Tropical Travels: Brazilian Popular Performance, Transnational Encounters, and the Construction of Race
Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits-inter-American and transatlantic-from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided model...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits-inter-American and transatlantic-from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, "racial" identity in Brazil. Tropical Travels fruitfully examines how perceptions of "race" were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period. Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of "race" and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477312803 |
| DOI: | 10.7560/312780 |
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Datensatz im Suchindex
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| spelling | Shaw, Lisa Verfasser aut Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race Lisa Shaw Austin University of Texas Press [2021] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Brazilian popular culture, including music, dance, theater, and film, played a key role in transnational performance circuits-inter-American and transatlantic-from the latter nineteenth century to the middle of the twentieth century. Brazilian performers both drew inspiration from and provided models for cultural production in France, Portugal, Argentina, the United States, and elsewhere. These transnational exchanges also helped construct new ideas about, and representations of, "racial" identity in Brazil. Tropical Travels fruitfully examines how perceptions of "race" were negotiated within popular performance in Rio de Janeiro and how these issues engaged with wider transnational trends during the period. Lisa Shaw analyzes how local cultural forms were shaped by contact with imported performance traditions and transnational vogues in Brazil, as well as by the movement of Brazilian performers overseas. She focuses specifically on samba and the maxixe in Paris between 1910 and 1922, teatro de revista (the Brazilian equivalent of vaudeville) in Rio in the long 1920s, and a popular Brazilian female archetype, the baiana, who moved to and fro across national borders and oceans. Shaw demonstrates that these transnational encounters generated redefinitions of Brazilian identity through the performance of "race" and ethnicity in popular culture. Shifting the traditional focus of Atlantic studies from the northern to the southern hemisphere, Tropical Travels also contributes to a fuller understanding of inter-hemispheric cultural influences within the Americas In English HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Performing arts Brazil African influences Performing arts Brazil History 19th century Performing arts Brazil History 20th century Popular culture Social aspects Brazil History https://doi.org/10.7560/312780 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shaw, Lisa Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Performing arts Brazil African influences Performing arts Brazil History 19th century Performing arts Brazil History 20th century Popular culture Social aspects Brazil History |
| title | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race |
| title_auth | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race |
| title_exact_search | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race |
| title_exact_search_txtP | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race |
| title_full | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race Lisa Shaw |
| title_fullStr | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race Lisa Shaw |
| title_full_unstemmed | Tropical Travels Brazilian Popular Performance, Transnational Encounters, and the Construction of Race Lisa Shaw |
| title_short | Tropical Travels |
| title_sort | tropical travels brazilian popular performance transnational encounters and the construction of race |
| title_sub | Brazilian Popular Performance, Transnational Encounters, and the Construction of Race |
| topic | HISTORY / Latin America / South America bisacsh Blacks Race identity Brazil Performing arts Brazil African influences Performing arts Brazil History 19th century Performing arts Brazil History 20th century Popular culture Social aspects Brazil History |
| topic_facet | HISTORY / Latin America / South America Blacks Race identity Brazil Performing arts Brazil African influences Performing arts Brazil History 19th century Performing arts Brazil History 20th century Popular culture Social aspects Brazil History |
| url | https://doi.org/10.7560/312780 |
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