Delirious Consumption: Aesthetics and Consumer Capitalism in Mexico and Brazil
In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Austin
University of Texas Press
[2021]
|
Schlagworte: | |
Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya's view, these poets and artists appeal to uselessness, nonutility, and noncommunication-all markers of the aesthetic-while drawing on the terms proper to a world of consumption and consumer culture |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
Beschreibung: | 1 online resource |
ISBN: | 9781477314364 |
DOI: | 10.7560/314340 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047598812 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 211118s2021 |||| o||u| ||||||eng d | ||
020 | |a 9781477314364 |9 978-1-4773-1436-4 | ||
024 | 7 | |a 10.7560/314340 |2 doi | |
035 | |a (ZDB-23-DGG)9781477314364 | ||
035 | |a (OCoLC)1286859614 | ||
035 | |a (DE-599)BVBBV047598812 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 111/.850972 |2 23 | |
100 | 1 | |a Delgado Moya, Sergio |e Verfasser |4 aut | |
245 | 1 | 0 | |a Delirious Consumption |b Aesthetics and Consumer Capitalism in Mexico and Brazil |c Sergio Delgado Moya |
264 | 1 | |a Austin |b University of Texas Press |c [2021] | |
264 | 4 | |c © 2017 | |
300 | |a 1 online resource | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) | ||
520 | |a In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya's view, these poets and artists appeal to uselessness, nonutility, and noncommunication-all markers of the aesthetic-while drawing on the terms proper to a world of consumption and consumer culture | ||
546 | |a In English | ||
650 | 7 | |a SOCIAL SCIENCE / Regional Studies |2 bisacsh | |
650 | 4 | |a Art and literature |z Brazil |y 20th century | |
650 | 4 | |a Art and literature |z Mexico |y 20th century | |
650 | 4 | |a Avant-garde (Aesthetics) |z Brazil |y 20th century | |
650 | 4 | |a Avant-garde (Aesthetics) |z Mexico |y 20th century | |
650 | 4 | |a Avant-garde (Aesthetics)--Mexico--20th century | |
650 | 4 | |a Consumption (Economics) in art | |
856 | 4 | 0 | |u https://doi.org/10.7560/314340 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032983936 | ||
966 | e | |u https://doi.org/10.7560/314340 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7560/314340 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804182957015957504 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Delgado Moya, Sergio |
author_facet | Delgado Moya, Sergio |
author_role | aut |
author_sort | Delgado Moya, Sergio |
author_variant | m s d ms msd |
building | Verbundindex |
bvnumber | BV047598812 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781477314364 (OCoLC)1286859614 (DE-599)BVBBV047598812 |
dewey-full | 111/.850972 |
dewey-hundreds | 100 - Philosophy & psychology |
dewey-ones | 111 - Ontology |
dewey-raw | 111/.850972 |
dewey-search | 111/.850972 |
dewey-sort | 3111 6850972 |
dewey-tens | 110 - Metaphysics |
discipline | Philosophie |
discipline_str_mv | Philosophie |
doi_str_mv | 10.7560/314340 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03912nmm a2200541zc 4500</leader><controlfield tag="001">BV047598812</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211118s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781477314364</subfield><subfield code="9">978-1-4773-1436-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/314340</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781477314364</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286859614</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047598812</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.850972</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Delgado Moya, Sergio</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Delirious Consumption</subfield><subfield code="b">Aesthetics and Consumer Capitalism in Mexico and Brazil</subfield><subfield code="c">Sergio Delgado Moya</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin</subfield><subfield code="b">University of Texas Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya's view, these poets and artists appeal to uselessness, nonutility, and noncommunication-all markers of the aesthetic-while drawing on the terms proper to a world of consumption and consumer culture</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Regional Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and literature</subfield><subfield code="z">Brazil</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art and literature</subfield><subfield code="z">Mexico</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Avant-garde (Aesthetics)</subfield><subfield code="z">Brazil</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Avant-garde (Aesthetics)</subfield><subfield code="z">Mexico</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Avant-garde (Aesthetics)--Mexico--20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Consumption (Economics) in art</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032983936</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/314340</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047598812 |
illustrated | Not Illustrated |
index_date | 2024-07-03T18:36:37Z |
indexdate | 2024-07-10T09:15:48Z |
institution | BVB |
isbn | 9781477314364 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032983936 |
oclc_num | 1286859614 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 online resource |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | University of Texas Press |
record_format | marc |
spelling | Delgado Moya, Sergio Verfasser aut Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil Sergio Delgado Moya Austin University of Texas Press [2021] © 2017 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) In the decades following World War II, the creation and expansion of massive domestic markets and relatively stable economies allowed for mass consumption on an unprecedented scale, giving rise to the consumer society that exists today. Many avant-garde artists explored the nexus between consumption and aesthetics, questioning how consumerism affects how we perceive the world, place ourselves in it, and make sense of it via perception and emotion. Delirious Consumption focuses on the two largest cultural economies in Latin America, Mexico and Brazil, and analyzes how their artists and writers both embraced and resisted the spirit of development and progress that defines the consumer moment in late capitalism. Sergio Delgado Moya looks specifically at the work of David Alfaro Siqueiros, the Brazilian concrete poets, Octavio Paz, and Lygia Clark to determine how each of them arrived at forms of aesthetic production balanced between high modernism and consumer culture. He finds in their works a provocative positioning vis-à-vis urban commodity capitalism, an ambivalent position that takes an assured but flexible stance against commodification, alienation, and the politics of domination and inequality that defines market economies. In Delgado Moya's view, these poets and artists appeal to uselessness, nonutility, and noncommunication-all markers of the aesthetic-while drawing on the terms proper to a world of consumption and consumer culture In English SOCIAL SCIENCE / Regional Studies bisacsh Art and literature Brazil 20th century Art and literature Mexico 20th century Avant-garde (Aesthetics) Brazil 20th century Avant-garde (Aesthetics) Mexico 20th century Avant-garde (Aesthetics)--Mexico--20th century Consumption (Economics) in art https://doi.org/10.7560/314340 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Delgado Moya, Sergio Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil SOCIAL SCIENCE / Regional Studies bisacsh Art and literature Brazil 20th century Art and literature Mexico 20th century Avant-garde (Aesthetics) Brazil 20th century Avant-garde (Aesthetics) Mexico 20th century Avant-garde (Aesthetics)--Mexico--20th century Consumption (Economics) in art |
title | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil |
title_auth | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil |
title_exact_search | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil |
title_exact_search_txtP | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil |
title_full | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil Sergio Delgado Moya |
title_fullStr | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil Sergio Delgado Moya |
title_full_unstemmed | Delirious Consumption Aesthetics and Consumer Capitalism in Mexico and Brazil Sergio Delgado Moya |
title_short | Delirious Consumption |
title_sort | delirious consumption aesthetics and consumer capitalism in mexico and brazil |
title_sub | Aesthetics and Consumer Capitalism in Mexico and Brazil |
topic | SOCIAL SCIENCE / Regional Studies bisacsh Art and literature Brazil 20th century Art and literature Mexico 20th century Avant-garde (Aesthetics) Brazil 20th century Avant-garde (Aesthetics) Mexico 20th century Avant-garde (Aesthetics)--Mexico--20th century Consumption (Economics) in art |
topic_facet | SOCIAL SCIENCE / Regional Studies Art and literature Brazil 20th century Art and literature Mexico 20th century Avant-garde (Aesthetics) Brazil 20th century Avant-garde (Aesthetics) Mexico 20th century Avant-garde (Aesthetics)--Mexico--20th century Consumption (Economics) in art |
url | https://doi.org/10.7560/314340 |
work_keys_str_mv | AT delgadomoyasergio deliriousconsumptionaestheticsandconsumercapitalisminmexicoandbrazil |