Art after the hipster: identity politics, ethics and aesthetics
"This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's flan̂eur to the contemporary 'creative' borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
2017
|
| Schriftenreihe: | Palgrave pivot
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's flan̂eur to the contemporary 'creative' borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the 'foot soldiers of capitalism', the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform--a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art."--Publisher's website |
| Beschreibung: | viii, 150 Seiten 22 cm |
| ISBN: | 9783319886237 |
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Datensatz im Suchindex
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| adam_text | Contents 1 Introduction: Caring Too Much and Not Enough 1 2 The Twenty-First-Century Hipster Arty Pluralism Is the Hipster Really Dead ? Hipster Privilege Hipster Hate The Hipster as a Global Contemporary Phenomenon Slippery Hipster Post-critical: Living with Hypocrisies Žižek’s Hipster Other Rancière’s Hipster: Dissensus as Consensus Ranciere’s Theory of Aesthetics Politics and Ethics The Hipster as a Product of the Middle Classes 9 9 11 12 13 15 18 22 27 29 31 34 38 3 The Postmodern Hipster Hipster Origins Broyard’s Hipster: The Inauthenticity of Being Black Hipster Infrapolitics Aesthetic Rivalries The Pitfalls of Hipster Critique 47 47 50 54 57 60 vii
VİÜ CONTENTS Baudrillard’s Hipster as Postmodern Consumer Postmodern Critique as Nihilistic Revelation Dandies and Flaneurs: The Original Hipster Ironists Warhol as Proto-Hipster Duchamp’s Ironic Knowingness Hipster Irony as Aesthetic Feeling: De Duve on Duchamp The Hipster’s Social Withdrawal as Social Connection Pastiche as Pejorative Postmodernism 4 The Hipster as an Entrepreneur of the Self 5 63 65 68 70 73 75 77 80 91 91 The Market Logic of Neoliberalism 1990s Alternative Culture as Proto -Hipsterism The Self-Sabotage of the Alternative The Arty Alternative of the YBAs Creativity as a Tool of Gentrification Foucault’s Entrepreneur of the Self Activism Without Collectivity Conscientious Capitalism: Bourriaud’s Relational Aesthetics Hipster Utopias Combatting Sameness: Curating Subaltern Subjectivities Countering Creativity with Inertia Groys: Fabricating Artistic Authenticity Global Art Under Neoliberal Conditions 98 100 103 107 109 111 114 117 122 Conclusion 129 93 95 96 Bibliography 135 Index 145
Evoking a level of animosity from a bygone cultural moment, the hipster belongs to a time when the economic advantages of cultural innovation in the arts were seriously believed. What that time was, and where we are now, is this book’s subject, examined through the lens of art history and the creativity hype of neoliberalism. Marking a transition from a period in Western art when irony and highminded nonchalance reigned, the hipster appears in the context of contemporary art not as a critical standpoint in itself but as the continually deferred subject position of creative practice. Today, given the increasing impotence of the term “hipster,” proclamations of cultural discernment are overshadowed by ethical considerations of identity, making palpable an uncertainty about our capacity to untangle capitalism s thirst for reinvention from the artist’s thirst for subverting norms.
|
| adam_txt |
Contents 1 Introduction: Caring Too Much and Not Enough 1 2 The Twenty-First-Century Hipster Arty Pluralism Is the Hipster Really Dead ? Hipster Privilege Hipster Hate The Hipster as a Global Contemporary Phenomenon Slippery Hipster Post-critical: Living with Hypocrisies Žižek’s Hipster Other Rancière’s Hipster: Dissensus as Consensus Ranciere’s Theory of Aesthetics Politics and Ethics The Hipster as a Product of the Middle Classes 9 9 11 12 13 15 18 22 27 29 31 34 38 3 The Postmodern Hipster Hipster Origins Broyard’s Hipster: The Inauthenticity of Being Black Hipster Infrapolitics Aesthetic Rivalries The Pitfalls of Hipster Critique 47 47 50 54 57 60 vii
VİÜ CONTENTS Baudrillard’s Hipster as Postmodern Consumer Postmodern Critique as Nihilistic Revelation Dandies and Flaneurs: The Original Hipster Ironists Warhol as Proto-Hipster Duchamp’s Ironic Knowingness Hipster Irony as Aesthetic Feeling: De Duve on Duchamp The Hipster’s Social Withdrawal as Social Connection Pastiche as Pejorative Postmodernism 4 The Hipster as an Entrepreneur of the Self 5 63 65 68 70 73 75 77 80 91 91 The Market Logic of Neoliberalism 1990s Alternative Culture as Proto -Hipsterism The Self-Sabotage of the Alternative The Arty Alternative of the YBAs Creativity as a Tool of Gentrification Foucault’s Entrepreneur of the Self Activism Without Collectivity Conscientious Capitalism: Bourriaud’s Relational Aesthetics Hipster Utopias Combatting Sameness: Curating Subaltern Subjectivities Countering Creativity with Inertia Groys: Fabricating Artistic Authenticity Global Art Under Neoliberal Conditions 98 100 103 107 109 111 114 117 122 Conclusion 129 93 95 96 Bibliography 135 Index 145
Evoking a level of animosity from a bygone cultural moment, the hipster belongs to a time when the economic advantages of cultural innovation in the arts were seriously believed. What that time was, and where we are now, is this book’s subject, examined through the lens of art history and the creativity hype of neoliberalism. Marking a transition from a period in Western art when irony and highminded nonchalance reigned, the hipster appears in the context of contemporary art not as a critical standpoint in itself but as the continually deferred subject position of creative practice. Today, given the increasing impotence of the term “hipster,” proclamations of cultural discernment are overshadowed by ethical considerations of identity, making palpable an uncertainty about our capacity to untangle capitalism's thirst for reinvention from the artist’s thirst for subverting norms. |
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| discipline_str_mv | Soziologie Anglistik / Amerikanistik Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
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| index_date | 2024-07-03T18:44:14Z |
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| spelling | Hill, Wes 1978- Verfasser (DE-588)1081210664 aut Art after the hipster identity politics, ethics and aesthetics Wes Hill Cham, Switzerland Palgrave Macmillan 2017 viii, 150 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Palgrave pivot "This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's flan̂eur to the contemporary 'creative' borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the 'foot soldiers of capitalism', the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform--a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art."--Publisher's website Identität (DE-588)4026482-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Hipster (DE-588)7853520-7 gnd rswk-swf Subkultur (DE-588)4058326-0 gnd rswk-swf Art and society Hipster (DE-588)7853520-7 s Subkultur (DE-588)4058326-0 s Identität (DE-588)4026482-8 s Kunst (DE-588)4114333-4 s DE-604 Erscheint auch als Online-Ausgabe 978-3-319-68578-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033009875&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033009875&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Art after the hipster identity politics, ethics and aesthetics |
| title_auth | Art after the hipster identity politics, ethics and aesthetics |
| title_exact_search | Art after the hipster identity politics, ethics and aesthetics |
| title_exact_search_txtP | Art after the hipster identity politics, ethics and aesthetics |
| title_full | Art after the hipster identity politics, ethics and aesthetics Wes Hill |
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| title_short | Art after the hipster |
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| title_sub | identity politics, ethics and aesthetics |
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| topic_facet | Identität Kunst Hipster Subkultur |
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