Gaga aesthetics: art, fashion, popular culture, and the up-ending of tradition
Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the "low" into the "high". The same cannot be said of contemporary art of the 21st century, where the term "Gaga Aesthe...
Gespeichert in:
Hauptverfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
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Schriftenreihe: | Aesthetics and contemporary art
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the "low" into the "high". The same cannot be said of contemporary art of the 21st century, where the term "Gaga Aesthetics" characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer’s "The Culture Industry" and Adorno’s Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, thereby ‘upending tradition’. In the tradition of philosophical aesthetics that Adorno began with Lukács, this explores the ever-urgent notion that high culture has become deeply enmeshed with popular culture. This is "Gaga Aesthetics": aesthetics that no longer follows clear fields of activity, where "fine art" is but one area of critical activity. Indeed, Adorno’s concepts of alienation and the tragic, which inform his reading of the modernist experiment, are now no longer confined to art. Rather, stirring examples can be found in phenomena such as fashion and music video. In addition to dealing with Lady Gaga herself, this book traverses examples ranging from Madonna’s Madam X to Moschino and Vetements, to deliberate on the strategies of subversion in the culture industry. |
Beschreibung: | ix, 209 Seiten Illustrationen |
ISBN: | 9781350102699 |
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520 | 3 | |a Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the "low" into the "high". The same cannot be said of contemporary art of the 21st century, where the term "Gaga Aesthetics" characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer’s "The Culture Industry" and Adorno’s Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, thereby ‘upending tradition’. In the tradition of philosophical aesthetics that Adorno began with Lukács, this explores the ever-urgent notion that high culture has become deeply enmeshed with popular culture. This is "Gaga Aesthetics": aesthetics that no longer follows clear fields of activity, where "fine art" is but one area of critical activity. Indeed, Adorno’s concepts of alienation and the tragic, which inform his reading of the modernist experiment, are now no longer confined to art. Rather, stirring examples can be found in phenomena such as fashion and music video. In addition to dealing with Lady Gaga herself, this book traverses examples ranging from Madonna’s Madam X to Moschino and Vetements, to deliberate on the strategies of subversion in the culture industry. | |
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Datensatz im Suchindex
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adam_text |
Contents List of Figures viii Acknowledgements x Introduction 1 1 Culture and the up-ending of tradition 11 2 Hegel, art and adequation 19 3 Adorno, the constriction of the aesthetic and difficult art 29 4 Modern music and the pact with the devil 35 5 At the precipice of pop culture: Wagner and Mahler 41 6 Art beyond the horizon 47 7 The culture industry and popular culture 55 8 Light music and lazy listening 65 9 Jazz and ‘jazz’ 71 10 Ugliness and kitsch 81 11 Aesthetics of alienation 89 12 ‘Fashion theory: A philosophy of dress 99 13 Lady Gaga’s gaga aesthetics 105 14 Madonna to the power of X 119 15 Fashion and the redeployment of kitsch 133 16 155 Philosophy in fabric: Deconstruction in contemporary fashion Conclusion: Jazzing it up 167 Notes 171 Bibliography 192 Index 201 |
adam_txt |
Contents List of Figures viii Acknowledgements x Introduction 1 1 Culture and the up-ending of tradition 11 2 Hegel, art and adequation 19 3 Adorno, the constriction of the aesthetic and difficult art 29 4 Modern music and the pact with the devil 35 5 At the precipice of pop culture: Wagner and Mahler 41 6 Art beyond the horizon 47 7 The culture industry and popular culture 55 8 Light music and lazy listening 65 9 Jazz and ‘jazz’ 71 10 Ugliness and kitsch 81 11 Aesthetics of alienation 89 12 ‘Fashion theory: A philosophy of dress 99 13 Lady Gaga’s gaga aesthetics 105 14 Madonna to the power of X 119 15 Fashion and the redeployment of kitsch 133 16 155 Philosophy in fabric: Deconstruction in contemporary fashion Conclusion: Jazzing it up 167 Notes 171 Bibliography 192 Index 201 |
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author | Geczy, Adam 1969- Karaminas, Vicki ca. 20. Jh |
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author_facet | Geczy, Adam 1969- Karaminas, Vicki ca. 20. Jh |
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spelling | Geczy, Adam 1969- Verfasser (DE-588)122963512 aut Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition Adam Geczy and Vicki Karaminas London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 ix, 209 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Aesthetics and contemporary art Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the "low" into the "high". The same cannot be said of contemporary art of the 21st century, where the term "Gaga Aesthetics" characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer’s "The Culture Industry" and Adorno’s Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, thereby ‘upending tradition’. In the tradition of philosophical aesthetics that Adorno began with Lukács, this explores the ever-urgent notion that high culture has become deeply enmeshed with popular culture. This is "Gaga Aesthetics": aesthetics that no longer follows clear fields of activity, where "fine art" is but one area of critical activity. Indeed, Adorno’s concepts of alienation and the tragic, which inform his reading of the modernist experiment, are now no longer confined to art. Rather, stirring examples can be found in phenomena such as fashion and music video. In addition to dealing with Lady Gaga herself, this book traverses examples ranging from Madonna’s Madam X to Moschino and Vetements, to deliberate on the strategies of subversion in the culture industry. Art & design styles: Pop art Popular culture PHILOSOPHY / Movements / Critical Theory ART / Popular Culture Arts and society - History - 21st century Art and popular culture - History - 21st century Popkultur (DE-588)4175361-6 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf Mode (DE-588)4039792-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Beziehung (DE-588)4145198-3 gnd rswk-swf Massenkultur (DE-588)4125858-7 s Kunst (DE-588)4114333-4 s Beziehung (DE-588)4145198-3 s DE-604 Popkultur (DE-588)4175361-6 s Mode (DE-588)4039792-0 s Ästhetik (DE-588)4000626-8 s Karaminas, Vicki ca. 20. Jh. Verfasser (DE-588)137888031 aut Erscheint auch als Online-Ausgabe, ePDF 978-1-3501-0270-5 Erscheint auch als Online-Ausgabe 978-1-3501-0271-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032991268&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Geczy, Adam 1969- Karaminas, Vicki ca. 20. Jh Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition Art & design styles: Pop art Popular culture PHILOSOPHY / Movements / Critical Theory ART / Popular Culture Arts and society - History - 21st century Art and popular culture - History - 21st century Popkultur (DE-588)4175361-6 gnd Massenkultur (DE-588)4125858-7 gnd Mode (DE-588)4039792-0 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Beziehung (DE-588)4145198-3 gnd |
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title | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition |
title_auth | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition |
title_exact_search | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition |
title_exact_search_txtP | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition |
title_full | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition Adam Geczy and Vicki Karaminas |
title_fullStr | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition Adam Geczy and Vicki Karaminas |
title_full_unstemmed | Gaga aesthetics art, fashion, popular culture, and the up-ending of tradition Adam Geczy and Vicki Karaminas |
title_short | Gaga aesthetics |
title_sort | gaga aesthetics art fashion popular culture and the up ending of tradition |
title_sub | art, fashion, popular culture, and the up-ending of tradition |
topic | Art & design styles: Pop art Popular culture PHILOSOPHY / Movements / Critical Theory ART / Popular Culture Arts and society - History - 21st century Art and popular culture - History - 21st century Popkultur (DE-588)4175361-6 gnd Massenkultur (DE-588)4125858-7 gnd Mode (DE-588)4039792-0 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Beziehung (DE-588)4145198-3 gnd |
topic_facet | Art & design styles: Pop art Popular culture PHILOSOPHY / Movements / Critical Theory ART / Popular Culture Arts and society - History - 21st century Art and popular culture - History - 21st century Popkultur Massenkultur Mode Kunst Ästhetik Beziehung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032991268&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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