Victorian visions of war & peace: aesthetics, sovereignty & violence in the British Empire, c. 1851-1900
A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and pr...
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| Format: | Buch |
| Sprache: | English |
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The Paul Mellon Centre for Studies in British Art
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war-campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted |
| Beschreibung: | 278 Seiten Illustrationen, Karte, Porträts (teilweise farbig) 27 cm |
| ISBN: | 9781913107246 1913107248 |
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Datensatz im Suchindex
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| adam_text | SEAN
WILLCOCK
VICTORIAN
VISIONS
OF
WAR YY PEACE
AESTHETICS,
SOVEREIGNTY
&
VIOLENCE
IN
THE
BRITISH
EMPIRE,
C.1851-1900
THE
PAUL
MELLON CENTRE
FOR
STUDIES IN BRITISH
ART
DISTRIBUTED
BY
YALE
UNIVERSITY PRESS
NEW HAVEN &
LONDON
CONTENTS
ACKNOWLEDGEMENTS
VI
INTRODUCTION
VISUAL
CULTURE
IN
THE GLOBAL FIELD,
C.1851-1900
2
1
EXHIBITING
GLOBAL CONFLICT
METROPOLITAN SPECTATORSHIP AND MILITARY SIGHTS
FROM
THE CRIMEAN
WAR
(1853-1856)
TO THE INDIAN UPRISING
(1857-1858)
26
2
MUTINOUS
VISION
INDIAN PHOTOGRAPHY, COLONIAL INSURGENCY AND THE
CIVILISING
MISSION ,
C.1857-1859
46
3
ADDITIONAL HORRORS
PHOTOGRAPHY, COLONIAL
VIOLENCE
AND THE
ARCHIVE
64
4
SKETCHING
ON
THE
SPOT
SHAPING THE VICTORIAN EXPERIENCE OF COLONIAL
WAR,
C.1854-1900 90
5
SAVE ME FROM
MY
FRIENDS!
THE
ART
OF
DIPLOMACY
IN THE
AGE
OF ITS TECHNOLOGICAL
REPRODUCIBILITY
114
6
NEGATIVE HISTORIES
ENCOUNTERING COLONIAL PHOTOGRAPHY IN THE FIELD
IN
BURMA,
CHINA AND TIBET,
1855-1904 144
7
SPECIMENS, SUSPECTS, CITIZENS
PHOTOGRAPHING
AN
IMPERIAL
POLITY
IN
CAWNPORE,
C.1857-1860
176
8
THE
COLOUR OF SOVEREIGNTY
COLONIAL PORTRAITURE AND THE CORONATION DURBARS
IN
BRITISH INDIA,
1877-1911
202
CONCLUSION
232
NOTES
243
BIBLIOGRAPHY
261
INDEX
272
|
| adam_txt |
SEAN
WILLCOCK
VICTORIAN
VISIONS
OF
WAR YY PEACE
AESTHETICS,
SOVEREIGNTY
&
VIOLENCE
IN
THE
BRITISH
EMPIRE,
C.1851-1900
THE
PAUL
MELLON CENTRE
FOR
STUDIES IN BRITISH
ART
DISTRIBUTED
BY
YALE
UNIVERSITY PRESS
NEW HAVEN &
LONDON
CONTENTS
ACKNOWLEDGEMENTS
VI
INTRODUCTION
VISUAL
CULTURE
IN
THE GLOBAL FIELD,
C.1851-1900
2
1
EXHIBITING
GLOBAL CONFLICT
METROPOLITAN SPECTATORSHIP AND MILITARY SIGHTS
FROM
THE CRIMEAN
WAR
(1853-1856)
TO THE INDIAN UPRISING
(1857-1858)
26
2
MUTINOUS
VISION
INDIAN PHOTOGRAPHY, COLONIAL INSURGENCY AND THE
'CIVILISING
MISSION',
C.1857-1859
46
3
'ADDITIONAL HORRORS'
PHOTOGRAPHY, COLONIAL
VIOLENCE
AND THE
ARCHIVE
64
4
SKETCHING
'ON
THE
SPOT'
SHAPING THE VICTORIAN EXPERIENCE OF COLONIAL
WAR,
C.1854-1900 90
5
'SAVE ME FROM
MY
FRIENDS!'
THE
ART
OF
DIPLOMACY
IN THE
AGE
OF ITS TECHNOLOGICAL
REPRODUCIBILITY
114
6
NEGATIVE HISTORIES
ENCOUNTERING COLONIAL PHOTOGRAPHY 'IN THE FIELD'
IN
BURMA,
CHINA AND TIBET,
1855-1904 144
7
SPECIMENS, SUSPECTS, CITIZENS
PHOTOGRAPHING
AN
IMPERIAL
POLITY
IN
CAWNPORE,
C.1857-1860
176
8
THE
COLOUR OF SOVEREIGNTY
COLONIAL PORTRAITURE AND THE CORONATION DURBARS
IN
BRITISH INDIA,
1877-1911
202
CONCLUSION
232
NOTES
243
BIBLIOGRAPHY
261
INDEX
272 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Willcock, Sean |
| author_GND | (DE-588)1051355486 |
| author_facet | Willcock, Sean |
| author_role | aut |
| author_sort | Willcock, Sean |
| author_variant | s w sw |
| building | Verbundindex |
| bvnumber | BV047628942 |
| classification_rvk | LH 84460 LO 50090 NQ 9410 |
| ctrlnum | (OCoLC)1288421793 (DE-599)BVBBV047628942 |
| discipline | Kunstgeschichte Geschichte |
| discipline_str_mv | Kunstgeschichte Geschichte |
| era | Geschichte 1851-1900 gnd |
| era_facet | Geschichte 1851-1900 |
| format | Book |
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| id | DE-604.BV047628942 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:45:00Z |
| indexdate | 2024-07-10T09:17:39Z |
| institution | BVB |
| isbn | 9781913107246 1913107248 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033013392 |
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| physical | 278 Seiten Illustrationen, Karte, Porträts (teilweise farbig) 27 cm |
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| spelling | Willcock, Sean Verfasser (DE-588)1051355486 aut Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 Sean Willcock Victorian visions of war and peace London The Paul Mellon Centre for Studies in British Art 2021 New Haven ; London Yale University Press 278 Seiten Illustrationen, Karte, Porträts (teilweise farbig) 27 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period. In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war-campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted Geschichte 1851-1900 gnd rswk-swf Motiv (DE-588)4040360-9 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Krieg (DE-588)4033114-3 gnd rswk-swf Kolonie (DE-588)4031790-0 gnd rswk-swf Imperialismus (DE-588)4026651-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf War in art Imperialism in art Colonization in art Art / Great Britain Art, Modern / 19th century / History Violence in art Art Art, Modern Great Britain 1800-1899 History Großbritannien (DE-588)4022153-2 g Fotografie (DE-588)4045895-7 s Kunst (DE-588)4114333-4 s Krieg (DE-588)4033114-3 s Imperialismus (DE-588)4026651-5 s Kolonie (DE-588)4031790-0 s Motiv (DE-588)4040360-9 s Geschichte 1851-1900 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033013392&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Willcock, Sean Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 Motiv (DE-588)4040360-9 gnd Fotografie (DE-588)4045895-7 gnd Krieg (DE-588)4033114-3 gnd Kolonie (DE-588)4031790-0 gnd Imperialismus (DE-588)4026651-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4040360-9 (DE-588)4045895-7 (DE-588)4033114-3 (DE-588)4031790-0 (DE-588)4026651-5 (DE-588)4114333-4 (DE-588)4022153-2 |
| title | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 |
| title_alt | Victorian visions of war and peace |
| title_auth | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 |
| title_exact_search | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 |
| title_exact_search_txtP | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 |
| title_full | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 Sean Willcock |
| title_fullStr | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 Sean Willcock |
| title_full_unstemmed | Victorian visions of war & peace aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 Sean Willcock |
| title_short | Victorian visions of war & peace |
| title_sort | victorian visions of war peace aesthetics sovereignty violence in the british empire c 1851 1900 |
| title_sub | aesthetics, sovereignty & violence in the British Empire, c. 1851-1900 |
| topic | Motiv (DE-588)4040360-9 gnd Fotografie (DE-588)4045895-7 gnd Krieg (DE-588)4033114-3 gnd Kolonie (DE-588)4031790-0 gnd Imperialismus (DE-588)4026651-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Motiv Fotografie Krieg Kolonie Imperialismus Kunst Großbritannien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033013392&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT willcocksean victorianvisionsofwarpeaceaestheticssovereigntyviolenceinthebritishempirec18511900 AT willcocksean victorianvisionsofwarandpeace |