Smartphone filmmaking: theory and practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvii, 246 Seiten Illustrationen |
| ISBN: | 9781501360329 9781501360336 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements ix List of Illustrations xi 1 Introduction і 2 Towards a theory and practice of mobile, smartphone and mobile filmmaking i7 2.1 2.2 2.3 2.4 2.5 2.6 The pioneers 19 An original film form: Mobile, pocket and smartphone filmmaking 26 MINA (Mobile Innovation Network and Association) 27 Curating the International Mobile Innovation Screening 30 International Mobile Innovation Screening, 2011-18 35 Smartphone filmmaking modes 41 2.6.1 Poetic and experimental mode 50 2.6.2 Participatory and engagement mode 55 2.6.3 Smartphone native mode 57 2.6.4 Conversational mode 61 2.6.5 ‘Red carpet in your pocket’ mode 64 Notes 68 References 69 Films 70 3 Spotlight on mobile and smartphone him festivals 73 3.1 The global mobile and smartphone film festival scene 75 3.2 International Mobile Film Festival (San Diego, United States) 77 3.3 MoMo ֊ Mobile Motion (Zürich, Switzerland) 86 3.4 SF3, SmartFone Flick Fest (Sydney, Australia) 92 3.5 African Smartphone International Film Festival (Lagos, Nigeria) 99 3.6 Karl Bardosh, NYU (New York, United States) 104 Notes 111 References 111 Films 112
viii Contents 4 Focus on smartphone filmmaking practice п5 4.1 Independent smartphone filmmakers 115 4.2 Gerda Cammaer (Canada/Belgium) 117 4.3 Felipe Cardona (Columbia) 126 4.4 Camille Baker (UK) 130 4.5 Conrad Mess (Spain) 139 Notes 146 References 147 Films 147 Projects 148 5 New horizons: Creative Industries i5i 5.1 Twenty-first-century creativity and storytelling 152 5.2 Luma Touch (United States) 153 5.3 Benoît Labourdette (France) 167 5.4 Adobe Rush (United States and Asia Pacific) 177 5.5 Treehouse (Australia) 181 5.6 Struman Optics (Australia) 187 Notes 192 References 192 Films 193 6 Creative innovation 195 6.1 Experimentation driving innovation 200 6.2 Transformational creativity 202 6.3 Smartphone filmmaking-specific formations 208 6.3.1 Vertical video 208 6.3.2 Music videos 210 6.4 Smartphone filmmaking modes 214 6.4.1 ‘Red carpet in your pocket’mode 214 6.4.2 Conversational mode 217 6.4.3 Participatory and engagement mode 219 6.4.4 Smartphone native mode 219 6.4.5 Poetic and experimental mode 223 6.5 Mobile XR 229 Notes 236 References 238 Films 239 Index 243
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| adam_txt |
Contents Acknowledgements ix List of Illustrations xi 1 Introduction і 2 Towards a theory and practice of mobile, smartphone and mobile filmmaking i7 2.1 2.2 2.3 2.4 2.5 2.6 The pioneers 19 An original film form: Mobile, pocket and smartphone filmmaking 26 MINA (Mobile Innovation Network and Association) 27 Curating the International Mobile Innovation Screening 30 International Mobile Innovation Screening, 2011-18 35 Smartphone filmmaking modes 41 2.6.1 Poetic and experimental mode 50 2.6.2 Participatory and engagement mode 55 2.6.3 Smartphone native mode 57 2.6.4 Conversational mode 61 2.6.5 ‘Red carpet in your pocket’ mode 64 Notes 68 References 69 Films 70 3 Spotlight on mobile and smartphone him festivals 73 3.1 The global mobile and smartphone film festival scene 75 3.2 International Mobile Film Festival (San Diego, United States) 77 3.3 MoMo ֊ Mobile Motion (Zürich, Switzerland) 86 3.4 SF3, SmartFone Flick Fest (Sydney, Australia) 92 3.5 African Smartphone International Film Festival (Lagos, Nigeria) 99 3.6 Karl Bardosh, NYU (New York, United States) 104 Notes 111 References 111 Films 112
viii Contents 4 Focus on smartphone filmmaking practice п5 4.1 Independent smartphone filmmakers 115 4.2 Gerda Cammaer (Canada/Belgium) 117 4.3 Felipe Cardona (Columbia) 126 4.4 Camille Baker (UK) 130 4.5 Conrad Mess (Spain) 139 Notes 146 References 147 Films 147 Projects 148 5 New horizons: Creative Industries i5i 5.1 Twenty-first-century creativity and storytelling 152 5.2 Luma Touch (United States) 153 5.3 Benoît Labourdette (France) 167 5.4 Adobe Rush (United States and Asia Pacific) 177 5.5 Treehouse (Australia) 181 5.6 Struman Optics (Australia) 187 Notes 192 References 192 Films 193 6 Creative innovation 195 6.1 Experimentation driving innovation 200 6.2 Transformational creativity 202 6.3 Smartphone filmmaking-specific formations 208 6.3.1 Vertical video 208 6.3.2 Music videos 210 6.4 Smartphone filmmaking modes 214 6.4.1 ‘Red carpet in your pocket’mode 214 6.4.2 Conversational mode 217 6.4.3 Participatory and engagement mode 219 6.4.4 Smartphone native mode 219 6.4.5 Poetic and experimental mode 223 6.5 Mobile XR 229 Notes 236 References 238 Films 239 Index 243 |
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| spelling | Schleser, Max 1980- Verfasser (DE-588)1061144194 aut Smartphone filmmaking theory and practice Max Schleser New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2021 xvii, 246 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Handy (DE-588)4338635-0 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Filmproduktion (DE-588)4124971-9 s Handy (DE-588)4338635-0 s DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-6035-0 Erscheint auch als Online-Ausgabe 978-1-5013-6034-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032998500&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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