Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art
In the twenty-first century, we are continually confronted with the existential side of technology-the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity's most ubiquitous machines, Automotive Prosthetic: Technological Medi...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | In the twenty-first century, we are continually confronted with the existential side of technology-the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity's most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard Prince, Sylvie Fleury, Yael Bartana, Jeremy Deller, and Jonathan Schipper. At its core, the book offers an alternative formation of conceptual art understood according to technology, the body moving through space, and what art historian, curator, and artist Jack Burnham calls "relations." This thought-provoking study illuminates the ways in which the automobile becomes a naturalized extension of the human body, incarnating new forms of "car art" and spurring a technological reframing of conceptual art. Steeped in a sophisticated take on the image and semiotics of the car, the chapters probe the politics of materialism as well as high/low debates about taste, culture, and art. The result is a highly innovative approach to contemporary intersections of art and technology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292754508 |
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| 520 | |a In the twenty-first century, we are continually confronted with the existential side of technology-the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity's most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard Prince, Sylvie Fleury, Yael Bartana, Jeremy Deller, and Jonathan Schipper. At its core, the book offers an alternative formation of conceptual art understood according to technology, the body moving through space, and what art historian, curator, and artist Jack Burnham calls "relations." This thought-provoking study illuminates the ways in which the automobile becomes a naturalized extension of the human body, incarnating new forms of "car art" and spurring a technological reframing of conceptual art. Steeped in a sophisticated take on the image and semiotics of the car, the chapters probe the politics of materialism as well as high/low debates about taste, culture, and art. The result is a highly innovative approach to contemporary intersections of art and technology | ||
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| indexdate | 2024-09-28T20:00:08Z |
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| spelling | Terranova, Charissa N. ca. 20. Jh. Verfasser (DE-588)1047972328 aut Automotive Prosthetic Technological Mediation and the Car in Conceptual Art Charissa N. Terranova Austin University of Texas Press [2021] © 2014 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) In the twenty-first century, we are continually confronted with the existential side of technology-the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity's most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard Prince, Sylvie Fleury, Yael Bartana, Jeremy Deller, and Jonathan Schipper. At its core, the book offers an alternative formation of conceptual art understood according to technology, the body moving through space, and what art historian, curator, and artist Jack Burnham calls "relations." This thought-provoking study illuminates the ways in which the automobile becomes a naturalized extension of the human body, incarnating new forms of "car art" and spurring a technological reframing of conceptual art. Steeped in a sophisticated take on the image and semiotics of the car, the chapters probe the politics of materialism as well as high/low debates about taste, culture, and art. The result is a highly innovative approach to contemporary intersections of art and technology In English ART / History / Contemporary (1945-) bisacsh Automobiles in art Conceptual art Themes, motives https://www.degruyter.com/isbn/9780292754508 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Terranova, Charissa N. ca. 20. Jh Automotive Prosthetic Technological Mediation and the Car in Conceptual Art ART / History / Contemporary (1945-) bisacsh Automobiles in art Conceptual art Themes, motives |
| title | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art |
| title_auth | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art |
| title_exact_search | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art |
| title_exact_search_txtP | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art |
| title_full | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art Charissa N. Terranova |
| title_fullStr | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art Charissa N. Terranova |
| title_full_unstemmed | Automotive Prosthetic Technological Mediation and the Car in Conceptual Art Charissa N. Terranova |
| title_short | Automotive Prosthetic |
| title_sort | automotive prosthetic technological mediation and the car in conceptual art |
| title_sub | Technological Mediation and the Car in Conceptual Art |
| topic | ART / History / Contemporary (1945-) bisacsh Automobiles in art Conceptual art Themes, motives |
| topic_facet | ART / History / Contemporary (1945-) Automobiles in art Conceptual art Themes, motives |
| url | https://www.degruyter.com/isbn/9780292754508 |
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