Conceição dos Bugres - tudo é da natureza do mundo:
This is the first monographic exhibition in a museum dedicated to the work of Conceição Freitas da Silva, known as Conceição dos Bugres (1914-1984), a fundamental artist to understand a more plural history of Brazilian sculpture in the 20th century. Conceição became renowned for her production of th...
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| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | Portuguese English |
| Veröffentlicht: |
São Paulo
Museu de Arte de São Paulo Assis Chateaubriand
[2021]
|
| Schlagworte: | |
| Zusammenfassung: | This is the first monographic exhibition in a museum dedicated to the work of Conceição Freitas da Silva, known as Conceição dos Bugres (1914-1984), a fundamental artist to understand a more plural history of Brazilian sculpture in the 20th century. Conceição became renowned for her production of the so-called bugresʺ, wooden sculptures covered with wax and paint that she created incessantly over three decades, in Mato Grosso do Sul, where she migrated when leaving Povinho de Santiago, Rio Grande Sul. The title of the show is borrowed from a speech by the artist in a documentary recorded in 1979, reproduced in the title above and displayed on a monitor here. Conceição describes the forms taken by his pieces as a result of respecting the shape of the wood, which is wiseʺ. In fact, his way of carving is defined by the original material itself, according to its features and contours. An essential part of the artist's work is the choice of tree trunks for sculptures. From cylinders of different sizes and circumferences, and using an ax, she built figures to which she gave her own names, such as Mariquinha, João Grilo and Chiquinho. These names, however, were not recorded in the documents of the works, almost all without title and without date. Although at first glance the works look very much like each other, there are different choices and elements that make them unique. The heights of the 119 sculptures on display here vary from 4.5 cm to 115 cm. The grooves in the wood are of different depths and suggest the upper and lower limbs, as well as the eyes, mouth, nose, fingers and toes. There is great variety in the position of the hands and arms, in the haircuts and in the expression of the eyes, which turn in different directions. Some sculptures seem to smile at the viewer, while others give us a more incisive or penetrating look. The color also changes, either due to the aging of the wax or the use of paint - there are pieces in shades of gray, ocher and brown. Still others, painted in black, were named negrinhosʺ, with the hair simulating the frizzy of black people, different from a straight cut that, in turn, resembles the straight hair of indigenous people |
| Beschreibung: | 222 Seiten 26 cm |
| ISBN: | 9786557770078 6557770071 |
Internformat
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| 505 | 8 | |a Conceição dos Bugres: tudo é da natureza do mundo = Conceição dos Bugres: the nature of the world / Amanda Carneiro e Fernando Oliva -- Uma artista Kaingang = A Kaingang artist / Naine Terena -- Uma casa de minhaʺ = "A house of my own" / Fernanda Pitta -- Madeira, matéria, mãe = Wood, matter, mother / Julia Bryan-Wilson -- Faço para ter a companhia delesʺ = I do it for their company." / Entrevista com Conceição dos Bugres por Aline Figueiredo [Interview with Conceição dos Bugres by Aline Figueiredo] -- Reproduções dos trabalhos = Reproductions of the works -- Nota biográfica = Biographical note / Isabella Banducci Amizo | |
| 520 | 3 | |a This is the first monographic exhibition in a museum dedicated to the work of Conceição Freitas da Silva, known as Conceição dos Bugres (1914-1984), a fundamental artist to understand a more plural history of Brazilian sculpture in the 20th century. Conceição became renowned for her production of the so-called bugresʺ, wooden sculptures covered with wax and paint that she created incessantly over three decades, in Mato Grosso do Sul, where she migrated when leaving Povinho de Santiago, Rio Grande Sul. The title of the show is borrowed from a speech by the artist in a documentary recorded in 1979, reproduced in the title above and displayed on a monitor here. Conceição describes the forms taken by his pieces as a result of respecting the shape of the wood, which is wiseʺ. In fact, his way of carving is defined by the original material itself, according to its features and contours. An essential part of the artist's work is the choice of tree trunks for sculptures. | |
| 520 | 3 | |a From cylinders of different sizes and circumferences, and using an ax, she built figures to which she gave her own names, such as Mariquinha, João Grilo and Chiquinho. These names, however, were not recorded in the documents of the works, almost all without title and without date. Although at first glance the works look very much like each other, there are different choices and elements that make them unique. The heights of the 119 sculptures on display here vary from 4.5 cm to 115 cm. The grooves in the wood are of different depths and suggest the upper and lower limbs, as well as the eyes, mouth, nose, fingers and toes. There is great variety in the position of the hands and arms, in the haircuts and in the expression of the eyes, which turn in different directions. Some sculptures seem to smile at the viewer, while others give us a more incisive or penetrating look. | |
| 520 | 3 | |a The color also changes, either due to the aging of the wax or the use of paint - there are pieces in shades of gray, ocher and brown. Still others, painted in black, were named negrinhosʺ, with the hair simulating the frizzy of black people, different from a straight cut that, in turn, resembles the straight hair of indigenous people | |
| 546 | |a Text portugiesisch und englisch | ||
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| 653 | 1 | |a Silva, Conceição Freitas da / 1914-1984 / Criticism and interpretation | |
| 653 | 0 | |a Women artists / Brazil / Exhibitions | |
| 653 | 0 | |a Wood sculpture, Brazilian / 20th century / Catalogs | |
| 653 | 0 | |a Women artists | |
| 653 | 0 | |a Wood sculpture, Brazilian | |
| 653 | 2 | |a Brazil | |
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| 653 | 6 | |a Catalogs | |
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| 653 | 6 | |a Exhibition catalogs | |
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| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
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| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Oliva, Fernando |4 edt |4 wst | |
| 700 | 1 | |a Carneiro, Amanda |4 edt |4 wst | |
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| 700 | 1 | |a Amizo, Isabella Banducci |0 (DE-588)1191502414 |4 wst | |
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Datensatz im Suchindex
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| author2 | Oliva, Fernando Carneiro, Amanda |
| author2_role | edt edt |
| author2_variant | f o fo a c ac |
| author_GND | (DE-588)1246307359 (DE-588)1056619449 (DE-588)1191502414 (DE-588)140184740 |
| author_facet | Oliva, Fernando Carneiro, Amanda |
| building | Verbundindex |
| bvnumber | BV047607745 |
| contents | Conceição dos Bugres: tudo é da natureza do mundo = Conceição dos Bugres: the nature of the world / Amanda Carneiro e Fernando Oliva -- Uma artista Kaingang = A Kaingang artist / Naine Terena -- Uma casa de minhaʺ = "A house of my own" / Fernanda Pitta -- Madeira, matéria, mãe = Wood, matter, mother / Julia Bryan-Wilson -- Faço para ter a companhia delesʺ = I do it for their company." / Entrevista com Conceição dos Bugres por Aline Figueiredo [Interview with Conceição dos Bugres by Aline Figueiredo] -- Reproduções dos trabalhos = Reproductions of the works -- Nota biográfica = Biographical note / Isabella Banducci Amizo |
| ctrlnum | (OCoLC)1286872653 (DE-599)BVBBV047607745 |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 09.04.2021-30.01.2022 São Paulo gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 09.04.2021-30.01.2022 São Paulo Bildband |
| id | DE-604.BV047607745 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:38:55Z |
| indexdate | 2024-07-10T09:16:03Z |
| institution | BVB |
| institution_GND | (DE-588)1055328-9 |
| isbn | 9786557770078 6557770071 |
| language | Portuguese English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032992715 |
| oclc_num | 1286872653 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 222 Seiten 26 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Museu de Arte de São Paulo Assis Chateaubriand |
| record_format | marc |
| spelling | Silva, Conceição Freitas da 1914-1984 (DE-588)1246307359 art Conceição dos Bugres - tudo é da natureza do mundo organização editorial e curadoria/edited and curated by: Amanda Carneiro e Fernando Oliva ; textos/texts by : Aline Figueiredo, Amanda Carneiro e Fernando Oliva, Conceição dos Bugres, Fernanda Pitta, Isabella Banducci Amizo, Julia Bryan-Wilson, Naine Terena Tudo é da natureza do mundo São Paulo Museu de Arte de São Paulo Assis Chateaubriand [2021] © 2021 222 Seiten 26 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Conceição dos Bugres: tudo é da natureza do mundo = Conceição dos Bugres: the nature of the world / Amanda Carneiro e Fernando Oliva -- Uma artista Kaingang = A Kaingang artist / Naine Terena -- Uma casa de minhaʺ = "A house of my own" / Fernanda Pitta -- Madeira, matéria, mãe = Wood, matter, mother / Julia Bryan-Wilson -- Faço para ter a companhia delesʺ = I do it for their company." / Entrevista com Conceição dos Bugres por Aline Figueiredo [Interview with Conceição dos Bugres by Aline Figueiredo] -- Reproduções dos trabalhos = Reproductions of the works -- Nota biográfica = Biographical note / Isabella Banducci Amizo This is the first monographic exhibition in a museum dedicated to the work of Conceição Freitas da Silva, known as Conceição dos Bugres (1914-1984), a fundamental artist to understand a more plural history of Brazilian sculpture in the 20th century. Conceição became renowned for her production of the so-called bugresʺ, wooden sculptures covered with wax and paint that she created incessantly over three decades, in Mato Grosso do Sul, where she migrated when leaving Povinho de Santiago, Rio Grande Sul. The title of the show is borrowed from a speech by the artist in a documentary recorded in 1979, reproduced in the title above and displayed on a monitor here. Conceição describes the forms taken by his pieces as a result of respecting the shape of the wood, which is wiseʺ. In fact, his way of carving is defined by the original material itself, according to its features and contours. An essential part of the artist's work is the choice of tree trunks for sculptures. From cylinders of different sizes and circumferences, and using an ax, she built figures to which she gave her own names, such as Mariquinha, João Grilo and Chiquinho. These names, however, were not recorded in the documents of the works, almost all without title and without date. Although at first glance the works look very much like each other, there are different choices and elements that make them unique. The heights of the 119 sculptures on display here vary from 4.5 cm to 115 cm. The grooves in the wood are of different depths and suggest the upper and lower limbs, as well as the eyes, mouth, nose, fingers and toes. There is great variety in the position of the hands and arms, in the haircuts and in the expression of the eyes, which turn in different directions. Some sculptures seem to smile at the viewer, while others give us a more incisive or penetrating look. The color also changes, either due to the aging of the wax or the use of paint - there are pieces in shades of gray, ocher and brown. Still others, painted in black, were named negrinhosʺ, with the hair simulating the frizzy of black people, different from a straight cut that, in turn, resembles the straight hair of indigenous people Text portugiesisch und englisch Silva, Conceição Freitas da 1914-1984 (DE-588)1246307359 gnd rswk-swf Silva, Conceição Freitas da / 1914-1984 / Exhibitions Silva, Conceição Freitas da / 1914-1984 / Criticism and interpretation Women artists / Brazil / Exhibitions Wood sculpture, Brazilian / 20th century / Catalogs Women artists Wood sculpture, Brazilian Brazil 1900-1999 Catalogs Criticism, interpretation, etc Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 09.04.2021-30.01.2022 São Paulo gnd-content (DE-588)4145395-5 Bildband gnd-content Silva, Conceição Freitas da 1914-1984 (DE-588)1246307359 p DE-604 Oliva, Fernando edt wst Carneiro, Amanda edt wst Figueiredo, Aline 1946- (DE-588)1056619449 wst Pitta, Fernanda wst Amizo, Isabella Banducci (DE-588)1191502414 wst Bryan-Wilson, Julia 1973- (DE-588)140184740 wst Terena, Naine wst Museu de Arte de São Paulo Assis Chateaubriand (DE-588)1055328-9 his isb |
| spellingShingle | Conceição dos Bugres - tudo é da natureza do mundo Conceição dos Bugres: tudo é da natureza do mundo = Conceição dos Bugres: the nature of the world / Amanda Carneiro e Fernando Oliva -- Uma artista Kaingang = A Kaingang artist / Naine Terena -- Uma casa de minhaʺ = "A house of my own" / Fernanda Pitta -- Madeira, matéria, mãe = Wood, matter, mother / Julia Bryan-Wilson -- Faço para ter a companhia delesʺ = I do it for their company." / Entrevista com Conceição dos Bugres por Aline Figueiredo [Interview with Conceição dos Bugres by Aline Figueiredo] -- Reproduções dos trabalhos = Reproductions of the works -- Nota biográfica = Biographical note / Isabella Banducci Amizo Silva, Conceição Freitas da 1914-1984 (DE-588)1246307359 gnd |
| subject_GND | (DE-588)1246307359 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Conceição dos Bugres - tudo é da natureza do mundo |
| title_alt | Tudo é da natureza do mundo |
| title_auth | Conceição dos Bugres - tudo é da natureza do mundo |
| title_exact_search | Conceição dos Bugres - tudo é da natureza do mundo |
| title_exact_search_txtP | Conceição dos Bugres - tudo é da natureza do mundo |
| title_full | Conceição dos Bugres - tudo é da natureza do mundo organização editorial e curadoria/edited and curated by: Amanda Carneiro e Fernando Oliva ; textos/texts by : Aline Figueiredo, Amanda Carneiro e Fernando Oliva, Conceição dos Bugres, Fernanda Pitta, Isabella Banducci Amizo, Julia Bryan-Wilson, Naine Terena |
| title_fullStr | Conceição dos Bugres - tudo é da natureza do mundo organização editorial e curadoria/edited and curated by: Amanda Carneiro e Fernando Oliva ; textos/texts by : Aline Figueiredo, Amanda Carneiro e Fernando Oliva, Conceição dos Bugres, Fernanda Pitta, Isabella Banducci Amizo, Julia Bryan-Wilson, Naine Terena |
| title_full_unstemmed | Conceição dos Bugres - tudo é da natureza do mundo organização editorial e curadoria/edited and curated by: Amanda Carneiro e Fernando Oliva ; textos/texts by : Aline Figueiredo, Amanda Carneiro e Fernando Oliva, Conceição dos Bugres, Fernanda Pitta, Isabella Banducci Amizo, Julia Bryan-Wilson, Naine Terena |
| title_short | Conceição dos Bugres - tudo é da natureza do mundo |
| title_sort | conceicao dos bugres tudo e da natureza do mundo |
| topic | Silva, Conceição Freitas da 1914-1984 (DE-588)1246307359 gnd |
| topic_facet | Silva, Conceição Freitas da 1914-1984 Ausstellungskatalog Museu de Arte de São Paulo Assis Chateaubriand 09.04.2021-30.01.2022 São Paulo Bildband |
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