Producing Ovid's 'Metamorphoses' in the early modern Low Countries: paratexts, publishers, editors, readers
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2021]
|
| Schriftenreihe: | Library of the written word
volume 95 Library of the written word. The handpress world volume 76 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 335 Seiten 33 Illustrationen (schwarz-weiß) |
| ISBN: | 9789004462380 |
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Datensatz im Suchindex
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Contents List of Figures Abbreviations ix x Introduction: Early Modem Paratexts to Ovid’s Metamorphoses 1 The Material Text 3 2 Material Reception 11 3 Printing Ovid’s Metamorphoses in the Low Countries 16 4 Research Corpus 22 5 Analytical Approach and Stmcture of This Book 26 і 1 The Title Page: Creating Commercial Credibility 30 1 The Commercial Value of the Early Modern Title Page 31 2 Textual and Visual Self-Representation 36 2.1 The Rhetoric of the Imprint 36 2.X.1 The Place of Production as an Advertisement 37 2.1.2 A Local Rhetoric 39 2.1.3 Creating International Prestige 42 2.2 The Symbolic Power ofthe Printer’s Mark 45 3 The Textual and Visual Presentation of the Edition 48 3.1 The Rhetoric of the Title Formula 49 3.1.1 Typography as a Rhetorical Device 50 3.1.2 A Showcase of Critical Tools and Editing 51 3.1.3 The Value of Name-Dropping 55 3.1.4 The Rhetoric of Announcing Illustrations 59 3.2 Visual Presentation of the Edition 62 3.2.1 The Tradition of Mythology 63 3.2.2 The Role of Visual Imagery in a Christian Context 65 4 Conclusions 68 2 The Front Matter: Responses to Criticism of Ovid 71 1 Paratextual Functions of the Preface and Dedication 2 Countering Criticism of the Metamorphoses 77 2.1 Criticism 77 2.2 Explicit Responses 80 2.2.1 Attacking and Explaining 80 2.2.2 Positive Approaches 82 72
VI CONTENTS 3 4 5 Framing an Intended Reader 86 3.1 A Reading Context of Vernacular Humanism 3.2 An Educational Reading Context 91 Authorisation by Ovid 94 4.1 Ovid’s Visual Prestige 94 4.2 The Vita as a Response to Criticism 102 Conclusions 105 86 3 The Commentary: Negotiating Ovid’s Dangerous Side 107 1 The Commentary Tradition 107 1.1 Strong Medieval Roots ofAllegory 110 1.2 A New Kind ofAllegorical Reading ш 1.3 Three Commentary Formats 114 1.3.1 The Role of Annotationes in Establishing a Reliable Text 114 1.3.2 Commentarli as Guidance for Young Readers 116 1.3.3 The Variorum Edition: A Process of Accumulation 118 2 Four Domains of Interpretation 120 2.1 Clarification ofLanguage 121 2.2 Contextualisation ofLanguage 122 2.3 Clarification of Content 123 2.4 Contextualisation of Content 125 3 Negotiating Obscenity 127 3.1 Readership as the Guidelinefor Decorum 127 3.2 Censoring Obscenity: Pontanus 132 3.3 Contextualising Obscenity and Diverting Attention: Famabius andRabus 138 3.3.1 Tereus: Confronting Rape and Violence 140 3.3.2 Pygmalion: Negotiating Sex 143 3.3.3 Myrrha: Exposing Incest 147 4 Conclusions 151 4 The Index: A Filtering and Framing Device 153 1 Book Producers’ Special Interest in the Index 154 1.1 How the Index Became a Unique Selling Point 154 1.2 Composing an Index to the Metamorphoses 161 2 Access through Filtering and Framing 164 2.1 Accessfor a Specific Audience 164 2.1.1 The Guidance of Inexperienced Readers 164
CONTENTS 3 VII 2.1.2 The Index as a Navigational Tool for Artists 168 2.1.3 Types of Lemmata for Experienced Readers 170 2.2 Access through Interpretation Frames 174 2.2.1 A Dogmatic Reading 174 2.2.2 A Moral Reading 178 2.3 The Index as a Commercial Asset 179 Conclusions 181 5 Paratextual Interaction: Two Case Studies 1 2 3 Conclusion 1 2 3 4 183 Combining Divergent Reading Contexts 183 1.1 A Scholarly Reading Context 185 1.1.1 Presentation: Persuading an Experienced Reader 185 1.1.2 Interpretation: An Experienced Reading Practice 189 1.2 An Inexperienced Reading Context 192 1.2.1 Presentation: Persuading an Inexperienced Reader 192 1.2.2 Interpretation: An Inexperienced Reading Practice 195 1.3 What Brought Them Together: An Educational Reading Context 198 The Metamorphoses as a Dutch Poem (Amsterdam 1671) 199 2.1 Ovid’s Material Transfer to Vondel’s Oeuvre 200 2.2 Mystification of the Latin Context 205 2.3 Vondel as a Scholarly Poet 212 2.4 Conclusion: Ovid’s Work as Dutch Poetry 213 Conclusions 214 216 How the Material Shape of Books Can Help to Understand the Reception of Antiquity 218 Innovation and Tradition 220 The Lack of Paratextual Guidance 223 The Actual Reader 225 Appendix 1: Bibliography of Editions of Ovid’s Metamorphoses Printed in the Low Countries (1479-1700) 227 Appendix 2: List of Library Abbreviations 301 Bibliography 307 Index 328 |
| adam_txt |
Contents List of Figures Abbreviations ix x Introduction: Early Modem Paratexts to Ovid’s Metamorphoses 1 The Material Text 3 2 Material Reception 11 3 Printing Ovid’s Metamorphoses in the Low Countries 16 4 Research Corpus 22 5 Analytical Approach and Stmcture of This Book 26 і 1 The Title Page: Creating Commercial Credibility 30 1 The Commercial Value of the Early Modern Title Page 31 2 Textual and Visual Self-Representation 36 2.1 The Rhetoric of the Imprint 36 2.X.1 The Place of Production as an Advertisement 37 2.1.2 A Local Rhetoric 39 2.1.3 Creating International Prestige 42 2.2 The Symbolic Power ofthe Printer’s Mark 45 3 The Textual and Visual Presentation of the Edition 48 3.1 The Rhetoric of the Title Formula 49 3.1.1 Typography as a Rhetorical Device 50 3.1.2 A Showcase of Critical Tools and Editing 51 3.1.3 The Value of Name-Dropping 55 3.1.4 The Rhetoric of Announcing Illustrations 59 3.2 Visual Presentation of the Edition 62 3.2.1 The Tradition of Mythology 63 3.2.2 The Role of Visual Imagery in a Christian Context 65 4 Conclusions 68 2 The Front Matter: Responses to Criticism of Ovid 71 1 Paratextual Functions of the Preface and Dedication 2 Countering Criticism of the Metamorphoses 77 2.1 Criticism 77 2.2 Explicit Responses 80 2.2.1 Attacking and Explaining 80 2.2.2 Positive Approaches 82 72
VI CONTENTS 3 4 5 Framing an Intended Reader 86 3.1 A Reading Context of Vernacular Humanism 3.2 An Educational Reading Context 91 Authorisation by Ovid 94 4.1 Ovid’s Visual Prestige 94 4.2 The Vita as a Response to Criticism 102 Conclusions 105 86 3 The Commentary: Negotiating Ovid’s Dangerous Side 107 1 The Commentary Tradition 107 1.1 Strong Medieval Roots ofAllegory 110 1.2 A New Kind ofAllegorical Reading ш 1.3 Three Commentary Formats 114 1.3.1 The Role of Annotationes in Establishing a Reliable Text 114 1.3.2 Commentarli as Guidance for Young Readers 116 1.3.3 The Variorum Edition: A Process of Accumulation 118 2 Four Domains of Interpretation 120 2.1 Clarification ofLanguage 121 2.2 Contextualisation ofLanguage 122 2.3 Clarification of Content 123 2.4 Contextualisation of Content 125 3 Negotiating Obscenity 127 3.1 Readership as the Guidelinefor Decorum 127 3.2 Censoring Obscenity: Pontanus 132 3.3 Contextualising Obscenity and Diverting Attention: Famabius andRabus 138 3.3.1 Tereus: Confronting Rape and Violence 140 3.3.2 Pygmalion: Negotiating Sex 143 3.3.3 Myrrha: Exposing Incest 147 4 Conclusions 151 4 The Index: A Filtering and Framing Device 153 1 Book Producers’ Special Interest in the Index 154 1.1 How the Index Became a Unique Selling Point 154 1.2 Composing an Index to the Metamorphoses 161 2 Access through Filtering and Framing 164 2.1 Accessfor a Specific Audience 164 2.1.1 The Guidance of Inexperienced Readers 164
CONTENTS 3 VII 2.1.2 The Index as a Navigational Tool for Artists 168 2.1.3 Types of Lemmata for Experienced Readers 170 2.2 Access through Interpretation Frames 174 2.2.1 A Dogmatic Reading 174 2.2.2 A Moral Reading 178 2.3 The Index as a Commercial Asset 179 Conclusions 181 5 Paratextual Interaction: Two Case Studies 1 2 3 Conclusion 1 2 3 4 183 Combining Divergent Reading Contexts 183 1.1 A Scholarly Reading Context 185 1.1.1 Presentation: Persuading an Experienced Reader 185 1.1.2 Interpretation: An Experienced Reading Practice 189 1.2 An Inexperienced Reading Context 192 1.2.1 Presentation: Persuading an Inexperienced Reader 192 1.2.2 Interpretation: An Inexperienced Reading Practice 195 1.3 What Brought Them Together: An Educational Reading Context 198 The Metamorphoses as a Dutch Poem (Amsterdam 1671) 199 2.1 Ovid’s Material Transfer to Vondel’s Oeuvre 200 2.2 Mystification of the Latin Context 205 2.3 Vondel as a Scholarly Poet 212 2.4 Conclusion: Ovid’s Work as Dutch Poetry 213 Conclusions 214 216 How the Material Shape of Books Can Help to Understand the Reception of Antiquity 218 Innovation and Tradition 220 The Lack of Paratextual Guidance 223 The Actual Reader 225 Appendix 1: Bibliography of Editions of Ovid’s Metamorphoses Printed in the Low Countries (1479-1700) 227 Appendix 2: List of Library Abbreviations 301 Bibliography 307 Index 328 |
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| series | Library of the written word Library of the written word. The handpress world |
| series2 | Library of the written word Library of the written word. The handpress world |
| spelling | Tholen, John 1986- Verfasser (DE-588)1247087328 aut Ovidian paratexts, guiding the reader to the Metamorphoses in the early modern Low Countries Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers by John Tholen Leiden ; Boston Brill [2021] © 2021 VII, 335 Seiten 33 Illustrationen (schwarz-weiß) txt rdacontent n rdamedia nc rdacarrier Library of the written word volume 95 Library of the written word. The handpress world volume 76 Dissertation Utrecht University 2019 Erweiterte Fassung Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd rswk-swf Paratext (DE-588)4221771-4 gnd rswk-swf Frühdruck (DE-588)4155531-4 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Ovid / 43 B.C.-17 A.D. or 18 A.D / Metamorphoses Ovid / 43 B.C.-17 A.D. or 18 A.D / Metamorphoses / Criticism, Textual Ovid / 43 B.C.-17 A.D. or 18 A.D / Metamorphoses / Bibliography Ovid / 43 B.C.-17 A.D. or 18 A.D / Appreciation / Netherlands / History Printing / Netherlands / 17th century / History Paratext / Netherlands / 16th century / History Paratext / Netherlands / 17th century / History Printing / Netherlands / 16th century / History (DE-588)4113937-9 Hochschulschrift gnd-content Holland, Rezeption (DE-2581)TH000005518 gbd Frühe Neuzeit, Rezeption (DE-2581)TH000005256 gbd Ovidii metamorphoses (DE-2581)TH000002156 gbd Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 u Niederlande (DE-588)4042203-3 g Frühdruck (DE-588)4155531-4 s Paratext (DE-588)4221771-4 s DE-604 Erscheint auch als Online-Ausgabe 978-90-04-46239-7 Library of the written word volume 95 (DE-604)BV037480108 95 Library of the written word. The handpress world volume 76 (DE-604)BV037480108 76 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033013814&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tholen, John 1986- Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers Library of the written word Library of the written word. The handpress world Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd Paratext (DE-588)4221771-4 gnd Frühdruck (DE-588)4155531-4 gnd |
| subject_GND | (DE-588)4123895-3 (DE-588)4221771-4 (DE-588)4155531-4 (DE-588)4042203-3 (DE-588)4113937-9 |
| title | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers |
| title_alt | Ovidian paratexts, guiding the reader to the Metamorphoses in the early modern Low Countries |
| title_auth | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers |
| title_exact_search | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers |
| title_exact_search_txtP | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers |
| title_full | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers by John Tholen |
| title_fullStr | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers by John Tholen |
| title_full_unstemmed | Producing Ovid's 'Metamorphoses' in the early modern Low Countries paratexts, publishers, editors, readers by John Tholen |
| title_short | Producing Ovid's 'Metamorphoses' in the early modern Low Countries |
| title_sort | producing ovid s metamorphoses in the early modern low countries paratexts publishers editors readers |
| title_sub | paratexts, publishers, editors, readers |
| topic | Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd Paratext (DE-588)4221771-4 gnd Frühdruck (DE-588)4155531-4 gnd |
| topic_facet | Ovidius Naso, Publius v43-17 Metamorphoses Paratext Frühdruck Niederlande Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033013814&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV037480108 |
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