Color it true: impressions of cinema
"This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader sig...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Bloomsbury Academic
2022
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Schlagworte: | |
Online-Zugang: | DE-12 DE-355 DE-703 Volltext |
Zusammenfassung: | "This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance’s latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer’s seamless in Antonioni’s Blow-Up taken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it True takes form." |
Beschreibung: | 1 Online-Ressource (xiv, 342 Seiten) Illustrationen |
ISBN: | 9781501383076 9781501383090 9781501383106 |
DOI: | 10.5040/9781501383076 |
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isbn | 9781501383076 9781501383090 9781501383106 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033006344 |
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physical | 1 Online-Ressource (xiv, 342 Seiten) Illustrationen |
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publisher | Bloomsbury Academic |
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spelling | Pomerance, Murray 1946- Verfasser (DE-588)131867660 aut Color it true impressions of cinema Murray Pomerance London Bloomsbury Academic 2022 1 Online-Ressource (xiv, 342 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance’s latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer’s seamless in Antonioni’s Blow-Up taken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it True takes form." Farbensymbolik (DE-588)4071117-1 gnd rswk-swf Farbe (DE-588)4016443-3 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Colors in motion pictures Color motion pictures Film (DE-588)4017102-4 s Farbe (DE-588)4016443-3 s DE-604 Farbensymbolik (DE-588)4071117-1 s Erscheint auch als Druck-Ausgabe, Hardcover 978-1-501-38311-3 Erscheint auch als Druck-Ausgabe, Paperback 978-1-501-38308-3 https://doi.org/10.5040/9781501383076?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Pomerance, Murray 1946- Color it true impressions of cinema Farbensymbolik (DE-588)4071117-1 gnd Farbe (DE-588)4016443-3 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4071117-1 (DE-588)4016443-3 (DE-588)4017102-4 |
title | Color it true impressions of cinema |
title_auth | Color it true impressions of cinema |
title_exact_search | Color it true impressions of cinema |
title_exact_search_txtP | Color it true impressions of cinema |
title_full | Color it true impressions of cinema Murray Pomerance |
title_fullStr | Color it true impressions of cinema Murray Pomerance |
title_full_unstemmed | Color it true impressions of cinema Murray Pomerance |
title_short | Color it true |
title_sort | color it true impressions of cinema |
title_sub | impressions of cinema |
topic | Farbensymbolik (DE-588)4071117-1 gnd Farbe (DE-588)4016443-3 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Farbensymbolik Farbe Film |
url | https://doi.org/10.5040/9781501383076?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT pomerancemurray colorittrueimpressionsofcinema |