Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson
From his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson's unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker's evolving aesthetic a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | From his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson's unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker's evolving aesthetic and its historical context to argue that Anderson's films create new, often ambivalent, narratives of American identity in a media-saturated world. Blossoms and Blood explores Anderson's films in relation to the aesthetic and economic shifts within the film industry and to America's changing social and political sensibilities since the mid-1990s. Sperb provides an auteur study with important implications for film history, media studies, cultural studies, and gender studies. He charts major themes in Anderson's work, such as stardom, self-reflexivity, and masculinity and shows how they are indicative of trends in late twentieth-century American culture. One of the first books to focus on Anderson's work, Blossoms and Blood reveals the development of an under-studied filmmaker attuned to the contradictions of a postmodern media culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292752917 |
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| spelling | Sperb, Jason Verfasser aut Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson Jason Sperb Austin University of Texas Press [2021] © 2013 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) From his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson's unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker's evolving aesthetic and its historical context to argue that Anderson's films create new, often ambivalent, narratives of American identity in a media-saturated world. Blossoms and Blood explores Anderson's films in relation to the aesthetic and economic shifts within the film industry and to America's changing social and political sensibilities since the mid-1990s. Sperb provides an auteur study with important implications for film history, media studies, cultural studies, and gender studies. He charts major themes in Anderson's work, such as stardom, self-reflexivity, and masculinity and shows how they are indicative of trends in late twentieth-century American culture. One of the first books to focus on Anderson's work, Blossoms and Blood reveals the development of an under-studied filmmaker attuned to the contradictions of a postmodern media culture In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture producers and directors https://www.degruyter.com/isbn/9780292752917 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sperb, Jason Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture producers and directors |
| title | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson |
| title_auth | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson |
| title_exact_search | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson |
| title_exact_search_txtP | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson |
| title_full | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson Jason Sperb |
| title_fullStr | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson Jason Sperb |
| title_full_unstemmed | Blossoms and Blood Postmodern Media Culture and the Films of Paul Thomas Anderson Jason Sperb |
| title_short | Blossoms and Blood |
| title_sort | blossoms and blood postmodern media culture and the films of paul thomas anderson |
| title_sub | Postmodern Media Culture and the Films of Paul Thomas Anderson |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture producers and directors |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion picture producers and directors |
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