Anthropology, film industries, modularity:
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
2021
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | vi, 273 Seiten Illustrationen 23 cm |
ISBN: | 9781478013969 1478013966 9781478014904 1478014903 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
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020 | |a 9781478013969 |c (hardcover) |9 978-1-478-01396-9 | ||
020 | |a 1478013966 |9 1-478-01396-6 | ||
020 | |a 9781478014904 |c (paperback) |9 978-1-4780-1490-4 | ||
020 | |a 1478014903 |9 1-478-01490-3 | ||
035 | |a (OCoLC)1298745947 | ||
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245 | 1 | 0 | |a Anthropology, film industries, modularity |c Ramyar D. Rossoukh and Steven C. Caton, editors |
264 | 1 | |a Durham |b Duke University Press |c 2021 | |
300 | |a vi, 273 Seiten |b Illustrationen |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer | |
650 | 0 | 7 | |a Filmwirtschaft |0 (DE-588)4154384-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Feldforschung |0 (DE-588)4016674-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kulturvergleich |0 (DE-588)4114328-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Digitale Filmtechnik |0 (DE-588)4763566-6 |2 gnd |9 rswk-swf |
653 | 0 | |a Motion picture industry / Cross-cultural studies | |
653 | 0 | |a Motion picture industry / Social aspects | |
653 | 0 | |a SOCIAL SCIENCE / Anthropology / Cultural & Social | |
653 | 0 | |a PERFORMING ARTS / Film / History & Criticism | |
653 | 0 | |a Motion picture industry | |
653 | 0 | |a Motion picture industry / Social aspects | |
653 | 6 | |a Cross-cultural studies | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a Filmwirtschaft |0 (DE-588)4154384-1 |D s |
689 | 0 | 1 | |a Digitale Filmtechnik |0 (DE-588)4763566-6 |D s |
689 | 0 | 2 | |a Kulturvergleich |0 (DE-588)4114328-0 |D s |
689 | 0 | 3 | |a Feldforschung |0 (DE-588)4016674-0 |D s |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Rossoukh, Ramyar D. |d 1974- |0 (DE-588)1243536802 |4 edt | |
700 | 1 | |a Caton, Steven C. |d 1950- |0 (DE-588)172632129 |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |t Anthropology, film industries, modularity |z 978-1-4780-2219-0 |d Durham : Duke University Press, 2021 |
856 | 4 | |u https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV047617500.pdf |3 Inhaltsverzeichnis | |
999 | |a oai:aleph.bib-bvb.de:BVB01-033002194 |
Datensatz im Suchindex
_version_ | 1804183052675448832 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author2 | Rossoukh, Ramyar D. 1974- Caton, Steven C. 1950- |
author2_role | edt edt |
author2_variant | r d r rd rdr s c c sc scc |
author_GND | (DE-588)1243536802 (DE-588)172632129 |
author_facet | Rossoukh, Ramyar D. 1974- Caton, Steven C. 1950- |
building | Verbundindex |
bvnumber | BV047617500 |
classification_rvk | LC 13000 LC 27000 |
contents | "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer |
ctrlnum | (OCoLC)1298745947 (DE-599)BVBBV047617500 |
discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
discipline_str_mv | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
format | Book |
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genre_facet | Aufsatzsammlung |
id | DE-604.BV047617500 |
illustrated | Illustrated |
index_date | 2024-07-03T18:42:09Z |
indexdate | 2024-07-10T09:17:19Z |
institution | BVB |
isbn | 9781478013969 1478013966 9781478014904 1478014903 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033002194 |
oclc_num | 1298745947 |
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owner | DE-11 DE-M472 |
owner_facet | DE-11 DE-M472 |
physical | vi, 273 Seiten Illustrationen 23 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Duke University Press |
record_format | marc |
spelling | Anthropology, film industries, modularity Ramyar D. Rossoukh and Steven C. Caton, editors Durham Duke University Press 2021 vi, 273 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Feldforschung (DE-588)4016674-0 gnd rswk-swf Kulturvergleich (DE-588)4114328-0 gnd rswk-swf Digitale Filmtechnik (DE-588)4763566-6 gnd rswk-swf Motion picture industry / Cross-cultural studies Motion picture industry / Social aspects SOCIAL SCIENCE / Anthropology / Cultural & Social PERFORMING ARTS / Film / History & Criticism Motion picture industry Cross-cultural studies (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmwirtschaft (DE-588)4154384-1 s Digitale Filmtechnik (DE-588)4763566-6 s Kulturvergleich (DE-588)4114328-0 s Feldforschung (DE-588)4016674-0 s DE-604 Rossoukh, Ramyar D. 1974- (DE-588)1243536802 edt Caton, Steven C. 1950- (DE-588)172632129 edt Erscheint auch als Online-Ausgabe Anthropology, film industries, modularity 978-1-4780-2219-0 Durham : Duke University Press, 2021 https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV047617500.pdf Inhaltsverzeichnis |
spellingShingle | Anthropology, film industries, modularity "English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer Filmwirtschaft (DE-588)4154384-1 gnd Feldforschung (DE-588)4016674-0 gnd Kulturvergleich (DE-588)4114328-0 gnd Digitale Filmtechnik (DE-588)4763566-6 gnd |
subject_GND | (DE-588)4154384-1 (DE-588)4016674-0 (DE-588)4114328-0 (DE-588)4763566-6 (DE-588)4143413-4 |
title | Anthropology, film industries, modularity |
title_auth | Anthropology, film industries, modularity |
title_exact_search | Anthropology, film industries, modularity |
title_exact_search_txtP | Anthropology, film industries, modularity |
title_full | Anthropology, film industries, modularity Ramyar D. Rossoukh and Steven C. Caton, editors |
title_fullStr | Anthropology, film industries, modularity Ramyar D. Rossoukh and Steven C. Caton, editors |
title_full_unstemmed | Anthropology, film industries, modularity Ramyar D. Rossoukh and Steven C. Caton, editors |
title_short | Anthropology, film industries, modularity |
title_sort | anthropology film industries modularity |
topic | Filmwirtschaft (DE-588)4154384-1 gnd Feldforschung (DE-588)4016674-0 gnd Kulturvergleich (DE-588)4114328-0 gnd Digitale Filmtechnik (DE-588)4763566-6 gnd |
topic_facet | Filmwirtschaft Feldforschung Kulturvergleich Digitale Filmtechnik Aufsatzsammlung |
url | https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV047617500.pdf |
work_keys_str_mv | AT rossoukhramyard anthropologyfilmindustriesmodularity AT catonstevenc anthropologyfilmindustriesmodularity |