The Understructure of Writing for Film and Television:
This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay-essential elements in writing a longer script. A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing. The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film & Television, the student's thought and creativity are central |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292759589 |
| DOI: | 10.7560/785144 |
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| spelling | Brady, Ben Verfasser aut The Understructure of Writing for Film and Television Lance Lee, Ben Brady Austin University of Texas Press [2021] © 1988 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay-essential elements in writing a longer script. A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing. The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film & Television, the student's thought and creativity are central In English PERFORMING ARTS / Film & Video / Screenwriting bisacsh Creative writing Drama Technique Motion picture authorship Playwriting Television authorship Lee, Lance Sonstige oth https://doi.org/10.7560/785144 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brady, Ben The Understructure of Writing for Film and Television PERFORMING ARTS / Film & Video / Screenwriting bisacsh Creative writing Drama Technique Motion picture authorship Playwriting Television authorship |
| title | The Understructure of Writing for Film and Television |
| title_auth | The Understructure of Writing for Film and Television |
| title_exact_search | The Understructure of Writing for Film and Television |
| title_exact_search_txtP | The Understructure of Writing for Film and Television |
| title_full | The Understructure of Writing for Film and Television Lance Lee, Ben Brady |
| title_fullStr | The Understructure of Writing for Film and Television Lance Lee, Ben Brady |
| title_full_unstemmed | The Understructure of Writing for Film and Television Lance Lee, Ben Brady |
| title_short | The Understructure of Writing for Film and Television |
| title_sort | the understructure of writing for film and television |
| topic | PERFORMING ARTS / Film & Video / Screenwriting bisacsh Creative writing Drama Technique Motion picture authorship Playwriting Television authorship |
| topic_facet | PERFORMING ARTS / Film & Video / Screenwriting Creative writing Drama Technique Motion picture authorship Playwriting Television authorship |
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