The Mobility of Modernism: Art and Criticism in 1920s Latin America
Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 KUBA3 UBG01 UPA01 Volltext |
| Zusammenfassung: | Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource (344 Seiten) Illustrationen |
| ISBN: | 9781477312551 |
| DOI: | 10.7560/312537 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047598777 | ||
| 003 | DE-604 | ||
| 005 | 20220331 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 211118s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9781477312551 |c Online |9 978-1-4773-1255-1 | ||
| 024 | 7 | |a 10.7560/312537 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781477312551 | ||
| 035 | |a (OCoLC)1286862252 | ||
| 035 | |a (DE-599)BVBBV047598777 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-Y7 | ||
| 082 | 0 | |a 700.98 |2 23 | |
| 100 | 1 | |a Montgomery, Harper |0 (DE-588)102201336X |4 aut | |
| 245 | 1 | 0 | |a The Mobility of Modernism |b Art and Criticism in 1920s Latin America |c Harper Montgomery |
| 264 | 1 | |a Austin |b University of Texas Press |c [2021] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a 1 online resource (344 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) | ||
| 520 | |a Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition | ||
| 546 | |a In English | ||
| 650 | 7 | |a ART / Caribbean & Latin American |2 bisacsh | |
| 650 | 4 | |a Art criticism |z Latin America |x History |y 20th century | |
| 650 | 4 | |a Arts and society |z Latin America |x History |y 20th century | |
| 650 | 4 | |a Arts, Latin American |y 20th century | |
| 650 | 4 | |a Arts, Latin American--20th century | |
| 650 | 4 | |a Modernism (Art) |z Latin America |y 20th century | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |w (DE-604)BV044416597 |
| 856 | 4 | 0 | |u https://doi.org/10.7560/312537 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032983901 | ||
| 966 | e | |u https://doi.org/10.7560/312537 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l KUBA3 |p ZDB-23-DGG |q DFK |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7560/312537 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182956876496896 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Montgomery, Harper |
| author_GND | (DE-588)102201336X |
| author_facet | Montgomery, Harper |
| author_role | aut |
| author_sort | Montgomery, Harper |
| author_variant | h m hm |
| building | Verbundindex |
| bvnumber | BV047598777 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781477312551 (OCoLC)1286862252 (DE-599)BVBBV047598777 |
| dewey-full | 700.98 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.98 |
| dewey-search | 700.98 |
| dewey-sort | 3700.98 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.7560/312537 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04038nmm a2200553zc 4500</leader><controlfield tag="001">BV047598777</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220331 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211118s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781477312551</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-4773-1255-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/312537</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781477312551</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286862252</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047598777</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-Y7</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.98</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Montgomery, Harper</subfield><subfield code="0">(DE-588)102201336X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Mobility of Modernism</subfield><subfield code="b">Art and Criticism in 1920s Latin America</subfield><subfield code="c">Harper Montgomery</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin</subfield><subfield code="b">University of Texas Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (344 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Caribbean & Latin American</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art criticism</subfield><subfield code="z">Latin America</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts and society</subfield><subfield code="z">Latin America</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, Latin American</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, Latin American--20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Art)</subfield><subfield code="z">Latin America</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="w">(DE-604)BV044416597</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032983901</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">KUBA3</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">DFK</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7560/312537</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047598777 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:36:37Z |
| indexdate | 2024-07-10T09:15:48Z |
| institution | BVB |
| isbn | 9781477312551 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032983901 |
| oclc_num | 1286862252 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-Y7 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-Y7 |
| physical | 1 online resource (344 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG DFK ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Texas Press |
| record_format | marc |
| spelling | Montgomery, Harper (DE-588)102201336X aut The Mobility of Modernism Art and Criticism in 1920s Latin America Harper Montgomery Austin University of Texas Press [2021] © 2017 1 online resource (344 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Many Latin American artists and critics in the 1920s drew on the values of modernism to question the cultural authority of Europe. Modernism gave them a tool for coping with the mobility of their circumstances, as well as the inspiration for works that questioned the very concepts of the artist and the artwork and opened the realm of art to untrained and self-taught artists, artisans, and women. Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by mobility. The Mobility of Modernism examines modernist artworks and criticism that circulated among a network of cities, including Buenos Aires, Mexico City, Havana, and Lima. Harper Montgomery maps the dialogues and relationships among critics who published in avant-gardist magazines such as Amauta and Revista de Avance and artists such as Carlos Mérida, Xul Solar, and Emilio Pettoruti, among others, who championed esoteric forms of abstraction. She makes a convincing case that, for these artists and critics, modernism became an anticolonial stance which raised issues that are still vital today-the tensions between the local and the global, the ability of artists to speak for blighted or unincorporated people, and, above all, how advanced art and its champions can enact a politics of opposition In English ART / Caribbean & Latin American bisacsh Art criticism Latin America History 20th century Arts and society Latin America History 20th century Arts, Latin American 20th century Arts, Latin American--20th century Modernism (Art) Latin America 20th century Erscheint auch als Druck-Ausgabe (DE-604)BV044416597 https://doi.org/10.7560/312537 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Montgomery, Harper The Mobility of Modernism Art and Criticism in 1920s Latin America ART / Caribbean & Latin American bisacsh Art criticism Latin America History 20th century Arts and society Latin America History 20th century Arts, Latin American 20th century Arts, Latin American--20th century Modernism (Art) Latin America 20th century |
| title | The Mobility of Modernism Art and Criticism in 1920s Latin America |
| title_auth | The Mobility of Modernism Art and Criticism in 1920s Latin America |
| title_exact_search | The Mobility of Modernism Art and Criticism in 1920s Latin America |
| title_exact_search_txtP | The Mobility of Modernism Art and Criticism in 1920s Latin America |
| title_full | The Mobility of Modernism Art and Criticism in 1920s Latin America Harper Montgomery |
| title_fullStr | The Mobility of Modernism Art and Criticism in 1920s Latin America Harper Montgomery |
| title_full_unstemmed | The Mobility of Modernism Art and Criticism in 1920s Latin America Harper Montgomery |
| title_short | The Mobility of Modernism |
| title_sort | the mobility of modernism art and criticism in 1920s latin america |
| title_sub | Art and Criticism in 1920s Latin America |
| topic | ART / Caribbean & Latin American bisacsh Art criticism Latin America History 20th century Arts and society Latin America History 20th century Arts, Latin American 20th century Arts, Latin American--20th century Modernism (Art) Latin America 20th century |
| topic_facet | ART / Caribbean & Latin American Art criticism Latin America History 20th century Arts and society Latin America History 20th century Arts, Latin American 20th century Arts, Latin American--20th century Modernism (Art) Latin America 20th century |
| url | https://doi.org/10.7560/312537 |
| work_keys_str_mv | AT montgomeryharper themobilityofmodernismartandcriticismin1920slatinamerica |