Photopoetics at Tlatelolco: Afterimages of Mexico, 1968
In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood,...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state's dual repression-both the massacre's crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of "massacre" and "sacrifice" inform contemporary perceptions of the state's blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781477307496 |
| DOI: | 10.7560/305485 |
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| 520 | |a In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state's dual repression-both the massacre's crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of "massacre" and "sacrifice" inform contemporary perceptions of the state's blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory | ||
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| spelling | Steinberg, Samuel Verfasser aut Photopoetics at Tlatelolco Afterimages of Mexico, 1968 Samuel Steinberg Austin University of Texas Press [2021] © 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) In the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state's dual repression-both the massacre's crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of "massacre" and "sacrifice" inform contemporary perceptions of the state's blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory In English HISTORY / Latin America / Mexico bisacsh Documentary films Mexico History 20th century Mexican literature 20th century History and criticism Student movements Mexico Mexico City History 20th century Tlatelolco Massacre, Mexico City, Mexico, 1968 https://doi.org/10.7560/305485 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Steinberg, Samuel Photopoetics at Tlatelolco Afterimages of Mexico, 1968 HISTORY / Latin America / Mexico bisacsh Documentary films Mexico History 20th century Mexican literature 20th century History and criticism Student movements Mexico Mexico City History 20th century Tlatelolco Massacre, Mexico City, Mexico, 1968 |
| title | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 |
| title_auth | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 |
| title_exact_search | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 |
| title_exact_search_txtP | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 |
| title_full | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 Samuel Steinberg |
| title_fullStr | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 Samuel Steinberg |
| title_full_unstemmed | Photopoetics at Tlatelolco Afterimages of Mexico, 1968 Samuel Steinberg |
| title_short | Photopoetics at Tlatelolco |
| title_sort | photopoetics at tlatelolco afterimages of mexico 1968 |
| title_sub | Afterimages of Mexico, 1968 |
| topic | HISTORY / Latin America / Mexico bisacsh Documentary films Mexico History 20th century Mexican literature 20th century History and criticism Student movements Mexico Mexico City History 20th century Tlatelolco Massacre, Mexico City, Mexico, 1968 |
| topic_facet | HISTORY / Latin America / Mexico Documentary films Mexico History 20th century Mexican literature 20th century History and criticism Student movements Mexico Mexico City History 20th century Tlatelolco Massacre, Mexico City, Mexico, 1968 |
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