Indie, Inc.: Miramax and the Transformation of Hollywood in the 1990s
During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. sur...
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| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin
University of Texas Press
[2021]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax's evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax's activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not-it transcends discussions of "American indies" to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the "rise of the American independent" was in fact part of a larger reconfiguration of the media industries toward niche-oriented products |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) |
| Physical Description: | 1 online resource |
| ISBN: | 9780292737150 |
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| spelling | Perren, Alisa Verfasser aut Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s Alisa Perren Austin University of Texas Press [2021] © 2012 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021) During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax's evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax's activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not-it transcends discussions of "American indies" to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the "rise of the American independent" was in fact part of a larger reconfiguration of the media industries toward niche-oriented products In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Independent filmmakers United States https://www.degruyter.com/isbn/9780292737150 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Perren, Alisa Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s PERFORMING ARTS / Film & Video / History & Criticism bisacsh Independent filmmakers United States |
| title | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s |
| title_auth | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s |
| title_exact_search | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s |
| title_exact_search_txtP | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s |
| title_full | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s Alisa Perren |
| title_fullStr | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s Alisa Perren |
| title_full_unstemmed | Indie, Inc. Miramax and the Transformation of Hollywood in the 1990s Alisa Perren |
| title_short | Indie, Inc. |
| title_sort | indie inc miramax and the transformation of hollywood in the 1990s |
| title_sub | Miramax and the Transformation of Hollywood in the 1990s |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Independent filmmakers United States |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Independent filmmakers United States |
| url | https://www.degruyter.com/isbn/9780292737150 |
| work_keys_str_mv | AT perrenalisa indieincmiramaxandthetransformationofhollywoodinthe1990s |