Django generations: hearing ethnorace, citizenship, and jazz manouche in France
"The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In Fr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
|
| Schriftenreihe: | Chicago studies in ethnomusicology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"-- |
| Beschreibung: | XIII, 260 Seiten Illustrationen, Karte 23 cm |
| ISBN: | 9780226811000 9780226810812 |
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| 505 | 8 | |a Introduction -- Making jazz manouche -- Cultural activism's living legacies -- Generic ontologies and the stakes of refusal -- The sound of feeling -- heritage stories -- Conclusion | |
| 520 | 3 | |a "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"-- | |
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Datensatz im Suchindex
| _version_ | 1804182971543977984 |
|---|---|
| adam_text | Contents Notes on Terminology ix List ofFigures xi Companion Website xiii Introduction 1 1 Making Jazz Manouche 32 2 Cultural Activism s Living Legacies 64 3 Generic Ontologies and the Stakes of Refusal 98 4 The Sound of Feeling 128 5 Heritage Stories 154 Conclusion 183 Acknowledgments 189 Appendix 1: Glossary 195 Appendix 2: List ofFormal Interviews 197 Notes 199 References 229 Index 253 vll
|
| adam_txt |
Contents Notes on Terminology ix List ofFigures xi Companion Website xiii Introduction 1 1 Making Jazz Manouche 32 2 Cultural Activism's Living Legacies 64 3 Generic Ontologies and the Stakes of Refusal 98 4 The Sound of Feeling 128 5 Heritage Stories 154 Conclusion 183 Acknowledgments 189 Appendix 1: Glossary 195 Appendix 2: List ofFormal Interviews 197 Notes 199 References 229 Index 253 vll |
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| author | Lie, Siv B. |
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| contents | Introduction -- Making jazz manouche -- Cultural activism's living legacies -- Generic ontologies and the stakes of refusal -- The sound of feeling -- heritage stories -- Conclusion |
| ctrlnum | (OCoLC)1296330894 (DE-599)BVBBV047606925 |
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| format | Book |
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| language | English |
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| spelling | Lie, Siv B. Verfasser (DE-588)106835366X aut Django generations hearing ethnorace, citizenship, and jazz manouche in France Siv B. Lie Chicago ; London The University of Chicago Press 2021 XIII, 260 Seiten Illustrationen, Karte 23 cm txt rdacontent n rdamedia nc rdacarrier Chicago studies in ethnomusicology Introduction -- Making jazz manouche -- Cultural activism's living legacies -- Generic ontologies and the stakes of refusal -- The sound of feeling -- heritage stories -- Conclusion "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"-- Geschichte gnd rswk-swf Gypsy-Jazz (DE-588)7524698-3 gnd rswk-swf Musikethnologie (DE-588)4127833-1 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Reinhardt, Django / 1910-1953 / Influence Jazz / Social aspects / France Romanies / Music / Social aspects / France Romanies / Music / Political aspects / France Romanies / France / Ethnic identity Music and race / France Musicians, Romani / France Jazz musicians / France Reinhardt, Django / 1910-1953 Influence (Literary, artistic, etc.) Jazz musicians Jazz / Social aspects Music and race Musicians, Romani Romanies / Ethnic identity France Frankreich (DE-588)4018145-5 g Gypsy-Jazz (DE-588)7524698-3 s Musikethnologie (DE-588)4127833-1 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-226-81095-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032991909&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lie, Siv B. Django generations hearing ethnorace, citizenship, and jazz manouche in France Introduction -- Making jazz manouche -- Cultural activism's living legacies -- Generic ontologies and the stakes of refusal -- The sound of feeling -- heritage stories -- Conclusion Gypsy-Jazz (DE-588)7524698-3 gnd Musikethnologie (DE-588)4127833-1 gnd |
| subject_GND | (DE-588)7524698-3 (DE-588)4127833-1 (DE-588)4018145-5 |
| title | Django generations hearing ethnorace, citizenship, and jazz manouche in France |
| title_auth | Django generations hearing ethnorace, citizenship, and jazz manouche in France |
| title_exact_search | Django generations hearing ethnorace, citizenship, and jazz manouche in France |
| title_exact_search_txtP | Django generations hearing ethnorace, citizenship, and jazz manouche in France |
| title_full | Django generations hearing ethnorace, citizenship, and jazz manouche in France Siv B. Lie |
| title_fullStr | Django generations hearing ethnorace, citizenship, and jazz manouche in France Siv B. Lie |
| title_full_unstemmed | Django generations hearing ethnorace, citizenship, and jazz manouche in France Siv B. Lie |
| title_short | Django generations |
| title_sort | django generations hearing ethnorace citizenship and jazz manouche in france |
| title_sub | hearing ethnorace, citizenship, and jazz manouche in France |
| topic | Gypsy-Jazz (DE-588)7524698-3 gnd Musikethnologie (DE-588)4127833-1 gnd |
| topic_facet | Gypsy-Jazz Musikethnologie Frankreich |
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