Homer in Performance: Rhapsodes, Narrators, and Characters
Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the...
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Sprache: | English |
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University of Texas Press
[2018]
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Zusammenfassung: | Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts-performing the poem and narrating and speaking in character within it-are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
Beschreibung: | 1 online resource |
ISBN: | 9781477316047 |
DOI: | 10.7560/316030 |
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spelling | Homer in Performance Rhapsodes, Narrators, and Characters ed. by Christos Tsagalis, Jonathan Ready Austin University of Texas Press [2018] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts-performing the poem and narrating and speaking in character within it-are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore In English LITERARY CRITICISM / Ancient & Classical bisacsh Epic poetry, Greek History and criticism Theory, etc Oral interpretation of poetry Oral tradition Greece Performing arts Appreciation Greece Bachvarova, Mary R. Sonstige oth Beck, Deborah Sonstige oth Bonifazi, Anna Sonstige oth Bundrick, Sheramy D. Sonstige oth Christensen, Joel P. Sonstige oth Gangloff, Anne Sonstige oth Garcia Jr, Lorenzo F. Sonstige oth Kelly, Adrian Sonstige oth Levaniouk, Olga Sonstige oth O'Maley, James Sonstige oth Ready, Jonathan L. 1976- Sonstige (DE-588)1046696254 oth Tsagalis, Christos C. Sonstige oth Tsagalis, Christos Sonstige oth https://doi.org/10.7560/316030 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Homer in Performance Rhapsodes, Narrators, and Characters LITERARY CRITICISM / Ancient & Classical bisacsh Epic poetry, Greek History and criticism Theory, etc Oral interpretation of poetry Oral tradition Greece Performing arts Appreciation Greece |
title | Homer in Performance Rhapsodes, Narrators, and Characters |
title_auth | Homer in Performance Rhapsodes, Narrators, and Characters |
title_exact_search | Homer in Performance Rhapsodes, Narrators, and Characters |
title_exact_search_txtP | Homer in Performance Rhapsodes, Narrators, and Characters |
title_full | Homer in Performance Rhapsodes, Narrators, and Characters ed. by Christos Tsagalis, Jonathan Ready |
title_fullStr | Homer in Performance Rhapsodes, Narrators, and Characters ed. by Christos Tsagalis, Jonathan Ready |
title_full_unstemmed | Homer in Performance Rhapsodes, Narrators, and Characters ed. by Christos Tsagalis, Jonathan Ready |
title_short | Homer in Performance |
title_sort | homer in performance rhapsodes narrators and characters |
title_sub | Rhapsodes, Narrators, and Characters |
topic | LITERARY CRITICISM / Ancient & Classical bisacsh Epic poetry, Greek History and criticism Theory, etc Oral interpretation of poetry Oral tradition Greece Performing arts Appreciation Greece |
topic_facet | LITERARY CRITICISM / Ancient & Classical Epic poetry, Greek History and criticism Theory, etc Oral interpretation of poetry Oral tradition Greece Performing arts Appreciation Greece |
url | https://doi.org/10.7560/316030 |
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