Baroque modernity: an aesthetics of theater
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Baltimore
Johns Hopkins University Press
[2021]
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Schriftenreihe: | Hopkins studies in modernism series
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xxii, 298 Seiten Illustrationen |
ISBN: | 9781421441528 9781421441535 |
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Datensatz im Suchindex
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adam_text | Contents Illustrations xi Preface xiii Acknowledgments xvii On Baroque xxii Introduction: Envisioning an Orphic Modernism l 1 Overcoming Ascetic Style: Nietzsche and the Transvaluation of the Baroque 27 Against Classical Rhetoric and Drama 31 Nietzschean and Wagnerian Theatricalities 41 Resentful and Affirmative Baroques 50 De Te Fabula Narratur 58 2 The Matter of Spectacle: Mallarmé and the Futures of Theatrical Ostentation Ճ4 The Drama of Silence 68 Herodiadě, A Horrible Birth 75 Becoming Ornamental 83 The Theater of the Book 99 3 Landscapes of Melancholy: Benjamin, Trauerspiel, and the Pathways of Tradition 102 History Passes into the Setting —Baroque Spatialization 106 Baroque Allegory as Nonmimetic Theatricality 118
x Contents The Catastrophe in Permanence 130 Enter, fleeing 142 4 The Citability of Baroque Gesture: Unsettling Stein 146 To Mount It Up —Baroque Citationality on Stage 149 Allegorical Temporality 159 Functional Baroque Forms in Performance 165 Last Act./Which is a fact? 178 Epilogue: Glancing Back, Reaching Forward 182 Note on Translations 193 Notes 197 Bibliography 261 Index 289
might seem incompatible v։th the dominant tornis oí trt vince the Industrial Resolution, but between 18~5 and 1935, Kuropean and American mode : nists connected to the theater became fascinated with it. In Baratate Modernity, Joseph (Arm irori argues that the memore ot seventeenth-centurv baroque stages helped produce new tomt- ot theater, space, and experience. In response, modern theater helped give rise to the development ՚ է the baroque as a modern philosophical idea. Moving between page and stage, this studs tracks the remnants ot theater makers (iianlorcn/o Bernini. William Shakespeare, (liaudies Monteverdi, anti (.alderon de la Baia i through moelcni ist aesthetics ot theatrical philosophers Friedrich Xiet/sche. Stephane Mallarme. Walter Ben janun, and Gertrude Stem across an arrav of othersvise disparate materials including modern opera, Bertolt Brechts f-.pic Iheatcr. poetic tragedies, and miracle plass.
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adam_txt |
Contents Illustrations xi Preface xiii Acknowledgments xvii On "Baroque" xxii Introduction: Envisioning an Orphic Modernism l 1 Overcoming Ascetic Style: Nietzsche and the Transvaluation of the Baroque 27 Against Classical Rhetoric and Drama 31 Nietzschean and Wagnerian Theatricalities 41 Resentful and Affirmative Baroques 50 De Te Fabula Narratur 58 2 The Matter of Spectacle: Mallarmé and the Futures of Theatrical Ostentation Ճ4 The Drama of Silence 68 Herodiadě, "A Horrible Birth" 75 Becoming Ornamental 83 The Theater of the Book 99 3 Landscapes of Melancholy: Benjamin, Trauerspiel, and the Pathways of Tradition 102 "History Passes into the Setting"—Baroque Spatialization 106 Baroque Allegory as Nonmimetic Theatricality 118
x Contents The Catastrophe in Permanence 130 "Enter, fleeing" 142 4 The Citability of Baroque Gesture: Unsettling Stein 146 "To Mount It Up"—Baroque Citationality on Stage 149 Allegorical Temporality 159 Functional Baroque Forms in Performance 165 Last Act./Which is a fact? 178 Epilogue: Glancing Back, Reaching Forward 182 Note on Translations 193 Notes 197 Bibliography 261 Index 289
might seem incompatible \v։th the dominant tornis oí trt vince the Industrial Resolution, but between 18~5 and 1935, Kuropean and American mode : nists connected to the theater became fascinated with it. In Baratate Modernity, Joseph (Arm irori argues that the memore ot seventeenth-centurv baroque stages helped produce new tomt- ot theater, space, and experience. In response, modern theater helped give rise to the development ՚ է the baroque as a modern philosophical idea. Moving between page and stage, this studs tracks the remnants ot theater makers (iianlorcn/o Bernini. William Shakespeare, (liaudies Monteverdi, anti (.alderon de la Baia i through moelcni ist aesthetics ot theatrical philosophers Friedrich Xiet/sche. Stephane Mallarme. Walter Ben janun, and Gertrude Stem across an arrav of othersvise disparate materials including modern opera, Bertolt Brechts f-.pic Iheatcr. poetic tragedies, and miracle plass. |
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author | Cermatori, Joseph 1983- |
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building | Verbundindex |
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discipline | Allgemeines Literaturwissenschaft |
discipline_str_mv | Allgemeines Literaturwissenschaft |
era | Geschichte 1875-1935 gnd |
era_facet | Geschichte 1875-1935 |
format | Book |
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spelling | Cermatori, Joseph 1983- Verfasser (DE-588)1249184428 aut Baroque modernity an aesthetics of theater Joseph Cermatori Baltimore Johns Hopkins University Press [2021] xxii, 298 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Hopkins studies in modernism series Geschichte 1875-1935 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Barock (DE-588)4004541-9 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Barock (DE-588)4004541-9 s Rezeption (DE-588)4049716-1 s Drama (DE-588)4012899-4 s Theater (DE-588)4059702-7 s Geschichte 1875-1935 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4214-4154-2 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032991423&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032991423&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Cermatori, Joseph 1983- Baroque modernity an aesthetics of theater Drama (DE-588)4012899-4 gnd Barock (DE-588)4004541-9 gnd Theater (DE-588)4059702-7 gnd Rezeption (DE-588)4049716-1 gnd |
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title | Baroque modernity an aesthetics of theater |
title_auth | Baroque modernity an aesthetics of theater |
title_exact_search | Baroque modernity an aesthetics of theater |
title_exact_search_txtP | Baroque modernity an aesthetics of theater |
title_full | Baroque modernity an aesthetics of theater Joseph Cermatori |
title_fullStr | Baroque modernity an aesthetics of theater Joseph Cermatori |
title_full_unstemmed | Baroque modernity an aesthetics of theater Joseph Cermatori |
title_short | Baroque modernity |
title_sort | baroque modernity an aesthetics of theater |
title_sub | an aesthetics of theater |
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topic_facet | Drama Barock Theater Rezeption |
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