Cineaste on film criticism, programming, and preservation in the new millennium:
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been elimi...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
2017
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-473 DE-739 Volltext |
| Zusammenfassung: | Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts |
| Beschreibung: | 1 Online-Ressource (X, 380 Seiten) Illustrationen |
| ISBN: | 9781477313428 9781477313435 |
| DOI: | 10.7560/313404 |
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| 520 | 3 | |a Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts | |
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| institution | BVB |
| isbn | 9781477313428 9781477313435 |
| language | English |
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| spelling | Cineaste on film criticism, programming, and preservation in the new millennium edited by Cynthia Lucia and Rahul Hamid First edition Austin University of Texas Press 2017 1 Online-Ressource (X, 380 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism Mass media criticism Mass media Technological innovations Motion pictures Periodicals Motion pictures Reviews Motion pictures--Periodicals Lucia, Cynthia (DE-588)159031117 edt Hamid, Rahul edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4773-1340-4 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4773-1341-1 https://doi.org/10.7560/313404 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cineaste on film criticism, programming, and preservation in the new millennium PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism Mass media criticism Mass media Technological innovations Motion pictures Periodicals Motion pictures Reviews Motion pictures--Periodicals |
| title | Cineaste on film criticism, programming, and preservation in the new millennium |
| title_auth | Cineaste on film criticism, programming, and preservation in the new millennium |
| title_exact_search | Cineaste on film criticism, programming, and preservation in the new millennium |
| title_exact_search_txtP | Cineaste on Film Criticism, Programming, and Preservation in the New Millennium |
| title_full | Cineaste on film criticism, programming, and preservation in the new millennium edited by Cynthia Lucia and Rahul Hamid |
| title_fullStr | Cineaste on film criticism, programming, and preservation in the new millennium edited by Cynthia Lucia and Rahul Hamid |
| title_full_unstemmed | Cineaste on film criticism, programming, and preservation in the new millennium edited by Cynthia Lucia and Rahul Hamid |
| title_short | Cineaste on film criticism, programming, and preservation in the new millennium |
| title_sort | cineaste on film criticism programming and preservation in the new millennium |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film criticism Mass media criticism Mass media Technological innovations Motion pictures Periodicals Motion pictures Reviews Motion pictures--Periodicals |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film criticism Mass media criticism Mass media Technological innovations Motion pictures Periodicals Motion pictures Reviews Motion pictures--Periodicals |
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