The Classical Mexican Cinema: The Poetics of the Exceptional Golden Age Films
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejecte...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood's paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style's pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas' El Automóvil Gris, the crowning achievement of Mexico's silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477308066 |
| DOI: | 10.7560/302514 |
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| spelling | Berg, Charles Ramírez Verfasser aut The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films Charles Ramírez Berg Austin University of Texas Press [2021] © 2015 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood's paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style's pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas' El Automóvil Gris, the crowning achievement of Mexico's silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Mexico History Motion pictures Mexico History Motion pictures, Mexican History and criticism https://doi.org/10.7560/302514 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berg, Charles Ramírez The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Mexico History Motion pictures Mexico History Motion pictures, Mexican History and criticism |
| title | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films |
| title_auth | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films |
| title_exact_search | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films |
| title_exact_search_txtP | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films |
| title_full | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films Charles Ramírez Berg |
| title_fullStr | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films Charles Ramírez Berg |
| title_full_unstemmed | The Classical Mexican Cinema The Poetics of the Exceptional Golden Age Films Charles Ramírez Berg |
| title_short | The Classical Mexican Cinema |
| title_sort | the classical mexican cinema the poetics of the exceptional golden age films |
| title_sub | The Poetics of the Exceptional Golden Age Films |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Mexico History Motion pictures Mexico History Motion pictures, Mexican History and criticism |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion picture industry Mexico History Motion pictures Mexico History Motion pictures, Mexican History and criticism |
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