolution of the "Days of the Week" schema. 118 APPENDIX E. Geographical locations of origin of the "Never on Sunday" song cluster. 122 APPENDIX F. Melodies for five "Never on Sunday" songs. 123 3. THE GOLDEN AMBERLAND MAIDENS. 125 A mixed model of stanza sequencing.127
Materials. 129 Structural analysis of the song cluster. 130 Module-by-module analysis. 133 Module 1. The setting and preparation. 133 Module 2. The goal. 134 Module 3. The maidens all in a row. 135 Module 4. The ritual rejection. 138 Module 2a. Riding to the Land of Amber. 139 Module 5. The amber bride. 140 Modules 6 to 11. The distribution of the amber dowry. 141 Module 6. The amber shawl. 142 Module 7. The sister's gift. 142 Module 8. The amber dowry. 143 Module 9. The brother's gift. 143 Module 10. The father's gift. 144 Module 11. The Amberland maidens with a sedate walk . 144 7
The compositional schema.145 Conclusions. 148 The transition of "Amberland" from oral tradition to literary texts. 151 APPENDIX G. English translations of "Amberland maidens" texts. 155 APPENDIX H. Latvian original texts of "Amberland maidens" songs. 159 4. SINK OR SWIM. 165 On associative structuring in stanza sequencing. 167 Material to be analysed and text segmentation. 168 Analysis .169 Module 1. The stone thrown into the river. 172 Module 2. The swan swimming in water. 175 Module 3. The hollow crown. 178 Module 4. Wading through the river with stones at the bottom.182 Module 5. The river full of white blossoms. 184 Module 6. The goddess Laima drowned or sitting on a hilltop. 187 Module 7. The resplendent blooming of the wind-broken apple
tree. 190 A nine-stanza partial variation on the theme of "Sink or Swim" . . 194 The associative link in longer song composition. 196 Recapitulation and conclusions.200 5. THE QUEST FOR A MARRIAGE PARTNER. 205 The latent narrativity of a life-stage master schema. 207 The quest of the riding suitor. 212 The riding off in search. 212 The binary choices. 215 The suitor's fabulous steed.223 The mythically heroic versus the pedestrian. 227 The woman's perspective. 231 The right of refusal. 234 The post-marriage sequel.238 8
6. SEQUENTIALITY, COHERENCE, AND ARTISTIC COMPOSITION. 243 The courting song of the singer Manulis. 247 The geste of the abducted bride. 253 The scene-setting starting module. 255 Anxiety about the silent mill house. 256 Discovery of the robbery. 257 Exhortation to pursuit. 257 The brothers' pursuit. 259 Pursuers' arrival at goal. 262 Reception of the pursuers. 263 Discovery of the abducted sister as married woman. 265 Invitation to return home and refusal of the bride. 267 The post-wedding sequel. 269 SUMMARY AND CONCLUSIONS. 272 BIBLIOGRAPHY. 282
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• Vīķis-Freibergs, Vaira. "The Boyar's Beautiful Daughters: A Structural Analysis of Stanza Sequence in Latvian Folk Song". Vaira Vīķis-Freibergs (ed.), Linguistics and Poetics of Latvian Folk Songs. Montreal: McGill-Queen's University Press, 312-341, 1989a. • Vīķis-Freibergs, Vaira. "Teksta vienības, to mainība, form ui iskä uzbūve un kombinatorika latvju dainās" [Segmentation, Variation, Formulaic Structures and their Combinatorics in the Latvian Daina Corpus], Latvijas Zinātņu Akadēmijas Vēstis [Proceedings of the Latvian Academy of Sciences], 9 (542): 7-17, 1992. • Vīķis-Freibergs, Vaira. "Psycholinguistique expérimentale". Μ. Richelle, J. Requin, Μ. Robert (eds.), Traité de psychologie expérimentale, vol. 2. Paris: Presses Universitaires de France, 333-387, 1994. • Vīķis-Freibergs, Vaira. "Sinonimais un analogais paralēlisms dainās un cittautu folklorā" [Synonymous and Analogous Parallelism in the Latvian Dainas and Other Traditions], Latvijas Zinātņu Akadēmijas Vēstis [Proceedings of the Latvian Academy of Sciences], 9/10:1-10, 1994a. • Vīķe-Freiberga, Vaira. Trejādās saules: I. Kosmoloģiskā saule [The Threefold Sun: Volume I: The Cosmological Sun]. (An analysis of the themes of content in Latvian folk songs about the sun). Riga: Karogs. 240 p., 1997. ISBN 9984-505-40-5. • Vīķe-Freiberga, Vaira. Trejādās saules: II. Hronoloģiskā saule [The Threefold Sun, Volume II: The Chronological Sun], Riga: Karogs. 296 p., 1999. ISBN 9984-505-52-9. • Vīķis-Freibergs, Vaira. "The Poppy Blossom from my Native Land: The married woman as exile in Latvian folk poetry". Luisa Del
Giudice Gerald Porter (eds.), Imagined States. Logan, Utah: Utah State University Press, 193-213, 2001. ISBN 0-87421-412-2. • Vike-Freiberga, Vaira. Logique de la poésie: Structure et poétique des da'nas lettonnes. [The logic of poetry. On structure and function in the Latvian dainas.] Bordeaux: William Blake Co. 297 p„ 2007. ISBN 978-2-84103-161-0. • Vīķe-Freiberga, Vaira. Trejādās saules : Mitoloģiskā Saule [The Threefold Sun: The Mythological Sun]. Riga: Pētergailis. 485 p., 2016. ISBN 978-9984-33-419-6. • Vīķis-Freibergs, Vaira, Freibergs, Imants F. Technical Reports of the Montreal SunSong Project 1-10. (Grant Nos. S73-1636 and S76-1068-R1 R2, Canada Council). Université de Montréal, 1976-78. • Vikis-Freibergs, Vaira Freibergs, Imants F. "Formulaic analysis of the computeraccessible corpus of Latvian Sun-songs". Computers and the Humanities, 12: 329339, 1978. • Vīķis-Freibergs, Vaira Freibergs, Imants F. Saules dainas [Latvian sun songs]. Montreal: Helios, 1988. • Vītoliņš, Jēkabs. Latviešu tautas mūzika: Precību dziesmas [Latvian Folk Music: Courting Songs], Riga: Zinātne, 1986. • Warren, Howard Crosby. A History of the Association Psychology. London: Constable, 1921. • Wischmann, Johann. Der unteutsche Opitz. Staats- und Universitätsbibliothek Dresden, 1697. Edited and commented by Stephan Kessler, Wiesbaden: Harrassowitz/Verlag, 2008. ISBN 978-3447057882. 287 |
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| spelling | Vīķe-Freiberga, Vaira 1937- Verfasser (DE-588)124140041 aut The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs Vaira Vīķe-Freiberga Riga Zinātne 2019 287 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Bibliographie: Seite 282-287 Lettisch (DE-588)4114406-5 gnd rswk-swf Daina (DE-588)4236980-0 gnd rswk-swf Strukturierung (DE-588)4200339-8 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Lettisch (DE-588)4114406-5 s Volkslied (DE-588)4063852-2 s Strukturierung (DE-588)4200339-8 s Daina (DE-588)4236980-0 s DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033024045&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033024045&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
| spellingShingle | Vīķe-Freiberga, Vaira 1937- The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs Lettisch (DE-588)4114406-5 gnd Daina (DE-588)4236980-0 gnd Strukturierung (DE-588)4200339-8 gnd Volkslied (DE-588)4063852-2 gnd |
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| title | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs |
| title_auth | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs |
| title_exact_search | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs |
| title_exact_search_txtP | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs |
| title_full | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs Vaira Vīķe-Freiberga |
| title_fullStr | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs Vaira Vīķe-Freiberga |
| title_full_unstemmed | The singer of songs on cognitive schemas and sequential structuring in longer Latvian folk songs Vaira Vīķe-Freiberga |
| title_short | The singer of songs |
| title_sort | the singer of songs on cognitive schemas and sequential structuring in longer latvian folk songs |
| title_sub | on cognitive schemas and sequential structuring in longer Latvian folk songs |
| topic | Lettisch (DE-588)4114406-5 gnd Daina (DE-588)4236980-0 gnd Strukturierung (DE-588)4200339-8 gnd Volkslied (DE-588)4063852-2 gnd |
| topic_facet | Lettisch Daina Strukturierung Volkslied |
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