Between Art and Artifact: Archaeological Replicas and Cultural Production in Oaxaca, Mexico
Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in "fakes" that occasionally...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in "fakes" that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are "genuine" artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm. Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present "authentic" cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as "forgeries." Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove "authenticity," Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780292737808 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047598090 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 211118s2021 |||| o||u| ||||||eng d | ||
| 020 | |a 9780292737808 |9 978-0-292-73780-8 | ||
| 024 | 7 | |a 10.7560/737792 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780292737808 | ||
| 035 | |a (OCoLC)1286872926 | ||
| 035 | |a (DE-599)BVBBV047598090 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 972/.74 | |
| 100 | 1 | |a Brulotte, Ronda L. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Between Art and Artifact |b Archaeological Replicas and Cultural Production in Oaxaca, Mexico |c Ronda L. Brulotte |
| 264 | 1 | |a Austin |b University of Texas Press |c [2021] | |
| 264 | 4 | |c © 2012 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) | ||
| 520 | |a Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in "fakes" that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are "genuine" artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm. Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present "authentic" cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as "forgeries." Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove "authenticity," Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship | ||
| 546 | |a In English | ||
| 650 | 7 | |a ART / Caribbean & Latin American |2 bisacsh | |
| 650 | 4 | |a Antiquites |z Mexico |z Oaxaca Valley |x Reproduction | |
| 650 | 4 | |a Art objects |z Mexico |z Oaxaca Valley |x Reproduction | |
| 650 | 4 | |a Cultural property |z Mexico |z Oaxaca Valley | |
| 650 | 4 | |a Indian art |z Mexico |z Oaxaca Valley | |
| 650 | 4 | |a Indian wood-carving |z Mexico |z Oaxaca Valley | |
| 650 | 4 | |a Indians of Mexico |z Mexico |z Oaxaca Valley |x Material culture | |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780292737808 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032983214 | ||
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.degruyter.com/isbn/9780292737808 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182954848550912 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Brulotte, Ronda L. |
| author_facet | Brulotte, Ronda L. |
| author_role | aut |
| author_sort | Brulotte, Ronda L. |
| author_variant | r l b rl rlb |
| building | Verbundindex |
| bvnumber | BV047598090 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780292737808 (OCoLC)1286872926 (DE-599)BVBBV047598090 |
| dewey-full | 972/.74 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 972 - Mexico, Central America, West Indies |
| dewey-raw | 972/.74 |
| dewey-search | 972/.74 |
| dewey-sort | 3972 274 |
| dewey-tens | 970 - History of North America |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04377nmm a2200541zc 4500</leader><controlfield tag="001">BV047598090</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">211118s2021 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292737808</subfield><subfield code="9">978-0-292-73780-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/737792</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780292737808</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286872926</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047598090</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">972/.74</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brulotte, Ronda L.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Between Art and Artifact</subfield><subfield code="b">Archaeological Replicas and Cultural Production in Oaxaca, Mexico</subfield><subfield code="c">Ronda L. Brulotte</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin</subfield><subfield code="b">University of Texas Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in "fakes" that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are "genuine" artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm. Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present "authentic" cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as "forgeries." Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove "authenticity," Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Caribbean & Latin American</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Antiquites</subfield><subfield code="z">Mexico</subfield><subfield code="z">Oaxaca Valley</subfield><subfield code="x">Reproduction</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art objects</subfield><subfield code="z">Mexico</subfield><subfield code="z">Oaxaca Valley</subfield><subfield code="x">Reproduction</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural property</subfield><subfield code="z">Mexico</subfield><subfield code="z">Oaxaca Valley</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indian art</subfield><subfield code="z">Mexico</subfield><subfield code="z">Oaxaca Valley</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indian wood-carving</subfield><subfield code="z">Mexico</subfield><subfield code="z">Oaxaca Valley</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indians of Mexico</subfield><subfield code="z">Mexico</subfield><subfield code="z">Oaxaca Valley</subfield><subfield code="x">Material culture</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032983214</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.degruyter.com/isbn/9780292737808</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047598090 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T18:36:35Z |
| indexdate | 2024-07-10T09:15:46Z |
| institution | BVB |
| isbn | 9780292737808 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032983214 |
| oclc_num | 1286872926 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Texas Press |
| record_format | marc |
| spelling | Brulotte, Ronda L. Verfasser aut Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico Ronda L. Brulotte Austin University of Texas Press [2021] © 2012 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) Oaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in "fakes" that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are "genuine" artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm. Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present "authentic" cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as "forgeries." Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove "authenticity," Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship In English ART / Caribbean & Latin American bisacsh Antiquites Mexico Oaxaca Valley Reproduction Art objects Mexico Oaxaca Valley Reproduction Cultural property Mexico Oaxaca Valley Indian art Mexico Oaxaca Valley Indian wood-carving Mexico Oaxaca Valley Indians of Mexico Mexico Oaxaca Valley Material culture https://www.degruyter.com/isbn/9780292737808 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brulotte, Ronda L. Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico ART / Caribbean & Latin American bisacsh Antiquites Mexico Oaxaca Valley Reproduction Art objects Mexico Oaxaca Valley Reproduction Cultural property Mexico Oaxaca Valley Indian art Mexico Oaxaca Valley Indian wood-carving Mexico Oaxaca Valley Indians of Mexico Mexico Oaxaca Valley Material culture |
| title | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico |
| title_auth | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico |
| title_exact_search | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico |
| title_exact_search_txtP | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico |
| title_full | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico Ronda L. Brulotte |
| title_fullStr | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico Ronda L. Brulotte |
| title_full_unstemmed | Between Art and Artifact Archaeological Replicas and Cultural Production in Oaxaca, Mexico Ronda L. Brulotte |
| title_short | Between Art and Artifact |
| title_sort | between art and artifact archaeological replicas and cultural production in oaxaca mexico |
| title_sub | Archaeological Replicas and Cultural Production in Oaxaca, Mexico |
| topic | ART / Caribbean & Latin American bisacsh Antiquites Mexico Oaxaca Valley Reproduction Art objects Mexico Oaxaca Valley Reproduction Cultural property Mexico Oaxaca Valley Indian art Mexico Oaxaca Valley Indian wood-carving Mexico Oaxaca Valley Indians of Mexico Mexico Oaxaca Valley Material culture |
| topic_facet | ART / Caribbean & Latin American Antiquites Mexico Oaxaca Valley Reproduction Art objects Mexico Oaxaca Valley Reproduction Cultural property Mexico Oaxaca Valley Indian art Mexico Oaxaca Valley Indian wood-carving Mexico Oaxaca Valley Indians of Mexico Mexico Oaxaca Valley Material culture |
| url | https://www.degruyter.com/isbn/9780292737808 |
| work_keys_str_mv | AT brulotterondal betweenartandartifactarchaeologicalreplicasandculturalproductioninoaxacamexico |