Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas
During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their suc...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292792920 |
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| spelling | Macor, Alison Verfasser aut Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas Alison Macor Austin University of Texas Press [2021] © 2010 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Texas Austin History Motion pictures Production and direction https://www.degruyter.com/isbn/9780292792920 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Macor, Alison Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Texas Austin History Motion pictures Production and direction |
| title | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas |
| title_auth | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas |
| title_exact_search | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas |
| title_exact_search_txtP | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas |
| title_full | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas Alison Macor |
| title_fullStr | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas Alison Macor |
| title_full_unstemmed | Chainsaws, Slackers, and Spy Kids Thirty Years of Filmmaking in Austin, Texas Alison Macor |
| title_short | Chainsaws, Slackers, and Spy Kids |
| title_sort | chainsaws slackers and spy kids thirty years of filmmaking in austin texas |
| title_sub | Thirty Years of Filmmaking in Austin, Texas |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry Texas Austin History Motion pictures Production and direction |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion picture industry Texas Austin History Motion pictures Production and direction |
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