Jazz and Cocktails: Rethinking Race and the Sound of Film Noir
Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life. Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477312285 |
| DOI: | 10.7560/312261 |
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| spelling | Wager, Jans B. Verfasser aut Jazz and Cocktails Rethinking Race and the Sound of Film Noir Jans B. Wager Austin University of Texas Press [2021] © 2017 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life. Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film noir History and criticism Film noir-History and criticism Jazz in motion pictures Motion pictures and music Race in motion pictures Sound in motion pictures https://doi.org/10.7560/312261 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wager, Jans B. Jazz and Cocktails Rethinking Race and the Sound of Film Noir PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film noir History and criticism Film noir-History and criticism Jazz in motion pictures Motion pictures and music Race in motion pictures Sound in motion pictures |
| title | Jazz and Cocktails Rethinking Race and the Sound of Film Noir |
| title_auth | Jazz and Cocktails Rethinking Race and the Sound of Film Noir |
| title_exact_search | Jazz and Cocktails Rethinking Race and the Sound of Film Noir |
| title_exact_search_txtP | Jazz and Cocktails Rethinking Race and the Sound of Film Noir |
| title_full | Jazz and Cocktails Rethinking Race and the Sound of Film Noir Jans B. Wager |
| title_fullStr | Jazz and Cocktails Rethinking Race and the Sound of Film Noir Jans B. Wager |
| title_full_unstemmed | Jazz and Cocktails Rethinking Race and the Sound of Film Noir Jans B. Wager |
| title_short | Jazz and Cocktails |
| title_sort | jazz and cocktails rethinking race and the sound of film noir |
| title_sub | Rethinking Race and the Sound of Film Noir |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film noir History and criticism Film noir-History and criticism Jazz in motion pictures Motion pictures and music Race in motion pictures Sound in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film noir History and criticism Film noir-History and criticism Jazz in motion pictures Motion pictures and music Race in motion pictures Sound in motion pictures |
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