Branding Texas: Performing Culture in the Lone Star State
Ask anyone to name an archetypal Texan, and you're likely to get a larger-than-life character from film or television (say John Wayne's Davy Crockett or J. R. Ewing of TV's Dallas) or a politician with that certain swagger (think LBJ or George W. Bush). That all of these figures are w...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Ask anyone to name an archetypal Texan, and you're likely to get a larger-than-life character from film or television (say John Wayne's Davy Crockett or J. R. Ewing of TV's Dallas) or a politician with that certain swagger (think LBJ or George W. Bush). That all of these figures are white and male and bursting with self-confidence is no accident, asserts Leigh Clemons. In this thoughtful study of what makes a "Texan," she reveals how Texan identity grew out of the history-and, even more, the myth-of the heroic deeds performed by Anglo men during the Texas Revolution and the years of the Republic and how this identity is constructed and maintained by theatre and other representational practices. Clemons looks at a wide range of venues in which "Texanness" is performed, including historic sites such as the Alamo, the battlefield at Goliad, and the San Jacinto Monument; museums such as the Bob Bullock Texas State History Museum; seasonal outdoor dramas such as Texas! at Palo Duro Canyon; films such as John Wayne's The Alamo and the IMAX's Alamo: The Price of Freedom; plays and TV shows such as the Tuna trilogy, Dallas, and King of the Hill; and the Cavalcade of Texas performance at the 1936 Texas Centennial. She persuasively demonstrates that these performances have created a Texan identity that has become a brand, a commodity that can be sold to the public and even manipulated for political purposes |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292794047 |
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| indexdate | 2024-07-10T09:15:46Z |
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| spelling | Clemons, Leigh Verfasser aut Branding Texas Performing Culture in the Lone Star State Leigh Clemons Austin University of Texas Press [2021] © 2008 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Ask anyone to name an archetypal Texan, and you're likely to get a larger-than-life character from film or television (say John Wayne's Davy Crockett or J. R. Ewing of TV's Dallas) or a politician with that certain swagger (think LBJ or George W. Bush). That all of these figures are white and male and bursting with self-confidence is no accident, asserts Leigh Clemons. In this thoughtful study of what makes a "Texan," she reveals how Texan identity grew out of the history-and, even more, the myth-of the heroic deeds performed by Anglo men during the Texas Revolution and the years of the Republic and how this identity is constructed and maintained by theatre and other representational practices. Clemons looks at a wide range of venues in which "Texanness" is performed, including historic sites such as the Alamo, the battlefield at Goliad, and the San Jacinto Monument; museums such as the Bob Bullock Texas State History Museum; seasonal outdoor dramas such as Texas! at Palo Duro Canyon; films such as John Wayne's The Alamo and the IMAX's Alamo: The Price of Freedom; plays and TV shows such as the Tuna trilogy, Dallas, and King of the Hill; and the Cavalcade of Texas performance at the 1936 Texas Centennial. She persuasively demonstrates that these performances have created a Texan identity that has become a brand, a commodity that can be sold to the public and even manipulated for political purposes In English HISTORY / United States / State & Local / General bisacsh Folklore Texas History Group identity Texas History Performing arts Texas History Popular culture Texas History Theater Texas History https://www.degruyter.com/isbn/9780292794047 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Clemons, Leigh Branding Texas Performing Culture in the Lone Star State HISTORY / United States / State & Local / General bisacsh Folklore Texas History Group identity Texas History Performing arts Texas History Popular culture Texas History Theater Texas History |
| title | Branding Texas Performing Culture in the Lone Star State |
| title_auth | Branding Texas Performing Culture in the Lone Star State |
| title_exact_search | Branding Texas Performing Culture in the Lone Star State |
| title_exact_search_txtP | Branding Texas Performing Culture in the Lone Star State |
| title_full | Branding Texas Performing Culture in the Lone Star State Leigh Clemons |
| title_fullStr | Branding Texas Performing Culture in the Lone Star State Leigh Clemons |
| title_full_unstemmed | Branding Texas Performing Culture in the Lone Star State Leigh Clemons |
| title_short | Branding Texas |
| title_sort | branding texas performing culture in the lone star state |
| title_sub | Performing Culture in the Lone Star State |
| topic | HISTORY / United States / State & Local / General bisacsh Folklore Texas History Group identity Texas History Performing arts Texas History Popular culture Texas History Theater Texas History |
| topic_facet | HISTORY / United States / State & Local / General Folklore Texas History Group identity Texas History Performing arts Texas History Popular culture Texas History Theater Texas History |
| url | https://www.degruyter.com/isbn/9780292794047 |
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