The original portrayal of Mozart's Don Giovanni:
The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portraya...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers. |
| Beschreibung: | xii, 245 Seiten Illustrationen |
| ISBN: | 9781032158334 9780367243203 |
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| 520 | |a The Original Portrayal of Mozart’s Don Giovanni offers an original reading of Mozart’s and Da Ponte’s opera Don Giovanni, using as a lens the portrayal of the title role by its creator, the baritone Luigi Bassi (1766–1825). Although Bassi was coached in the role by the composer himself, his portrayal has never been studied in depth before, and this book presents a large number of new sources (first- and second-hand accounts), which allows us to reconstruct his performance scene by scene. The book confronts Bassi’s portrayal with a study of the opera’s early German reception and performance history, demonstrating how Don Giovanni as we know it today was not only created by Mozart, Da Ponte and Luigi Bassi but also by the early German adapters, translators, critics and performers who turned the title character into the arrogant and violent villain we still encounter in most of today’s stage productions. Incorporating discussion of dramaturgical thinking of the late Enlightenment and the difficult moral problems that the opera raises, this is an important study for scholars and researchers from opera studies, theatre and performance studies, music history as well as conductors, directors and singers. | ||
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Datensatz im Suchindex
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Contents List ofIllustrations Preface Acknowledgements Introduction Rewriting the myth ofDon Juan 1 The demonising ofDon Giovanni: a historical overview 5 Notes 12 ix X xiii 1 1 Luigi Bassi as Don Giovanni The singer and his role 15 Intention and experience: prescriptive and descriptive sources 18 The performer as a phenomenon 27 Grace and gallantry: Bassi ’s portrayal 33 Performance traditions: Italians and Germans 36 Notes 44 15 2 The opening scene Notes 65 54 3 Don Giovanni and the three women Donna Elvira ’s entrance aria 68 The duettino 75 The quartet and Donna Anna ’s narration 83 Notes 92 68 4 The party episode The champagne aria 98 The garden scene 104 The ballroom scene 109 Notes 126 98
viii Contents 5 The disguise episode The first duet with Leporello 131 The trio 134 The canzonetta 144 The disguise aria 146 Notes 152 131 6 Thegraveyardscene Notes 165 155 Ί The second finale The supper 168 The last encounter with Donna Elvira 175 Don Giovanni and the stone guest 181 Thefinal scene 203 Notes 206 168 Postscript: In defence of the operatic work Notes 224 213 Bibliography Index 227 240 |
| adam_txt |
Contents List ofIllustrations Preface Acknowledgements Introduction Rewriting the myth ofDon Juan 1 The demonising ofDon Giovanni: a historical overview 5 Notes 12 ix X xiii 1 1 Luigi Bassi as Don Giovanni The singer and his role 15 Intention and experience: prescriptive and descriptive sources 18 The performer as a phenomenon 27 Grace and gallantry: Bassi ’s portrayal 33 Performance traditions: Italians and Germans 36 Notes 44 15 2 The opening scene Notes 65 54 3 Don Giovanni and the three women Donna Elvira ’s entrance aria 68 The duettino 75 The quartet and Donna Anna ’s narration 83 Notes 92 68 4 The party episode The champagne aria 98 The garden scene 104 The ballroom scene 109 Notes 126 98
viii Contents 5 The disguise episode The first duet with Leporello 131 The trio 134 The canzonetta 144 The disguise aria 146 Notes 152 131 6 Thegraveyardscene Notes 165 155 Ί The second finale The supper 168 The last encounter with Donna Elvira 175 Don Giovanni and the stone guest 181 Thefinal scene 203 Notes 206 168 Postscript: In defence of the operatic work Notes 224 213 Bibliography Index 227 240 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T18:43:05Z |
| indexdate | 2024-10-19T04:03:25Z |
| institution | BVB |
| isbn | 9781032158334 9780367243203 |
| language | English |
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| spellingShingle | Tessing Schneider, Magnus The original portrayal of Mozart's Don Giovanni Bassi, Luigi / 1766-1825 Juan / Don (Legendary character) / In opera Mozart, Wolfgang Amadeus / 1756-1791 / Don Giovanni Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd Bassi, Luigi 1766-1825 (DE-588)116080272 gnd Opera / Dramaturgy Interpretation (DE-588)4072905-9 gnd Aufführungspraxis (DE-588)4141464-0 gnd |
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| title | The original portrayal of Mozart's Don Giovanni |
| title_auth | The original portrayal of Mozart's Don Giovanni |
| title_exact_search | The original portrayal of Mozart's Don Giovanni |
| title_exact_search_txtP | The original portrayal of Mozart's Don Giovanni |
| title_full | The original portrayal of Mozart's Don Giovanni Magnus Tessing Schneider |
| title_fullStr | The original portrayal of Mozart's Don Giovanni Magnus Tessing Schneider |
| title_full_unstemmed | The original portrayal of Mozart's Don Giovanni Magnus Tessing Schneider |
| title_short | The original portrayal of Mozart's Don Giovanni |
| title_sort | the original portrayal of mozart s don giovanni |
| topic | Bassi, Luigi / 1766-1825 Juan / Don (Legendary character) / In opera Mozart, Wolfgang Amadeus / 1756-1791 / Don Giovanni Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd Bassi, Luigi 1766-1825 (DE-588)116080272 gnd Opera / Dramaturgy Interpretation (DE-588)4072905-9 gnd Aufführungspraxis (DE-588)4141464-0 gnd |
| topic_facet | Bassi, Luigi / 1766-1825 Juan / Don (Legendary character) / In opera Mozart, Wolfgang Amadeus / 1756-1791 / Don Giovanni Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni Bassi, Luigi 1766-1825 Opera / Dramaturgy Interpretation Aufführungspraxis |
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