Notions of genre: writings on popular film before genre theory
Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
2016
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| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-188 DE-473 DE-739 Volltext |
| Zusammenfassung: | Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture |
| Beschreibung: | 1 Online-Ressource (ix, 294 Seiten) Illustrationen |
| ISBN: | 9781477311097 9781477311103 |
| DOI: | 10.7560/303757 |
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| 520 | 3 | |a Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture | |
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| spelling | Notions of genre writings on popular film before genre theory edited by Barry Keith Grant and Malisa Kurtz First edition Austin University of Texas Press 2016 1 Online-Ressource (ix, 294 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture Geschichte 1945-1969 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film genres Motion picture authorship Motion picture plays History and criticism Filmgenre (DE-588)4328427-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmgenre (DE-588)4328427-9 s Geschichte 1945-1969 z DE-604 Grant, Barry Keith 1947- (DE-588)132998696 edt Kurtz, Malisa (DE-588)1133388051 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4773-0375-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4773-1108-0 https://doi.org/10.7560/303757 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Notions of genre writings on popular film before genre theory PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film genres Motion picture authorship Motion picture plays History and criticism Filmgenre (DE-588)4328427-9 gnd |
| subject_GND | (DE-588)4328427-9 (DE-588)4143413-4 |
| title | Notions of genre writings on popular film before genre theory |
| title_auth | Notions of genre writings on popular film before genre theory |
| title_exact_search | Notions of genre writings on popular film before genre theory |
| title_exact_search_txtP | Notions of Genre Writings on Popular Film Before Genre Theory |
| title_full | Notions of genre writings on popular film before genre theory edited by Barry Keith Grant and Malisa Kurtz |
| title_fullStr | Notions of genre writings on popular film before genre theory edited by Barry Keith Grant and Malisa Kurtz |
| title_full_unstemmed | Notions of genre writings on popular film before genre theory edited by Barry Keith Grant and Malisa Kurtz |
| title_short | Notions of genre |
| title_sort | notions of genre writings on popular film before genre theory |
| title_sub | writings on popular film before genre theory |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film genres Motion picture authorship Motion picture plays History and criticism Filmgenre (DE-588)4328427-9 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film genres Motion picture authorship Motion picture plays History and criticism Filmgenre Aufsatzsammlung |
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