New perspectives on early cinema history: concepts, approaches, audiences
"In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. Th...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2022
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | "In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany." |
| Beschreibung: | 1 Online-Ressource (xiii, 269 Seiten) Illustrationen |
| ISBN: | 9781350182004 9781350181984 9781350181991 |
| DOI: | 10.5040/9781350182004 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047627665 | ||
| 003 | DE-604 | ||
| 005 | 20250110 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 211207s2022 xx a||| o|||| 10||| eng d | ||
| 020 | |a 9781350182004 |c Online |9 978-1-350-18200-4 | ||
| 020 | |a 9781350181984 |c PDF |9 978-1-350-18198-4 | ||
| 020 | |a 9781350181991 |c EPUB |9 978-1-350-18199-1 | ||
| 024 | 7 | |a 10.5040/9781350182004 |2 doi | |
| 035 | |a (OCoLC)1314900025 | ||
| 035 | |a (DE-599)BVBBV047627665 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-12 |a DE-355 |a DE-11 | ||
| 245 | 1 | 0 | |a New perspectives on early cinema history |b concepts, approaches, audiences |c edited by Mario Slugan and Daniël Biltereyst |
| 264 | 1 | |a London |b Bloomsbury Academic |c 2022 | |
| 300 | |a 1 Online-Ressource (xiii, 269 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a "In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany." | |
| 648 | 7 | |a Geschichte 1896-1914 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kino |0 (DE-588)4129654-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2018 |z Gent |2 gnd-content | |
| 689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 1 | |a Kino |0 (DE-588)4129654-0 |D s |
| 689 | 0 | 2 | |a Geschichte 1896-1914 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Slugan, Mario |d 1983- |0 (DE-588)1141393441 |4 edt | |
| 700 | 1 | |a Biltereyst, Daniël |d 1962- |0 (DE-588)1028254954 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-350-18197-7 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-BFM | ||
| 940 | 1 | |q ZDB-162-BFM22 | |
| 940 | 1 | |q BSB_NED_20220706 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09041 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09034 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033012143 | |
| 966 | e | |u https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections |l DE-12 |p ZDB-162-BFM |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections |l DE-355 |p ZDB-162-BFM |q UBR_Paketkauf 2022 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections |l DE-703 |p ZDB-162-BFM |q ZDB-162-BFM22 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1820867538905464832 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Slugan, Mario 1983- Biltereyst, Daniël 1962- |
| author2_role | edt edt |
| author2_variant | m s ms d b db |
| author_GND | (DE-588)1141393441 (DE-588)1028254954 |
| author_facet | Slugan, Mario 1983- Biltereyst, Daniël 1962- |
| building | Verbundindex |
| bvnumber | BV047627665 |
| collection | ZDB-162-BFM |
| ctrlnum | (OCoLC)1314900025 (DE-599)BVBBV047627665 |
| doi_str_mv | 10.5040/9781350182004 |
| era | Geschichte 1896-1914 gnd |
| era_facet | Geschichte 1896-1914 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV047627665</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250110</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211207s2022 xx a||| o|||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350182004</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-350-18200-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350181984</subfield><subfield code="c">PDF</subfield><subfield code="9">978-1-350-18198-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350181991</subfield><subfield code="c">EPUB</subfield><subfield code="9">978-1-350-18199-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781350182004</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1314900025</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047627665</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">New perspectives on early cinema history</subfield><subfield code="b">concepts, approaches, audiences</subfield><subfield code="c">edited by Mario Slugan and Daniël Biltereyst</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 269 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1896-1914</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2018</subfield><subfield code="z">Gent</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1896-1914</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Slugan, Mario</subfield><subfield code="d">1983-</subfield><subfield code="0">(DE-588)1141393441</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Biltereyst, Daniël</subfield><subfield code="d">1962-</subfield><subfield code="0">(DE-588)1028254954</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-350-18197-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM22</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20220706</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033012143</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-355</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">UBR_Paketkauf 2022</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-703</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM22</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 2018 Gent gnd-content |
| genre_facet | Konferenzschrift 2018 Gent |
| id | DE-604.BV047627665 |
| illustrated | Illustrated |
| index_date | 2024-07-03T18:44:41Z |
| indexdate | 2025-01-10T13:10:05Z |
| institution | BVB |
| isbn | 9781350182004 9781350181984 9781350181991 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033012143 |
| oclc_num | 1314900025 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-703 DE-12 DE-355 DE-BY-UBR DE-11 |
| physical | 1 Online-Ressource (xiii, 269 Seiten) Illustrationen |
| psigel | ZDB-162-BFM ZDB-162-BFM22 BSB_NED_20220706 ZDB-162-BFM UBR_Paketkauf 2022 ZDB-162-BFM ZDB-162-BFM22 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | New perspectives on early cinema history concepts, approaches, audiences edited by Mario Slugan and Daniël Biltereyst London Bloomsbury Academic 2022 1 Online-Ressource (xiii, 269 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper’s Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany." Geschichte 1896-1914 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2018 Gent gnd-content Film (DE-588)4017102-4 s Kino (DE-588)4129654-0 s Geschichte 1896-1914 z DE-604 Slugan, Mario 1983- (DE-588)1141393441 edt Biltereyst, Daniël 1962- (DE-588)1028254954 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-18197-7 https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | New perspectives on early cinema history concepts, approaches, audiences Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4129654-0 (DE-588)4017102-4 (DE-588)1071861417 |
| title | New perspectives on early cinema history concepts, approaches, audiences |
| title_auth | New perspectives on early cinema history concepts, approaches, audiences |
| title_exact_search | New perspectives on early cinema history concepts, approaches, audiences |
| title_exact_search_txtP | New perspectives on early cinema history concepts, approaches, audiences |
| title_full | New perspectives on early cinema history concepts, approaches, audiences edited by Mario Slugan and Daniël Biltereyst |
| title_fullStr | New perspectives on early cinema history concepts, approaches, audiences edited by Mario Slugan and Daniël Biltereyst |
| title_full_unstemmed | New perspectives on early cinema history concepts, approaches, audiences edited by Mario Slugan and Daniël Biltereyst |
| title_short | New perspectives on early cinema history |
| title_sort | new perspectives on early cinema history concepts approaches audiences |
| title_sub | concepts, approaches, audiences |
| topic | Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Kino Film Konferenzschrift 2018 Gent |
| url | https://doi.org/10.5040/9781350182004?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT sluganmario newperspectivesonearlycinemahistoryconceptsapproachesaudiences AT biltereystdaniel newperspectivesonearlycinemahistoryconceptsapproachesaudiences |