The Routledge handbook on women's work in music:
"The Routledge Handbook of Women's Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women's contributions to Western and Eastern art music, popular music, wo...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Routledge music handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Routledge Handbook of Women's Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women's contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The Handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology - research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation, and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI), provides new frames of context for women's positions as workers, educators, patronesses, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxi, 465 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780367192099 9781032162041 |
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Datensatz im Suchindex
| _version_ | 1804183090750291968 |
|---|---|
| adam_text | CONTENTS List offigures List of contributors x xiii 1 Editor’s introduction PART I 7 Challenging gender inequalities 1 Grace, Betty, Maude and Me: 30 years of fighting for women composers Sophie Fuller 9 2 ‘Where are we now?’: teaching and studying women composers post Citron Susan Wollenberg 3 ‘Because I’m a girl’: exploring experiences, practices and challenges relating to gender and sexuality for female musicians in popular music higher education Helen Elizabeth Davies 19 26 4 Composer, mother Emily Doolittle 5 ‘The Algerian woman is very strong’: music, identity and gender in Algerian London Stephen Wilford 36 43
Contents 6 In search of the field: reflections on an ethnomusicological project in India Valentine Harding 53 7 Women’s work in ethnomusicology: alternative spaces Christina Homer 62 PART II 71 (Re)Discoveries 8 A brief historical and sociological examination of twentieth-century Arab women composers and performers in Egypt Zaina Shihabi 73 9 The rise and rise of women in Australian composition Sally Macarthur 82 10 Women composers and the Proms: the first 100 years (1895-1994) Susan Clauson-Elliott 11 Chasing Maria Teresa Lara: an autoethnographic account of trying to recuperate the story of a dost’ woman composer Claudia Chibici-Revneanu 91 106 12 The artistic path and achievement of Polish composer Ewa Synowiec Joanna Schiller-Rydzetvska 13 Composer, performer, teacher: Jeanne Barbillion (1895—1992) and the Scholar cantorum, Paris Eva Μ. Maschke 14 How Theocritus sang: Eleanor Everest Freer’s Sonnets from the Portuguese Elisabeth Honn Hoegberg 15 A life in fragments: Morfydd Owen (1891—1918) Rhian Davies 114 124 136 146 PART III Aesthetics and music creation 157 16 Overcoming the ‘male gaze’ of music: towards renewed compositional strategies Rebecka Sofia Ahvenniemi 159 vi
Contents 17 Voices, sounds and herstories: constructing feminist research in experimental music babel Nogueira 167 18 Invisible canons: a reflective commentary on the formation of my personal canon of women composers Angela Elizabeth Slater 177 19 Storytelling in autoethnography ֊ The Poetess Lucy Hollingworth 187 20 Chen Yi: trauma, myths, and representation J. Michele Edwards 198 21 Considering autonomy and collaboration in three concerti by Jennifer Higdon Laura Dallman 209 22 Decoding the riddle: the tea-party scene in Unsuk Chin’s Alice in Wonderland Ji Yeon Lee 219 23 Kate Bush’s uncanny harmonic language David Forrest 228 PART IV Performance and reception 239 24 Notions of virtuosity, female accomplishment, and the violin as forbidden instrument in early-mid nineteenth-century England Bella Powell 25 Visitors from ‘the merry town by the Danube’: Viennese ladies’ orchestras, public image and variety shows in Finland from 1870 to 1914 Nuppu Koivisto 241 250 26 Women song composers and the London Ballad Concerts Maren Bagge 260 27 Sara Gonzalez: a different song about women Ivette Janet Cespedes Gómez 271 vii
Contents 28 Changing roles of women in the gospel music performance space in Ghana Grace Takyi Donkor 280 29 Maori women at the forefront of Aotearoa/New Zealand music in the mid 1980s and early 1990s Maree Sheehan 289 30 The stereotypical image and body representation of Taiwanese female musicians Li-ming Pan 298 PART V Opportunities and leadership in the music professions 307 31 Climb every mountain Jessica Duchen 309 32 Celebrating women composers on BBC Radio 3 Edwina Wolstencroft 318 33 Contested spaces: gender dynamics in independent radio stations in London Miia Laine 328 34 ‘And her voice is a backwards record’: the gendering of phonograph technology Karlyn King 338 35 Cracks in the glass ceiling: women conductors, new trends, old challenges Carolyn Watson 347 36 Personal reflections on professional experience of women’s liturgical leadership as musicians in the Roman Catholic Church Frances Novillo M Re-mapping and connecting bodies of women musicians Gabriela Sanchez Diaz viii 356 365
Contents PART VI New perspectives on women’s work in music 38 Materiality, editorship and canonisation in Wang Duanshu’s Collection of Elegance (1667) Yuemin He 375 377 39 Mary Carlisle Howe (1882-1964) and Adella Prentiss Hughes (1869—1950): creating an arts culture in America, one woman at a time Jennifer Cable 388 40 Louise Hanson-Dyer (1884-1962): patroness of music publishing Elina G. Hamilton 397 41 Lady Llanover and the Swedish connection: a Welsh musical legacy Lia Lonnert and Helen Davies Mikkelborg 407 42 The women musicians of the British ethical movement, 1887—1927 Jessica Beck 419 43 The role of women in Irish music institutions in the early twentieth century Kirstie Alison Muldoon 44 The Beedle-Carter correspondence: an analysis of the cultural work undertaken by Maureen Beedle to promote Elliott Carter’s music in the UK and Europe Helen C. Thomas 429 437 448 Index ix
|
| adam_txt |
CONTENTS List offigures List of contributors x xiii 1 Editor’s introduction PART I 7 Challenging gender inequalities 1 Grace, Betty, Maude and Me: 30 years of fighting for women composers Sophie Fuller 9 2 ‘Where are we now?’: teaching and studying women composers post Citron Susan Wollenberg 3 ‘Because I’m a girl’: exploring experiences, practices and challenges relating to gender and sexuality for female musicians in popular music higher education Helen Elizabeth Davies 19 26 4 Composer, mother Emily Doolittle 5 ‘The Algerian woman is very strong’: music, identity and gender in Algerian London Stephen Wilford 36 43
Contents 6 In search of the field: reflections on an ethnomusicological project in India Valentine Harding 53 7 Women’s work in ethnomusicology: alternative spaces Christina Homer 62 PART II 71 (Re)Discoveries 8 A brief historical and sociological examination of twentieth-century Arab women composers and performers in Egypt Zaina Shihabi 73 9 The rise and rise of women in Australian composition Sally Macarthur 82 10 Women composers and the Proms: the first 100 years (1895-1994) Susan Clauson-Elliott 11 Chasing Maria Teresa Lara: an autoethnographic account of trying to recuperate the story of a dost’ woman composer Claudia Chibici-Revneanu 91 106 12 The artistic path and achievement of Polish composer Ewa Synowiec Joanna Schiller-Rydzetvska 13 Composer, performer, teacher: Jeanne Barbillion (1895—1992) and the Scholar cantorum, Paris Eva Μ. Maschke 14 How Theocritus sang: Eleanor Everest Freer’s Sonnets from the Portuguese Elisabeth Honn Hoegberg 15 A life in fragments: Morfydd Owen (1891—1918) Rhian Davies 114 124 136 146 PART III Aesthetics and music creation 157 16 Overcoming the ‘male gaze’ of music: towards renewed compositional strategies Rebecka Sofia Ahvenniemi 159 vi
Contents 17 Voices, sounds and herstories: constructing feminist research in experimental music babel Nogueira 167 18 Invisible canons: a reflective commentary on the formation of my personal canon of women composers Angela Elizabeth Slater 177 19 Storytelling in autoethnography ֊ The Poetess Lucy Hollingworth 187 20 Chen Yi: trauma, myths, and representation J. Michele Edwards 198 21 Considering autonomy and collaboration in three concerti by Jennifer Higdon Laura Dallman 209 22 Decoding the riddle: the tea-party scene in Unsuk Chin’s Alice in Wonderland Ji Yeon Lee 219 23 Kate Bush’s uncanny harmonic language David Forrest 228 PART IV Performance and reception 239 24 Notions of virtuosity, female accomplishment, and the violin as forbidden instrument in early-mid nineteenth-century England Bella Powell 25 Visitors from ‘the merry town by the Danube’: Viennese ladies’ orchestras, public image and variety shows in Finland from 1870 to 1914 Nuppu Koivisto 241 250 26 Women song composers and the London Ballad Concerts Maren Bagge 260 27 Sara Gonzalez: a different song about women Ivette Janet Cespedes Gómez 271 vii
Contents 28 Changing roles of women in the gospel music performance space in Ghana Grace Takyi Donkor 280 29 Maori women at the forefront of Aotearoa/New Zealand music in the mid 1980s and early 1990s Maree Sheehan 289 30 The stereotypical image and body representation of Taiwanese female musicians Li-ming Pan 298 PART V Opportunities and leadership in the music professions 307 31 Climb every mountain Jessica Duchen 309 32 Celebrating women composers on BBC Radio 3 Edwina Wolstencroft 318 33 Contested spaces: gender dynamics in independent radio stations in London Miia Laine 328 34 ‘And her voice is a backwards record’: the gendering of phonograph technology Karlyn King 338 35 Cracks in the glass ceiling: women conductors, new trends, old challenges Carolyn Watson 347 36 Personal reflections on professional experience of women’s liturgical leadership as musicians in the Roman Catholic Church Frances Novillo M Re-mapping and connecting bodies of women musicians Gabriela Sanchez Diaz viii 356 365
Contents PART VI New perspectives on women’s work in music 38 Materiality, editorship and canonisation in Wang Duanshu’s Collection of Elegance (1667) Yuemin He 375 377 39 Mary Carlisle Howe (1882-1964) and Adella Prentiss Hughes (1869—1950): creating an arts culture in America, one woman at a time Jennifer Cable 388 40 Louise Hanson-Dyer (1884-1962): patroness of music publishing Elina G. Hamilton 397 41 Lady Llanover and the Swedish connection: a Welsh musical legacy Lia Lonnert and Helen Davies Mikkelborg 407 42 The women musicians of the British ethical movement, 1887—1927 Jessica Beck 419 43 The role of women in Irish music institutions in the early twentieth century Kirstie Alison Muldoon 44 The Beedle-Carter correspondence: an analysis of the cultural work undertaken by Maureen Beedle to promote Elliott Carter’s music in the UK and Europe Helen C. Thomas 429 437 448 Index ix |
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| owner_facet | DE-11 DE-12 DE-824 |
| physical | xxi, 465 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge music handbooks |
| spelling | The Routledge handbook on women's work in music edited by Rhiannon Mathias London ; New York Routledge 2022 xxi, 465 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge music handbooks Includes bibliographical references and index "The Routledge Handbook of Women's Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women's contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The Handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology - research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation, and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI), provides new frames of context for women's positions as workers, educators, patronesses, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender"-- Unterrichtsführung (DE-588)4187078-5 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Musikerin (DE-588)4170818-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Lehr-Lern-Forschung (DE-588)4478933-6 gnd rswk-swf Lernerfolg (DE-588)4125753-4 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Women in the music trade Feminism and music Women musicians Women composers (DE-588)4143413-4 Aufsatzsammlung gnd-content Frau (DE-588)4018202-2 s Musik (DE-588)4040802-4 s DE-604 Musikerin (DE-588)4170818-0 s Musiksoziologie (DE-588)4040869-3 s Lernerfolg (DE-588)4125753-4 s Unterrichtsführung (DE-588)4187078-5 s Lehr-Lern-Forschung (DE-588)4478933-6 s Mathias, Rhiannon 1968- (DE-588)1022875868 edt Äquivalent Druck-Ausgabe, Paperback 978-0-367-19209-9 Erscheint auch als Online-Ausgabe 978-0-429-20108-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033023062&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge handbook on women's work in music Unterrichtsführung (DE-588)4187078-5 gnd Musiksoziologie (DE-588)4040869-3 gnd Musikerin (DE-588)4170818-0 gnd Musik (DE-588)4040802-4 gnd Lehr-Lern-Forschung (DE-588)4478933-6 gnd Lernerfolg (DE-588)4125753-4 gnd Frau (DE-588)4018202-2 gnd |
| subject_GND | (DE-588)4187078-5 (DE-588)4040869-3 (DE-588)4170818-0 (DE-588)4040802-4 (DE-588)4478933-6 (DE-588)4125753-4 (DE-588)4018202-2 (DE-588)4143413-4 |
| title | The Routledge handbook on women's work in music |
| title_auth | The Routledge handbook on women's work in music |
| title_exact_search | The Routledge handbook on women's work in music |
| title_exact_search_txtP | The Routledge handbook on women's work in music |
| title_full | The Routledge handbook on women's work in music edited by Rhiannon Mathias |
| title_fullStr | The Routledge handbook on women's work in music edited by Rhiannon Mathias |
| title_full_unstemmed | The Routledge handbook on women's work in music edited by Rhiannon Mathias |
| title_short | The Routledge handbook on women's work in music |
| title_sort | the routledge handbook on women s work in music |
| topic | Unterrichtsführung (DE-588)4187078-5 gnd Musiksoziologie (DE-588)4040869-3 gnd Musikerin (DE-588)4170818-0 gnd Musik (DE-588)4040802-4 gnd Lehr-Lern-Forschung (DE-588)4478933-6 gnd Lernerfolg (DE-588)4125753-4 gnd Frau (DE-588)4018202-2 gnd |
| topic_facet | Unterrichtsführung Musiksoziologie Musikerin Musik Lehr-Lern-Forschung Lernerfolg Frau Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033023062&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mathiasrhiannon theroutledgehandbookonwomensworkinmusic |