Cinema memories: a people's history of cinema-going in 1960s Britain
"The 1960s was a rich decade for British cinema audiences. Alongside Hollywood films, from Westerns such as The Man Who Shot Liberty Valance (1962) and The Dirty Dozen (1967) were musicals including West Side Story (1961), Mary Poppins (1964) and The Sound of Music (1965), and epics such as The...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
British Film Institute
2022
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBR01 UBT01 Volltext |
| Zusammenfassung: | "The 1960s was a rich decade for British cinema audiences. Alongside Hollywood films, from Westerns such as The Man Who Shot Liberty Valance (1962) and The Dirty Dozen (1967) were musicals including West Side Story (1961), Mary Poppins (1964) and The Sound of Music (1965), and epics such as The Longest Day (1962), Cleopatra (1963) and The Greatest Story Ever Told (1965) Towards the end of the decade, a new style of filmmaking emerged, with movies such as The Graduate (1967), Bonnie and Clyde (1967), Butch Cassidy and the Sundance Kid (1969) and Easy Rider (1969). Although the total number of screens in the UK declined from over 3,000 in 1960 to little more than half this by the end of the decade, British cinema itself remained buoyant. The decade saw the release of many so-called ‘kitchen sink’ dramas including Saturday Night and Sunday Morning (1960), A Taste of Honey (1961) and This Sporting Life (1963), together with the ‘Swinging London’ films such as Darling (1965) and Alfie (1966). It witnessed the birth of the James Bond franchise with Dr No in 1962, followed by five other 007 films by 1969. The well-established ‘Carry On’ franchise produced many more films: 15 in all between 1960 and 1969. British director David Lean directed the epics Lawrence of Arabia (1962) and Dr Zhivago (1965). Drawing on first-hand memories from over 1000 cinema-goers, Screen Memories reveals what it was like to see these and other films in British cinemas in the 1960s. The authors explore what the social experience of cinema-going was like during this decade. They consider how cinema-goers constructed meanings from the films they watched – through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society [...]." |
| Beschreibung: | 1 Online-Ressource (256 Seiten) Illustrationen |
| ISBN: | 9781911239901 9781911239888 9781911239918 |
| DOI: | 10.5040/9781911239901 |
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| 505 | 8 | |a "This is where we came in" : cinema-going in the sixties -- "Swinging sixties"? : memories of sex and cinema-going in Britain -- "The times they are a-changin'" : American sixties films -- Reflecting "what life was like"? : British films of the 1960s -- Cinema "new waves" from Europe -- Postcolonial audiences in 60s Britain | |
| 520 | 3 | |a "The 1960s was a rich decade for British cinema audiences. Alongside Hollywood films, from Westerns such as The Man Who Shot Liberty Valance (1962) and The Dirty Dozen (1967) were musicals including West Side Story (1961), Mary Poppins (1964) and The Sound of Music (1965), and epics such as The Longest Day (1962), Cleopatra (1963) and The Greatest Story Ever Told (1965) Towards the end of the decade, a new style of filmmaking emerged, with movies such as The Graduate (1967), Bonnie and Clyde (1967), Butch Cassidy and the Sundance Kid (1969) and Easy Rider (1969). Although the total number of screens in the UK declined from over 3,000 in 1960 to little more than half this by the end of the decade, British cinema itself remained buoyant. The decade saw the release of many so-called ‘kitchen sink’ dramas including Saturday Night and Sunday Morning (1960), A Taste of Honey (1961) and This Sporting Life (1963), together with the ‘Swinging London’ films such as Darling (1965) and Alfie (1966). It witnessed the birth of the James Bond franchise with Dr No in 1962, followed by five other 007 films by 1969. The well-established ‘Carry On’ franchise produced many more films: 15 in all between 1960 and 1969. British director David Lean directed the epics Lawrence of Arabia (1962) and Dr Zhivago (1965). Drawing on first-hand memories from over 1000 cinema-goers, Screen Memories reveals what it was like to see these and other films in British cinemas in the 1960s. The authors explore what the social experience of cinema-going was like during this decade. They consider how cinema-goers constructed meanings from the films they watched – through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society [...]." | |
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| 653 | 0 | |a Collective memory and motion pictures | |
| 653 | 0 | |a Manners and customs | |
| 653 | 0 | |a Motion picture audiences | |
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Datensatz im Suchindex
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| author | Stokes, Melvyn Jones, Matthew 1984- Pett, Emma |
| author_GND | (DE-588)137411456 (DE-588)1155276183 (DE-588)1235108406 |
| author_facet | Stokes, Melvyn Jones, Matthew 1984- Pett, Emma |
| author_role | aut aut aut |
| author_sort | Stokes, Melvyn |
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| building | Verbundindex |
| bvnumber | BV047622162 |
| collection | ZDB-162-BFM |
| contents | "This is where we came in" : cinema-going in the sixties -- "Swinging sixties"? : memories of sex and cinema-going in Britain -- "The times they are a-changin'" : American sixties films -- Reflecting "what life was like"? : British films of the 1960s -- Cinema "new waves" from Europe -- Postcolonial audiences in 60s Britain |
| ctrlnum | (OCoLC)1310257030 (DE-599)BVBBV047622162 |
| doi_str_mv | 10.5040/9781911239901 |
| era | Sozialgeschichte 1960-1970 gnd |
| era_facet | Sozialgeschichte 1960-1970 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:43:12Z |
| indexdate | 2024-07-10T09:17:27Z |
| institution | BVB |
| isbn | 9781911239901 9781911239888 9781911239918 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033006774 |
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| publisher | British Film Institute |
| record_format | marc |
| spelling | Stokes, Melvyn Verfasser (DE-588)137411456 aut Cinema memories a people's history of cinema-going in 1960s Britain Melvyn Stokes, Matthew Jones and Emma Pett London British Film Institute 2022 1 Online-Ressource (256 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "This is where we came in" : cinema-going in the sixties -- "Swinging sixties"? : memories of sex and cinema-going in Britain -- "The times they are a-changin'" : American sixties films -- Reflecting "what life was like"? : British films of the 1960s -- Cinema "new waves" from Europe -- Postcolonial audiences in 60s Britain "The 1960s was a rich decade for British cinema audiences. Alongside Hollywood films, from Westerns such as The Man Who Shot Liberty Valance (1962) and The Dirty Dozen (1967) were musicals including West Side Story (1961), Mary Poppins (1964) and The Sound of Music (1965), and epics such as The Longest Day (1962), Cleopatra (1963) and The Greatest Story Ever Told (1965) Towards the end of the decade, a new style of filmmaking emerged, with movies such as The Graduate (1967), Bonnie and Clyde (1967), Butch Cassidy and the Sundance Kid (1969) and Easy Rider (1969). Although the total number of screens in the UK declined from over 3,000 in 1960 to little more than half this by the end of the decade, British cinema itself remained buoyant. The decade saw the release of many so-called ‘kitchen sink’ dramas including Saturday Night and Sunday Morning (1960), A Taste of Honey (1961) and This Sporting Life (1963), together with the ‘Swinging London’ films such as Darling (1965) and Alfie (1966). It witnessed the birth of the James Bond franchise with Dr No in 1962, followed by five other 007 films by 1969. The well-established ‘Carry On’ franchise produced many more films: 15 in all between 1960 and 1969. British director David Lean directed the epics Lawrence of Arabia (1962) and Dr Zhivago (1965). Drawing on first-hand memories from over 1000 cinema-goers, Screen Memories reveals what it was like to see these and other films in British cinemas in the 1960s. The authors explore what the social experience of cinema-going was like during this decade. They consider how cinema-goers constructed meanings from the films they watched – through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society [...]." Sozialgeschichte 1960-1970 gnd rswk-swf Publikum (DE-588)4047764-2 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Motion pictures / Great Britain / History / 20th century Motion picture audiences / Great Britain / History / 20th century Motion picture audiences / Great Britain / Attitudes Collective memory and motion pictures / Great Britain Great Britain / Social life and customs / 1945- Collective memory and motion pictures Manners and customs Motion picture audiences Motion picture audiences / Attitudes Motion pictures Great Britain Since 1900 History Großbritannien (DE-588)4022153-2 g Kino (DE-588)4129654-0 s Publikum (DE-588)4047764-2 s Kollektives Gedächtnis (DE-588)4200793-8 s Sozialgeschichte 1960-1970 z DE-604 Jones, Matthew 1984- Verfasser (DE-588)1155276183 aut Pett, Emma Verfasser (DE-588)1235108406 aut Erscheint auch als Druck-Ausgabe, Hardcover 978-1-9112-3989-5 https://doi.org/10.5040/9781911239901?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Stokes, Melvyn Jones, Matthew 1984- Pett, Emma Cinema memories a people's history of cinema-going in 1960s Britain "This is where we came in" : cinema-going in the sixties -- "Swinging sixties"? : memories of sex and cinema-going in Britain -- "The times they are a-changin'" : American sixties films -- Reflecting "what life was like"? : British films of the 1960s -- Cinema "new waves" from Europe -- Postcolonial audiences in 60s Britain Publikum (DE-588)4047764-2 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Kino (DE-588)4129654-0 gnd |
| subject_GND | (DE-588)4047764-2 (DE-588)4200793-8 (DE-588)4129654-0 (DE-588)4022153-2 |
| title | Cinema memories a people's history of cinema-going in 1960s Britain |
| title_auth | Cinema memories a people's history of cinema-going in 1960s Britain |
| title_exact_search | Cinema memories a people's history of cinema-going in 1960s Britain |
| title_exact_search_txtP | Cinema memories a people's history of cinema-going in 1960s Britain |
| title_full | Cinema memories a people's history of cinema-going in 1960s Britain Melvyn Stokes, Matthew Jones and Emma Pett |
| title_fullStr | Cinema memories a people's history of cinema-going in 1960s Britain Melvyn Stokes, Matthew Jones and Emma Pett |
| title_full_unstemmed | Cinema memories a people's history of cinema-going in 1960s Britain Melvyn Stokes, Matthew Jones and Emma Pett |
| title_short | Cinema memories |
| title_sort | cinema memories a people s history of cinema going in 1960s britain |
| title_sub | a people's history of cinema-going in 1960s Britain |
| topic | Publikum (DE-588)4047764-2 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd Kino (DE-588)4129654-0 gnd |
| topic_facet | Publikum Kollektives Gedächtnis Kino Großbritannien |
| url | https://doi.org/10.5040/9781911239901?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT stokesmelvyn cinemamemoriesapeopleshistoryofcinemagoingin1960sbritain AT jonesmatthew cinemamemoriesapeopleshistoryofcinemagoingin1960sbritain AT pettemma cinemamemoriesapeopleshistoryofcinemagoingin1960sbritain |