Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities-while loved by fans who flock to them...
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| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities-while loved by fans who flock to them in droves-tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477308189 |
| DOI: | 10.7560/309001 |
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| spelling | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television ed. by Amanda Ann Klein, R. Barton Palmer Austin University of Texas Press [2021] © 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities-while loved by fans who flock to them in droves-tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film genres United States Film remakes History and criticism Film sequels Television remakes History and criticism Klein, Amanda Ann 1976- Sonstige (DE-588)1018676600 oth Birmingham, Elizabeth Sonstige oth Borden, Amy Sonstige oth Crawford, Chelsey Sonstige oth Doles, Steven Sonstige oth Gaine, Vincent M. Sonstige oth Kornfield, Sarah Sonstige oth Loock, Kathleen Sonstige oth Palmer, R. Barton Sonstige oth Perkins, Claire Sonstige oth Pomerance, Murray Sonstige oth Rushing, Robert Sonstige oth Scahill, Andrew Sonstige oth Tsika, Noah Sonstige oth Verevis, Constantine Sonstige oth Williams, Kathleen Sonstige oth Woods, Faye Sonstige oth https://doi.org/10.7560/309001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film genres United States Film remakes History and criticism Film sequels Television remakes History and criticism |
| title | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television |
| title_auth | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television |
| title_exact_search | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television |
| title_exact_search_txtP | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television |
| title_full | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television ed. by Amanda Ann Klein, R. Barton Palmer |
| title_fullStr | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television ed. by Amanda Ann Klein, R. Barton Palmer |
| title_full_unstemmed | Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television ed. by Amanda Ann Klein, R. Barton Palmer |
| title_short | Cycles, Sequels, Spin-offs, Remakes, and Reboots |
| title_sort | cycles sequels spin offs remakes and reboots multiplicities in film and television |
| title_sub | Multiplicities in Film and Television |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film genres United States Film remakes History and criticism Film sequels Television remakes History and criticism |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film genres United States Film remakes History and criticism Film sequels Television remakes History and criticism |
| url | https://doi.org/10.7560/309001 |
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